<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2104764566818544017</id><updated>2012-01-27T14:29:47.115+13:00</updated><category term='American Civil War'/><category term='Italian'/><category term='borrowed'/><category term='Welsh'/><category term='Arabic'/><category term='Magazines'/><category term='WW1'/><category term='Plays'/><category term='DVDs'/><category term='School Journal'/><category term='Swedish'/><category term='Cassettes'/><category term='Persian'/><category term='House'/><category term='Classical'/><category term='Criticism'/><category term='Games'/><category term='Napoleonic Wars'/><category term='Canadian'/><category term='Life Writing'/><category term='Finnish'/><category term='Egyptian'/><category term='Byzantine'/><category term='History'/><category term='Fiction'/><category term='Outsize'/><category term='Linguistics'/><category term='Ghost'/><category term='Arabian Nights'/><category term='Carl Spitzweg'/><category term='Near-Eastern'/><category term='Fairy Tales'/><category term='Polish'/><category term='Tibetan'/><category term='Screenplays'/><category term='Irish'/><category term='Australian'/><category term='Astronomy'/><category term='Yugoslav'/><category term='United States'/><category term='Theory'/><category term='French'/><category term='Ms'/><category term='Cupboard'/><category term='Fact'/><category term='Norwegian'/><category term='categories'/><category term='CDs'/><category term='Sanskrit'/><category term='returned'/><category term='Jewish'/><category term='Latin-American'/><category term='Reference'/><category term='geography'/><category term='Publications'/><category term='Literature'/><category term='Hungarian'/><category term='Twentieth-Century'/><category term='Archaeology'/><category term='desiderata'/><category term='Elias Canetti'/><category term='Non-fiction'/><category term='Netherlands'/><category term='Hermetic'/><category term='Bookcase'/><category term='Science Fiction'/><category term='Tahiti'/><category term='Phrase-books'/><category term='Creative Writing'/><category term='Handcraft'/><category term='Portuguese'/><category term='list'/><category term='Academic Writing'/><category term='English'/><category term='Library of America'/><category term='Prose'/><category term='Philosophy'/><category term='New Zealand'/><category term='Chinese'/><category term='Preface'/><category term='Pacific'/><category term='Drama'/><category term='Psychology'/><category term='Videos'/><category term='Graphic Novels'/><category term='Diary'/><category term='Erik Desmazières'/><category term='Supernatural'/><category term='American'/><category term='Greek'/><category term='Mathematics'/><category term='Theatre'/><category term='Biology'/><category term='German'/><category term='Poetry'/><category term='Travel Writing'/><category term='Picturebook'/><category term='Spanish'/><category term='India'/><category term='Japanese'/><category term='Religion'/><category term='Korean'/><category term='friends'/><category term='Turkish'/><category term='Course Books'/><category term='Islam'/><category term='Czech'/><category term='Cinema'/><category term='Printouts'/><category term='Bach'/><category term='Cooking'/><category term='Occult'/><category term='Bookbox'/><category term='Office'/><category term='Physics'/><category term='Music'/><category term='Hawaii'/><category term='Comics'/><category term='Russian'/><category term='Art'/><category term='Icelandic'/><category term='Science'/><category term='libraries'/><category term='Audiobooks'/><category term='Pleiade'/><category term='WW2'/><category term='Romance'/><category term='Fantasy'/><category term='Dictionaries'/><category term='contents'/><category term='Children'/><category term='Biography'/><category term='Danish'/><category term='Flat'/><category term='Samoa'/><category term='African'/><category term='Christianity'/><category term='Mythology'/><category term='Scottish'/><category term='Caribbean'/><category term='Latin'/><category term='Vietnamese'/><category term='Grammars'/><category term='Memoir'/><category term='Pre-modern'/><category term='Television'/><category term='Mervyn Peake'/><category term='Exploration'/><category term='Folklore'/><category term='Books'/><title type='text'>A Gentle Madness</title><subtitle type='html'>&lt;b&gt;A Catalogue of my Book Collection: Geographical by Locations &amp;amp; Indexed by Categories&lt;/b&gt;</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>68</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-6246042119670936208</id><published>2010-05-03T09:13:00.226+12:00</published><updated>2011-12-04T15:57:21.314+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='contents'/><category scheme='http://www.blogger.com/atom/ns#' term='Bookbox'/><category scheme='http://www.blogger.com/atom/ns#' term='categories'/><category scheme='http://www.blogger.com/atom/ns#' term='list'/><category scheme='http://www.blogger.com/atom/ns#' term='geography'/><category scheme='http://www.blogger.com/atom/ns#' term='Bookcase'/><title type='text'>Site-map</title><content type='html'>&lt;div style="TEXT-ALIGN: center"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SrRfCkC7TMI/AAAAAAAACXk/2VANURXTvqw/s1600-h/kells2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5383031952254913730" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 302px; CURSOR: pointer; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SrRfCkC7TMI/AAAAAAAACXk/2VANURXTvqw/s400/kells2.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.marierutkoski.com/journal/60"&gt;The Book of Kells&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/preface.html"&gt;Preface&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/05/desiderata.html"&gt;Desiderata&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html"&gt;Books on Loan&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="TEXT-ALIGN: center"&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Si75adJlEVI/AAAAAAAABVE/6-45F7BN9_E/s1600-h/trinity-college-library-dub.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5345484040632078674" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: pointer; HEIGHT: 316px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Si75adJlEVI/AAAAAAAABVE/6-45F7BN9_E/s400/trinity-college-library-dub.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://asymtopia.com/2008/01/30/hot-library-smut/"&gt;Trinity College, Dublin&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;•&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/05/table-of-contents.html"&gt;Geography&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Bookcases A-Z:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/07/bookcase.html"&gt;Bookcase A&lt;/a&gt;: &lt;em&gt;English Poetry&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 116 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;Bookcase B&lt;/a&gt;: &lt;em&gt;English Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[9 shelves / 1307 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;Bookcase C&lt;/a&gt;: &lt;em&gt;German &amp;amp; Russian Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[9 shelves / 884 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;Bookcase D&lt;/a&gt;: &lt;em&gt;Foreign &amp;amp; Science Fiction&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[9 shelves / 1526 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;Bookcase E&lt;/a&gt;: &lt;em&gt;English Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 516 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-f.html"&gt;Bookcase F&lt;/a&gt;: &lt;em&gt;Spanish &amp;amp; Latin American Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 621 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-g.html"&gt;Bookcase G&lt;/a&gt;: &lt;em&gt;Science &amp;amp; French Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 542 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-h.html"&gt;Bookcase H&lt;/a&gt;: &lt;em&gt;Reference &amp;amp; Children’s Books&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 605 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-i.html"&gt;Bookcase I&lt;/a&gt;: &lt;em&gt;Australian &amp;amp; NZ Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 706 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-j.html"&gt;Bookcase J&lt;/a&gt;: &lt;em&gt;Eastern Stories&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 126 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html"&gt;Bookcase K&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html#_ftn1" name="_ftnref1"&gt;(i)&lt;/a&gt;: &lt;em&gt;Poetry &amp; Reference&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 75 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html"&gt;Bookcase K&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html#_ftn14" name="_ftnref14"&gt;(ii)&lt;/a&gt;: &lt;em&gt;Short Stories &amp; Children's Books&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 75 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html"&gt;Bookcase K&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html#_ftn6" name="_ftnref6"&gt;(iii)&lt;/a&gt;: &lt;em&gt;NZ Art &amp; Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 420 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html"&gt;Bookcase K&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-k.html#_ftn19" name="_ftnref19"&gt;(iv)&lt;/a&gt;: &lt;em&gt;Handcraft &amp; Catalogues&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 75 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;Bookcase L&lt;/a&gt;: &lt;em&gt;Foreign Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 393 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;Bookcase M&lt;/a&gt;: &lt;em&gt;Fantasy &amp;amp; Supernatural&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[9 shelves / 1341 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-n.html"&gt;Bookcase N&lt;/a&gt;: &lt;em&gt;Comics &amp;amp; Outsize&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 483 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-o.html"&gt;Bookcase O&lt;/a&gt;: &lt;em&gt;Classical Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[5 shelves / 325 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;Bookcase P&lt;/a&gt;: &lt;em&gt;French &amp;amp; Italian Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[6 shelves / 237 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;FLAT&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-q.html"&gt;Bookcase Q&lt;/a&gt;: &lt;em&gt;NZ Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 573 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-r.html"&gt;Bookcase R&lt;/a&gt;: &lt;em&gt;American Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 740 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;Bookcase S&lt;/a&gt;: &lt;em&gt;English Fiction&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 857 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-t.html"&gt;Bookcase T&lt;/a&gt;: &lt;em&gt;Chinese Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 135 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;OFFICE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-u.html"&gt;Bookcase U&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-u.html#_ftn1" name="_ftnref1"&gt;(i)&lt;/a&gt;: &lt;em&gt;Coursebooks &amp;amp; Anthologies&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[3 shelves / 131 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;OFFICE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-u.html"&gt;Bookcase U&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-u.html#_ftn5" name="_ftnref5"&gt;(ii)&lt;/a&gt;: &lt;em&gt;NZ Books&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 337 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;OFFICE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-v.html"&gt;Bookcase V&lt;/a&gt;: &lt;em&gt;Criticism &amp;amp; Theory&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[7 shelves / 794 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-w.html"&gt;Bookcase W&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-w.html#_ftn1" name="_ftnref1"&gt;(i)&lt;/a&gt;: &lt;em&gt;Scottish Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 157 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-w.html"&gt;Bookcase W&lt;/a&gt; &lt;a class="style23" title="" href="http://madbookcollection.blogspot.com/2009/06/bookcase-w.html#_ftn6" name="_ftnref6"&gt;(ii)&lt;/a&gt;: &lt;em&gt;Music &amp;amp; Film&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[6 shelves / CDs &amp;amp; videos]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-x.html"&gt;Bookcase X&lt;/a&gt;: Cupboard I: &lt;em&gt;Audiobooks &amp;amp; Ms’s&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[4 shelves / 283 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-y.html"&gt;Bookcase Y&lt;/a&gt;: Cupboard II: &lt;em&gt;Civil War &amp;amp; Occult&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[6 shelves / 365 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;BACH&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-z.html"&gt;Bookcase Z&lt;/a&gt;: Cupboard III: &lt;em&gt;Ms's &amp;amp; Publications&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[6 shelves / 512 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="TEXT-ALIGN: center"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_ZO6brBJskrI/SeP9X8WTOOI/AAAAAAAACOg/F5vElTg_gGU/s1600-h/Spitzweg1850Buecherwurm.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5324377772260538594" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 298px; CURSOR: pointer; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_ZO6brBJskrI/SeP9X8WTOOI/AAAAAAAACOg/F5vElTg_gGU/s400/Spitzweg1850Buecherwurm.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Carl Spitzweg: &lt;a href="http://www.history.ucsb.edu/faculty/marcuse/"&gt;The Bookworm&lt;/a&gt; (1850)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Bookboxes 1-24:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-i.html"&gt;Bookboxes I&lt;/a&gt; - 1-4: &lt;em&gt;History &amp;amp; WWII&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[1 shelf / 79 books &amp;amp; 2 layers / 110 books = 189 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-ii.html"&gt;Bookboxes II&lt;/a&gt; - 5-10: &lt;em&gt;Shakespeare to Shaw&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[1 shelf / 53 books &amp;amp; 3 layers / 166 books = 219 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;HOUSE&lt;/strong&gt; - &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;Bookboxes III&lt;/a&gt; - 11-24: &lt;em&gt;Miscellaneous Literature&lt;/em&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[3 shelves / 186 books &amp;amp; 2 layers / 463 books = 649 books]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="TEXT-ALIGN: center"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_dSZQ_FbAxSA/SiiNgipds5I/AAAAAAAABSc/_p0G9RpuHgQ/s1600-h/auto+da+fe.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5343676548071142290" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 372px; CURSOR: pointer; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_dSZQ_FbAxSA/SiiNgipds5I/AAAAAAAABSc/_p0G9RpuHgQ/s400/auto+da+fe.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Elias Canetti: &lt;a href="http://www.bookdepository.co.uk/book/9780099470311/Auto-da-Fe"&gt;Auto-da-fé&lt;/a&gt; (1935)]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;•&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/contents.html"&gt;Categories&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/africa.html"&gt;Africa&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;S&lt;/a&gt; &amp;amp; Bookbox &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;16&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(59 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/art-music.html"&gt;Art, Music, Audiobooks&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;C&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-n.html"&gt;N&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-x.html"&gt;X&lt;/a&gt; &amp;amp; Bookbox &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;12&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(454 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/australian-pacific-literature.html"&gt;Australian &amp;amp; Pacific Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-i.html"&gt;I&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(168 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/celtic-literatures.html"&gt;Celtic Literatures&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;B&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-w.html"&gt;W&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-ii.html"&gt;5 &amp;amp; 6&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;13 &amp;amp; 22&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(623 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/childrens-books.html"&gt;Children's Books&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-h.html"&gt;H&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(486 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/chinese-literature.html"&gt;Chinese Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-t.html"&gt;T&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(192 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/cinema-drama.html"&gt;Cinema &amp;amp; Drama&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(248 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/classical-literature.html"&gt;Classical Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-o.html"&gt;O&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(346 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/comics.html"&gt;Comics &amp;amp; Graphic Novels&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-n.html"&gt;N&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(271 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/eastern-european-literature.html"&gt;Eastern-European Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(149 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/eastern-frame-stories.html"&gt;Eastern Literatures&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-j.html"&gt;J&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-n.html"&gt;N&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(437 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/english-poetry.html"&gt;English Poetry (pre-1900)&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;B&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;P&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;S&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(388 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-poetry-post-1900.html"&gt;English Poetry (post-1900)&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;B&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;P&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;S&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(655 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/english-fiction-other-prose.html"&gt;English Prose (pre-1900)&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;B&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;S&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-ii.html"&gt;6, 7, 8, 10&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;11, 13, 14, 17, 18 &amp;amp; 19&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(473 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html"&gt;English Prose (post-1900)&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-b.html"&gt;B&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-s.html"&gt;S&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-ii.html"&gt;6, 7, 8, 10&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;11, 13, 14, 17, 18 &amp;amp; 19&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(1153 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/fantasy-science-fiction.html"&gt;Fantasy &amp;amp; Science Fiction&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-h.html"&gt;H&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(1179 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/07/folklore-fairy-tales.html"&gt;Folklore &amp;amp; Fairy Tales&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(274 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/french-literature.html"&gt;French Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-g.html"&gt;G&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;P&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(719 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/german-literature.html"&gt;Germanic Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;C&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;20, 23 &amp;amp; 24&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(372 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/history-archaeology.html"&gt;History &amp;amp; Archaeology&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-f.html"&gt;F&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-g.html"&gt;G&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-i.html"&gt;I&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-i.html"&gt;1-4&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;20&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(336 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/italian-literature.html"&gt;Italian Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;P&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(232 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/japanese-literature.html"&gt;Japanese Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(159 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/literary-theory-linguistics.html"&gt;Literature, Language &amp;amp; Philosophy&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-v.html"&gt;V&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(355 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/mathematics-science.html"&gt;Mathematics &amp;amp; Science&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-g.html"&gt;G&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(212 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/new-zealand-literature.html"&gt;New Zealand Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-i.html"&gt;I&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-q.html"&gt;Q&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-v.html"&gt;V&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(1749 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/north-american-literature.html"&gt;North American Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;C&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-e.html"&gt;E&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-p.html"&gt;P&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-r.html"&gt;R&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-y.html"&gt;Y&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(1333 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/occult-supernatural.html"&gt;Occult &amp;amp; Supernatural&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-y.html"&gt;Y&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(460 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/08/psychology-religion.html"&gt;Psychology &amp;amp; Religion&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-d.html"&gt;D&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-m.html"&gt;M&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(196 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/russian-literature.html"&gt;Russian Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;C&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt; &amp;amp; Bookboxes &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;21 &amp;amp; 22&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(487 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/scandinavia-netherlands.html"&gt;Scandinavia &amp;amp; the Netherlands&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-c.html"&gt;C&lt;/a&gt; &amp;amp; &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-l.html"&gt;L&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(93 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/spanish-latin-american-literature.html"&gt;Spanish &amp;amp; Latin-American Literature&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcase &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-f.html"&gt;F&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(477 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://madbookcollection.blogspot.com/2009/09/travel-exploration.html"&gt;Travel &amp;amp; Exploration&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;[Bookcases &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-i.html"&gt;I&lt;/a&gt;, &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookcase-v.html"&gt;V&lt;/a&gt; &amp;amp; Bookbox &lt;a href="http://madbookcollection.blogspot.com/2009/06/bookboxes-iii.html"&gt;12&lt;/a&gt;]&lt;br /&gt;&lt;ul&gt;&lt;li&gt;(254 books)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="TEXT-ALIGN: center"&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Si75TgWAD_I/AAAAAAAABU8/YcPdjYl00cA/s1600-h/library+of+babel+%281997%29.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5345483921230401522" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 250px; CURSOR: pointer; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Si75TgWAD_I/AAAAAAAABU8/YcPdjYl00cA/s400/library+of+babel+%281997%29.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://madbookcollection.blogspot.com/2009/07/erotica.html"&gt;Erik Desmazières&lt;/a&gt;: &lt;a href="http://www.johncoulthart.com/feuilleton/2007/01/27/the-art-of-erik-desmazieres/"&gt;The Library of Babel&lt;/a&gt; (1997)]&lt;/span&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2104764566818544017-6246042119670936208?l=madbookcollection.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/6246042119670936208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://madbookcollection.blogspot.com/2010/05/site-map.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/6246042119670936208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/6246042119670936208'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/2010/05/site-map.html' title='Site-map'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_dSZQ_FbAxSA/SrRfCkC7TMI/AAAAAAAACXk/2VANURXTvqw/s72-c/kells2.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-4684462890421727781</id><published>2010-05-02T10:39:00.021+12:00</published><updated>2011-12-31T12:12:34.556+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='desiderata'/><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><title type='text'>Desiderata</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9zA3xbBhDI/AAAAAAAADSw/Z15FbCQWsSA/s1600/inside-shakespeare-and-co.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9zA3xbBhDI/AAAAAAAADSw/Z15FbCQWsSA/s400/inside-shakespeare-and-co.jpg" alt="" id="BLOGGER_PHOTO_ID_5466456112112960562" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://atlantareader.wordpress.com/2009/04/14/bookstore-heavens/"&gt;Shakespeare &amp;amp; Co.&lt;/a&gt; (Paris)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Categories:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/05/desiderata.html#_ftn1" name="_ftnref1" title="" class="style23"&gt;&lt;strong&gt;Books I'd Like to Own&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/05/desiderata.html#_ftn2" name="_ftnref2" title="" class="style23"&gt;&lt;strong&gt;Odd volumes to Complete a Set&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9zBpsJuRfI/AAAAAAAADS4/vnjzErJ_oSI/s1600/cramped-bookstore-calcutta.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 271px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9zBpsJuRfI/AAAAAAAADS4/vnjzErJ_oSI/s400/cramped-bookstore-calcutta.jpg" alt="" id="BLOGGER_PHOTO_ID_5466456969691678194" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.miragebookmark.ch/most-interesting-bookstores.htm"&gt;Cramped Bookstore&lt;/a&gt; (Calcutta)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn1"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn1" name="_ftn1" title=""&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Books I'd like to own:&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Authors:&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Craig Harrison&lt;/strong&gt; (1942- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;T. G. H. Strehlow&lt;/strong&gt; (1908–1978)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Torrens&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Weber&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;P. G. Wodehouse&lt;/strong&gt; (1881–1975)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Frances A. Yates&lt;/strong&gt; (1899-1981)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;W. B. Yeats&lt;/strong&gt; (1865-1939)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;hr noshade="noshade" size="1" align="left" width="70%"&gt;&lt;br /&gt;&lt;ol&gt;&lt;strong&gt;Craig Harrison&lt;/strong&gt; (1942- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Harrison, Craig. &lt;em&gt;The Quiet Earth&lt;/em&gt;. Auckland: Hodder and Stoughton, 1981.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;NZ Sci-fi: Difficult to get in hardback &lt;em&gt;or&lt;/em&gt; paperback.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;T. G. H. Strehlow&lt;/strong&gt; (1908–1978)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Strehlow, T. G. H. &lt;em&gt;Songs of Central Australia&lt;/em&gt;. Sydney: Angus and Robertson, 1971.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Incredibly, terrifyingly rare - but fascinating.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry Torrens&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Torrens, Henry, trans. &lt;em&gt;The Arabian Nights' Entertainments&lt;/em&gt;. Calcutta: W. Thacker &amp;amp; Co., 1838.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The first attempt (in English) at a complete translation of the &lt;em&gt;Nights&lt;/em&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry Weber&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Weber, Henry, ed. &lt;em&gt;Tales from the East&lt;/em&gt;. 3 vols. Edinburgh: James Ballantyne, 1812.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A compendium of "oriental Tales" from a variety of disparate sources.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;P. G. Wodehouse&lt;/strong&gt; (1881–1975)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;William Tell Told Again&lt;/span&gt;. 1904.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Love Among the Chickens&lt;/span&gt;. 1906.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Not George Washington&lt;/span&gt;. 1907.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Globe 'By the Way' Book&lt;/span&gt;. 1908.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Mike [Mike and Psmith]&lt;/span&gt;. 1909 &amp;amp; 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Swoop!&lt;/span&gt; 1909.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Prince and Betty&lt;/span&gt;. 1912.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Jill the Reckless&lt;/span&gt;. 1921.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;If I Were You&lt;/span&gt;. 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Louder and Funnier&lt;/span&gt;. 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Nothing Serious&lt;/span&gt;. 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;A Few Quick Ones&lt;/span&gt;. 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Girl in Blue&lt;/span&gt;. 1970.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;These are definitely of secondary interest only, but it seemed convenient to list here the Wodehouses I haven't managed to find as yet (at a reasonably price, at any rate).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Frances A. Yates&lt;/strong&gt; (1899-1981)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A. &lt;em&gt;John Florio: The Life of an Italian in Shakespeare's England&lt;/em&gt;. 1934. New York: Octagon Press, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A. &lt;em&gt;The French Academies of the Sixteenth Century&lt;/em&gt;. London: University of London Press, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A. &lt;em&gt;The Valois Tapestries&lt;/em&gt;. London: Routledge &amp;amp; Kegan Paul, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A., ed. &lt;em&gt;Simon Bouquet's La ioyeuse Entree de Charles IX Roy de France en Paris, 1572&lt;/em&gt;. London: Routledge &amp;amp; Kegan Paul, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A. &lt;em&gt;Renaissance and Reform: The Italian Contribution&lt;/em&gt;. Collected Essays, Volume 2. London: Routledge &amp;amp; Kegan Paul, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yates, Frances A. &lt;em&gt;Ideas and Ideals in the North European Renaissance&lt;/em&gt;. Collected Essays, Volume 3. London: Routledge &amp;amp; Kegan Paul, 1984.&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Any editions or reprints of these books will do: Firsts or otherwise.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;W. B. Yeats&lt;/strong&gt; (1865-1939)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Collected Works of W. B. Yeats&lt;/span&gt;. General Editors: Richard J. Finneran &amp;amp; George Mills Harper (1983- )&lt;ol&gt;&lt;li&gt;&lt;b&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;The Poems: 2nd Edition&lt;/span&gt;. Ed. Richard J. Finneran. 1983. The Collected Works of W. B. Yeats, I. London: Macmillan Limited, 1997.&lt;/b&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;The Plays&lt;/span&gt;. Ed. David R. Clark. The Collected Works of W. B. Yeats, II. London: Macmillan Limited, 2001.&lt;/b&gt;&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Autobiographies&lt;/span&gt;. Ed. Douglas Archibald, J. Fraser Cocks III, &amp;amp; Gretchen L. Schwenker. The Collected Works of W. B. Yeats, III. London: Macmillan Limited, 1999.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Early Essays [Ideas of Good and Evil; The Cutting of an Agate]&lt;/span&gt;. 1903, 1912. Ed. Richard J. Finneran &amp;amp; George Bornstein. The Collected Works of W. B. Yeats, IV. London: Macmillan Limited, 2007.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Later Essays [Per Amica Silentia Lunae &amp;amp;c.]&lt;/span&gt;. 1917. Ed. William H. O'Donnell. The Collected Works of W. B. Yeats, V. London: Macmillan Limited, 1994.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Prefaces and Introductions&lt;/span&gt;. Ed. William H. O'Donnell. The Collected Works of W. B. Yeats, VI. London: Macmillan Limited, 1989.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Letters to the New Island&lt;/span&gt;. Ed. George Bornstein &amp;amp; Hugh Witemeyer. The Collected Works of W. B. Yeats, VII. London: Macmillan Limited, 1990.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;The Irish Dramatic Movement&lt;/span&gt;. Ed. Mary FitzGerald &amp;amp; Richard J. Finneran. The Collected Works of W. B. Yeats, VIII. London: Macmillan Limited, 2003.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Early Articles and Reviews: Uncollected Articles and Reviews Written Between 1886 and 1900&lt;/span&gt;. Ed. John P. Frayne &amp;amp; Madeleine Marchaterre. The Collected Works of W. B. Yeats, IX. London: Macmillan Limited, 2004.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;Later Articles and Reviews: Uncollected Articles, Reviews, and Radio Broadcasts Written After 1900&lt;/span&gt;. Ed. Colton Johnson. The Collected Works of W. B. Yeats, X. London: Macmillan Limited, 2000.&lt;/li&gt;&lt;li&gt;[Yeats, W. B. &lt;span style="font-style: italic;"&gt;Mythologies&lt;/span&gt;. Ed. Warwick Gould, Phillip L. Marcus, &amp;amp; Michael Sidnell. The Collected Works of W. B. Yeats, XI. London: Macmillan Limited, tba.]&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;John Sherman and Dhoya&lt;/span&gt;. Ed. Richard J. Finneran. 1991. The Collected Works of W. B. Yeats, XII. New York: Macmillan Publishing Company, 1993.&lt;/li&gt;&lt;li&gt;Yeats, W. B. &lt;span style="font-style: italic;"&gt;A Vision: The Original 1925 Version&lt;/span&gt;. Ed. Catherine E. Paul &amp;amp; Margaret Mills Harper. The Collected Works of W. B. Yeats, XIII. London: Macmillan Limited, 2008.&lt;/li&gt;&lt;li&gt;[Yeats, W. B. &lt;span style="font-style: italic;"&gt;A Vision (1937)&lt;/span&gt;. Ed. Connie K. Hood &amp;amp; Walter Kelly Hood. The Collected Works of W. B. Yeats, XIV. London: Macmillan Limited, tba].&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9y3tQODueI/AAAAAAAADSg/qH75AmU5D-I/s1600/Byron.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9y3tQODueI/AAAAAAAADSg/qH75AmU5D-I/s400/Byron.jpg" alt="" id="BLOGGER_PHOTO_ID_5466446035796867554" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Leslie Marchand, ed.: &lt;a href="http://www.amazon.com/Byrons-Letters-Journals-II-1810-1812/dp/0674089413/ref=sr_1_4?ie=UTF8&amp;amp;s=books&amp;amp;qid=1272755824&amp;amp;sr=1-4"&gt;Byron's Letters and Journals&lt;/a&gt; (1973-1994)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn2"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn2" name="_ftn2" title=""&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Odd volumes to Complete a Set:&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Authors:&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Lord Byron&lt;/strong&gt; (1788-1824)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry James&lt;/strong&gt; (1843-1916)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;hr noshade="noshade" size="1" align="left" width="70%"&gt;&lt;br /&gt;&lt;ol&gt;&lt;strong&gt;Lord Byron&lt;/strong&gt; (1788-1824)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Byron, George Gordon, Lord. &lt;em&gt;‘A heart for every fate’. Byron's Letters and Journals. Vol. 10: 1822-1823&lt;/em&gt;. Ed. Leslie A. Marchand. London: John Murray / Harvard University: Belknap Press, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Byron, George Gordon, Lord. &lt;em&gt;‘The trouble of an index’. Byron's Letters and Journals. Vol. 12: Index&lt;/em&gt;. Ed. Leslie A. Marchand. London: John Murray / Harvard University: Belknap Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Byron, George Gordon, Lord. &lt;em&gt;‘What comes uppermost’. Byron's Letters and Journals. Vol. 13: Supplementary Materials&lt;/em&gt;. Ed. Leslie A. Marchand. London: John Murray / Harvard University: Belknap Press, 1994.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry James&lt;/strong&gt; (1843-1916)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Edel, Leon, ed. &lt;em&gt;The Complete Tales  of Henry James. Volume 10: 1898-1900&lt;/em&gt;. London: Rupert Hart-Davis, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;James, Henry. &lt;span style="font-style: italic;"&gt;Novels 1886-1890: The Princess Casamassima / The Reverberator / The Tragic Muse&lt;/span&gt;. Ed. Daniel M. Fogel. The Library of America, 43. New York: Literary Classics of the United States, Inc., 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;James, Henry. &lt;span style="font-style: italic;"&gt;Novels 1896-1899: The Other House / The Spoils of Poynton / What Maisie Knew / The Awkward Age&lt;/span&gt;. Ed. Myra Jehlen. The Library of America. New York: Literary Classics of the United States, Inc., 2003.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;James, Henry. &lt;span style="font-style: italic;"&gt;Novels 1903-1911: The Ambassadors / The Golden Bowl / The Outcry&lt;/span&gt;. Ed. Ross Posnock. The Library of America, 215. New York: Literary Classics of the United States, Inc., 2011.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75CX_-QDUI/AAAAAAAADRY/HLez7dsPEDQ/s1600/whistler.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 218px; height: 320px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75CX_-QDUI/AAAAAAAADRY/HLez7dsPEDQ/s320/whistler.jpg" alt="" id="BLOGGER_PHOTO_ID_5457872778496576834" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2104764566818544017-4684462890421727781?l=madbookcollection.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/4684462890421727781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://madbookcollection.blogspot.com/2010/05/desiderata.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/4684462890421727781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/4684462890421727781'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/2010/05/desiderata.html' title='Desiderata'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_dSZQ_FbAxSA/S9zA3xbBhDI/AAAAAAAADSw/Z15FbCQWsSA/s72-c/inside-shakespeare-and-co.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-6099280586764414409</id><published>2010-04-09T08:41:00.070+12:00</published><updated>2012-01-24T17:18:43.330+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books'/><category scheme='http://www.blogger.com/atom/ns#' term='friends'/><category scheme='http://www.blogger.com/atom/ns#' term='libraries'/><category scheme='http://www.blogger.com/atom/ns#' term='borrowed'/><category scheme='http://www.blogger.com/atom/ns#' term='returned'/><title type='text'>Books on Loan</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75EjFYb8MI/AAAAAAAADRw/bblvwgbjAW4/s1600/library.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 250px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75EjFYb8MI/AAAAAAAADRw/bblvwgbjAW4/s400/library.jpg" alt="" id="BLOGGER_PHOTO_ID_5457875167950401730" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.telegraph.co.uk/culture/books/4932153/Trips-to-library-thing-of-past-amid-record-rise-in-internet-borrowing.html"&gt;In the Stacks&lt;/a&gt; (2009)]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Books on Loan:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;From Libraries &amp;amp; Friends&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;(February 2010- )&lt;br /&gt;&lt;br /&gt;[5 / 131 = 136 books]&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Key:&lt;/strong&gt;&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;[CL] = Auckland Public Library (Central Branch)&lt;br /&gt;[MU] = Massey University Library&lt;br /&gt;[BB] = North Shore Public Library (Browns Bay Branch)&lt;br /&gt;[BC] = Brett Cross&lt;br /&gt;[JE] = Jo Emeney&lt;br /&gt;[JR] = John Ross&lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Categories:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn1" name="_ftnref1" title="" class="style23"&gt;&lt;strong&gt;Current&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn2" name="_ftnref2" title="" class="style23"&gt;&lt;strong&gt;Returned&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dSZQ_FbAxSA/S75DWCmge6I/AAAAAAAADRo/fOeWZ9mbf1M/s1600/Abe+Lincoln.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 324px; height: 400px;" src="http://1.bp.blogspot.com/_dSZQ_FbAxSA/S75DWCmge6I/AAAAAAAADRo/fOeWZ9mbf1M/s400/Abe+Lincoln.jpg" alt="" id="BLOGGER_PHOTO_ID_5457873844354186146" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Lloyd Ostendorf: &lt;a href="http://www.abelincoln.com/orginal/1-28.htm"&gt;Lincoln borrows a book&lt;/a&gt; (1928)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn1"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn1" name="_ftn1" title=""&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Current&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;[5 books]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Baldwin, James. &lt;span style="font-style: italic;"&gt;Collected Essays: Notes of a Native Son; Nobody Knows My Name; The Fire Next Time; No Name in the Street; The Devil Finds Work; Other Essays&lt;/span&gt;. Ed. Toni Morrison. The Library of America, 98. New York: Literary Classics of the United States, Inc., 1998. [BB (1/12)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Looks interesting ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Chesterton, G. K. &lt;span style="font-style: italic;"&gt;A Selection from HIs Non-Fictional Prose&lt;/span&gt;. Ed. W. H. Auden. London: Faber, 1970. [BB (1/12)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;One of the few Audens I don't have.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grahame, Kenneth. &lt;span style="font-style: italic;"&gt;The Annotated Wind in the Willows&lt;/span&gt;. Ed. Annie Gauger. Introduction by Brian Jacques. The Library of America, 98. New York: W. W. Norton &amp; Company, Inc., 2009. [BB (1/12)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;One of the two annotated editions... But which one is better?&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lyon, James K. &lt;em&gt;Paul Celan and Martin Heidegger: An Unresolved Conversation, 1951-1970&lt;/em&gt;. Baltimore, Maryland: The Johns Hopkins University Press, 2006. [MU (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Fascinating account - by the author of &lt;i&gt;Brecht in America&lt;/i&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wolfe, Gene. &lt;em&gt;Home Fires&lt;/em&gt;. A Tor Book. New York: Tom Doherty Associates, LLC, 2011. [CL (1/12)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The old master keeps right on churning them out ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dSZQ_FbAxSA/S196uzQR4LI/AAAAAAAADJM/qGlRJVIzOOA/s1600-h/whistler.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 273px; height: 400px;" src="http://2.bp.blogspot.com/_dSZQ_FbAxSA/S196uzQR4LI/AAAAAAAADJM/qGlRJVIzOOA/s400/whistler.jpg" alt="" id="BLOGGER_PHOTO_ID_5431194620083167410" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[James Whistler: &lt;a href="http://collection.aucklandartgallery.govt.nz/collection/results.do?view=detail&amp;amp;db=object&amp;amp;id=2686"&gt;Reading in Bed&lt;/a&gt;]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn2"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#_ftn2" name="_ftn2" title=""&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Returned&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;[131 books]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Categories:&lt;/strong&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Comics&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Fiction&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;History&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Literature&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Paranormal&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Philosophy&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Poetry&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Science&lt;/strong&gt;&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;hr align="left" noshade="noshade" size="1" width="70%"&gt;&lt;br /&gt;&lt;ol&gt;&lt;strong&gt;Art:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Marnham, Patrick. &lt;em&gt;Dreaming with His Eyes Open: A Life of Diego Rivera&lt;/em&gt;. A Borzoi Book. New York: Alfred A. Knopf, 1998. [CL (4/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Full and informative, but a little stodgy in parts.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;O'Keeffe, Paul. &lt;em&gt;Some Sort of Genius: A Life of Wyndham Lewis&lt;/em&gt;. 2000. London: Pimlico, 2001. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Time to catch up on the "Enemy", I guess. Well-written and amusing, especially considering the subject matter.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Comics:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ames, Jonathan. &lt;em&gt;The Alcoholic&lt;/em&gt;. Art by Dean Haspiel. Vertigo. New York: DC Comics, 2008. [CL (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Actually very entertaining, if a bit dark. By the author of the HBO TV series "Bored to Death".&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Barry, Linda. &lt;em&gt;What It Is&lt;/em&gt;. Montreal, Quebec: Drawn &amp;amp; Quarterly, 2008. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A kind of artistic self-help treatise in collage form. Quite nicely done, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bechdel, Alison. &lt;em&gt;The Essential Dykes to Watch Out For&lt;/em&gt;. Boston &amp;amp; New York: Houghton Mifflin Harcourt Company, 2008. [CL (6/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;By the author of &lt;i&gt;Fun Home&lt;/i&gt;. Pretty good, actually, but a bit of a saga. I think you really had to be there throughout.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Blake, ed. &lt;em&gt;Strange Suspense: The Steve Ditko Archives Vol. 1&lt;/em&gt;. Seattle, Washington: Fantagraphics Books, 2009. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Some quite impressive pieces written for the old pre-code EC comics, including one I remember well about "The Beyond" (though not the "Hooded Horror") ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Gabrielle. &lt;em&gt;Cecil and Jordan in New York: Stories&lt;/em&gt;. Montreal, Quebec: Drawn &amp;amp; Quarterly, 2009. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Slight, but kind of elegant ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bellstorf, Arne. &lt;em&gt;Baby's in Black: The Story of Astrid Kircherr &amp;amp; Stuart Sutcliffe&lt;/em&gt;. 2010. Trans. Michael Wasler. SelfMadeHero. London: Metro Media Ltd., 2011. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;All the faces look the same, but not without a certain moody charm.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bertozzi, Nick. &lt;em&gt;The Salon&lt;/em&gt;. St. Martin's Griffin. New York: St. Martin's Press, 2007. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit daft, but entertaining. A bit like that 80s movie &lt;i&gt;The Moderns&lt;/i&gt; ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bocquet, José-Louis. &lt;em&gt;Kiki de Montparnasse&lt;/em&gt;. Illustrated by Catel. 2007. Trans. Nora Mahony. Self Made Hero. London: Metro Media Ltd., 2011. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit self-indulgent, but quite entertaining.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Briggs, Raymond, &amp;amp; Nicolette Jones. &lt;em&gt;Blooming Books&lt;/em&gt;. Jonathan Cape, in association with Puffin Books. London: Random House Children's Books, 2003. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather banal commentary, but some fantastic comics (&lt;i&gt;The Bear&lt;/i&gt; &amp;amp; &lt;i&gt;Father Christmas&lt;/i&gt;, among others) included.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Buhle, Paul, ed. &lt;em&gt;The Beats: A Graphic History&lt;/em&gt;. Text by Harvey Pekar et al. Art by Ed Piskor et al. A Novel Graphic from Hill and Wang. New York: Farrar, Straus and Giroux, 2009. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;An attempt to retell the saga of the Beats - some useful (though simplistic) biographical information, but with no critical distance whatsoever from the "phenomenon". It does them a bit of a disservice, actually.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burford, Brendan, ed. &lt;em&gt;Syncopated: An Anthology of Nonfiction Picto-Essays&lt;/em&gt;. A Villard Books Trade Paperback Original. New York: Random House Publishing Group, 2009. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Certainly a great idea for an anthology. The contents are certainly extremely varied, but somehow harmonious with one another even so ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Caleo, Bernard, ed. &lt;em&gt;The Tango Collection&lt;/em&gt;. 1997-2008. Foreword by Dylan Horrocks. Crows Nest, NSW: Allen &amp;amp; Unwin, 2009. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;"Over &lt;i&gt;50&amp;gt;&lt;/i&gt; Comic Creators from Australia and New Zealand": Mainly to do with love and romance, it would appear. Somewhat uneven.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Clowes, Daniel. &lt;em&gt;Wilson&lt;/em&gt;. Montreal, Quebec: Drawn and Quarterly, 2010. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather disappointing, given it comes from the author of &lt;i&gt;Ghost World&lt;/i&gt;. More pointlessly depressing than amusing, I'd have to say.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crumb, Robert. &lt;em&gt;The Complete Crumb Comics. Volume 8 - The Death of Fritz the Cat&lt;/em&gt;. 1971-72. Ed. Gary Groth &amp;amp; Robert Boyd. 1992. Seattle, WA: Fantagraphics Books, 1997. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Some good stuff, some less good. Clearly a valuable project, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crumb, Robert. &lt;em&gt;The Complete Crumb Comics. Volume 17 - The Late 1980s: Cave Wimp, Mode O'Day, Aline 'n' Bob, &amp;amp; Other Stories, Covers, Drawings&lt;/em&gt;. 1988-92. Ed. Eric Reynolds. Seattle, WA: Fantagraphics Books, Inc., 2005. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;I especially liked the Mode O'Day French Restaurant story.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Delano, Jamie. &lt;em&gt;Outlaw Nation&lt;/em&gt;. Artist: Goran Sudžuka. Issues 1-19, 1999-2001. Desperado Publishing. Berkeley, CA: Image Comics, Inc., 2006. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;This was actually pretty good: a kind of dream America constructed out of the pages of William Burroughs and Jack Kerouac.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dick, Philip K. &lt;em&gt;Do Androids Dream of Electric Sheep? Volume 2: Issues 5-8&lt;/em&gt;. 1968. Art: Tony Parker. Ed. Bryce Carlson. Los Angeles: Boom! Studios, 2010. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Prettily drawn but otherwise unremarkable, I fear.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Eisner, Will. &lt;em&gt;A Family Matter&lt;/em&gt;. 1998. Norton Paperbacks. New York: W. W. Norton &amp;amp; Company, Inc., 2009. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;One of the Old Master's last works.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Eisner, Will. &lt;em&gt;Life on Another Planet&lt;/em&gt;. [As 'Signal from Space', 1978-83]. A Norton Paperback. New York &amp;amp; London: W. W. Norton &amp;amp; Company, Inc., 2009. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Terrible. They should have left it in oblivion rather than dragging it out to lower the old man's posthumous street-cred.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Furth, Robin. &lt;em&gt;Stephen King's The Dark Tower: Fall of Gilead&lt;/em&gt;. Script: Peter David. Art by Richard Isanove. Introduction by Ralph Macchio. New York: Mavel Publishing Inc., 2010. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Number 3 in the (seemingly) interminable series.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gaiman, Neil. &lt;em&gt;The Facts in the Case of the Disappearance of Miss Finch&lt;/em&gt;. Art by Michael Zulli. Dark Horse Books. Milwaukie, Oregon: Dark Horse Comics, Inc., 2008. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather a perfunctory short story, but nice production.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Guibert, Emmanuel. &lt;em&gt;The Photographer: Into War-torn Afghanistan with Doctors Without Borders&lt;/em&gt;. Photographs by Didier Lefèvre. Colorist: Frédéric Lémercier. 2003, 2004 &amp;amp; 2006. Trans. Alexis Siegel. First Second. New York: Roaring Brook Press, 2009. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A very worthy &lt;i&gt;and&lt;/i&gt; very readable book.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hernandez, Jaime. &lt;em&gt;The Education of Hopey Glass&lt;/em&gt;. The Complete Love and Rockets, 24. Seattle, WA: Fantagraphics Books, Inc., 2008. [CL (6/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;She was always my favourite L &amp;amp; R character (after Maggie the Mechanic, of course) ... Time hasn't treated her that well, alas.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hernandez, Jaime. &lt;em&gt;Locas II: Maggie, Hopey &amp;amp; Ray&lt;/em&gt;. Seattle, Washington: Fantagraphics Books, 2009. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Impossible to get enough of this saga, I think.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hill, Joe. &lt;em&gt;Keys to the Kingdom&lt;/em&gt;. Locke &amp; Key, volume 4. Art by Gabriel Rodriguez. IDW Publishing. San Diego, CA: Idea and Design Works, LLC., 2011. [CL (12/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Looks interesting.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Horrocks, Dylan. &lt;i&gt;Hicksville: A Comic Book&lt;/i&gt;. 1998. Introduction to the New Edition by the Author. Montreal: Drawn &amp;amp; Quarterly Publications, 2010. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;I have it already, of course, but this edition has a new introduction (not to mention a new cover). A perennially fascinating graphic novel.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, David. &lt;em&gt;Walking the Dog&lt;/em&gt;. Jonathan Cape. London: The Random House Group Limited, 2009. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A deeply odd book: visually disturbing and emotionally complex ... Kind of a masterpiece in its way, I think.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huizenga, Kevin. &lt;em&gt;The Wild Kingdom: Starring Glenn Ganges&lt;/em&gt;. Montreal: Drawn &amp;amp; Quarterly, 2010. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Bizarre stuff: pretty intelligent, though. I kind of like it.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Johnson, Mat. &lt;em&gt;Incognegro&lt;/em&gt;. Art by Warren Pleece. Lettered by Clem Robins. New York: DC Comics, Inc., 2008. [CL (6/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Worthy, but not very accomplished (or probable, really).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;King, Stephen, &amp; Peter Straub. &lt;em&gt;The Talisman, Volume 1: The Road of Trials&lt;/em&gt;. Adapted by Robin Furth. Artwork: Tony Shasteen. Colors: Nei Ruffino &amp; J. D. Mettler. 2008-2009. Del Rey / Ballantine Books. New York: Random House Inc., 2010. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Looks entertaining.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lethem, Jonathan, with Karl Rusnak. &lt;em&gt;Omega: The Unknown&lt;/em&gt;. Art by Farel Dalrymple. New York: Marvel Publishing, Inc., 2008. [CL (6/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;This, on the other hand, is quite brilliant - an extremely enjoyable.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Liberge, Eric. &lt;em&gt;On the Odd Hours: A Tale&lt;/em&gt;. 2008. Trans. Joe Johnson. Futuropolis / Musee du Louvre Editions. New York: Nantier / Beall / Minoustchine Publishing Inc., 2010. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Less than charming as a story, but beautifully drawn.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Malkasian, Cathy. &lt;em&gt;Temperance&lt;/em&gt;. Seattle, Washington: Fantagraphics Books, 2010. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A very odd book indeed: part parable, part fantasy. I ended up liking it, but it does have a very odd way of proceeding. Nicely drawn, but.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Medley, Linda. &lt;em&gt;Castle Waiting: Volume 1&lt;/em&gt;. Introduction by Jane Yolen. 2006. Seattle, WA: Fantagraphics Books, 2009. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Actually a lot of fun. I'm looking forward to reading volume two (which has just appeared) at some stage ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mignola, Mike. &lt;em&gt;Hellboy. Volume One: Seed of Destruction&lt;/em&gt; [script: John Byrne] / &lt;em&gt;Wake the Devil&lt;/em&gt; [script: Mike Mignola]. 1994 &amp;amp; 1997. Introductions by Scott Allie, Robert Bloch &amp;amp; Alan Moore. Dark Horse Books. Milwaukie, Oregon: Dark Horse Comics, Inc., 2008. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather more Lovecraftian than the rather slapstick films would have led one to expect, but none the worse for that, I think.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mignola, Mike &amp;amp; Joshua Dysart. &lt;em&gt;B.P.R.D. 1947&lt;/em&gt;. Art by Gabriel Ba &amp;amp; Fabio Moon. 2009. Dark Horse Books. Milwaukie, OR: Dark Horse Comics, Inc., 2010. [CL (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty perfunctory, but nicely drawn.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Millar, Mark. &lt;em&gt;Civil War&lt;/em&gt;. Penciller: Steve McNiven. Ed. Mark D. Beazley. 2006-2007. New York: Marvel Publishing, Inc., 2008. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;This really irritated me. The first pro-Bush comic I've ever come across. Politically reactionary and not particularly engaging on any other level.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Moore, Alan. &lt;em&gt;The Complete Alan Moore Future Shocks&lt;/em&gt;. Oxford: Rebellion, 2011. [CL (9/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty negligible, I'm afraid - for completists only.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Moore, Alan, Stephen Bissette &amp; Rick Veitch. &lt;em&gt;Saga of the Swamp Thing, Book Six&lt;/em&gt;. Art by Rick Veitch, John Totleben, Alfredo Alcala, Stephen Bissett &amp; Tom Yeates. New York: DC Comics, 2011. [CL (12/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Read it before, of course, but this is an "archival" edition with extras ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Moore, Richard. &lt;em&gt;Boneyard&lt;/em&gt;. Volume 7. New York: Nantier, Beall, Minoustchine Publishing, Inc., 2010. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Definitely a series which has lost its mojo. The earlier instalments were extremely entertaining, but this one is forced to resort to endless, pointless fight scenes to flesh out a fairly uneventful plot. Nice to revisit some old friends, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Morrison, Grant, ed. &lt;em&gt;Batman: The Black Casebook. The Stories that Inspired Batman R.I.P.&lt;/em&gt; New York: DC Comics, 2009. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Mildly interesting (despite all my reservations about Grant Morrison), but I'm afraid it mainly just goes to show how lame old 50s comics could be at times.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mutard, Bruce. &lt;em&gt;The Silence&lt;/em&gt;. Crows Nest, NSW: Allen &amp;amp; Unwin, 2009. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Actually an extremely interesting book. A search for the &lt;i&gt;chef d'oeuvre inconnu&lt;/i&gt; in Northern Queensland ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Niffenegger, Audrey. &lt;em&gt;The Night Bookmobile&lt;/em&gt;. Abrams ComicArts. New York: Harry N. Abrams, Inc., 2010. [CL (6/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Slight, but not bad at all. Better than her previous two "novels-in-pictures".&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Novgorodoff, Danica. &lt;em&gt;Refresh, Refresh: A Graphic Novel&lt;/em&gt;. Adapted from the Screenplay by BJames Ponsoldt, from the short story by James Percy. First Second. New York: Roaring Brook Press, 2009. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Interesting, but what it mainly made me think about was how depressing it will be if the Americans continue to evolve a subgenre of Iraq war literature as introspective and futile as so many of their solipsistic efforts at "understanding" Vietnam ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pomplun, Tom, ed. &lt;em&gt;Horror Classics&lt;/em&gt;. Graphic Classics, Volume Ten. Mount Horeb, Wisconsin: Eureka Productions, 2004. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bunch of ghost stories by H. P. Lovecraft, Clark Ashton Smith and other luminaries of the genre. Not bad, actually ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Porcellino, John. &lt;em&gt;King-Cat Classix: The Best of King-Cat Comics and Stories&lt;/em&gt;. 1989-2007. Montreal: Drawn and Quarterly, 2007. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Very loose and unfocussed, but definitely grows on you. Sets out to encapsulate the punk ethos in graphic form ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powers, Mark. &lt;em&gt;Jim Butcher's Dresden Files. Storm Front, Volume One: The Gathering Storm&lt;/em&gt;. Pencils: Ardian Syaf. Inks: Rick Ketcham. Colors: Mohan. 2008-2009. Del Rey / Ballantine Books. New York: Random House Inc., 2009. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Poorly drawn, but quite entertaining.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pratchett, Terry. &lt;em&gt;The Discworld Graphic Novels: The Colour of Magic &amp;amp; The Light Fantastic&lt;/em&gt;. 1983 &amp;amp; 1986. Adapted by Scott Rockwell. Illustrated by Steven Ross. 1991 &amp;amp; 1992. Harper. New York: HarperCollins Publishers, 2008. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Amusing, but unfortunately a lot of the pleasure of reading the books is in the small verbal details, all of which is obscured here. Nor are the drawings really good enough to make up for it ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Raicht, Mike &amp;amp; Brian Smith. &lt;em&gt;The Stuff of Legend. Book 1: The Dark&lt;/em&gt;. Illustrated by Charles Paul Wilson III. 2009. Villard Trade Paperbacks. New York: The Random House Publishing Group, 2010. [CL (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;This I really liked, though it doesn't really quite work, I fear. Too much like those Vertigo fairy tale books, with a bit of Neil Gaiman and a bit of Kenneth Grahame mixed in.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rankin, Ian. &lt;em&gt;Dark Entries: A John Constantine Novel&lt;/em&gt;. Art by Werther dell'Edera. Vertigo Crime. New York: DC Comics, 2009. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not bad, actually - quite entertaining.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Reklaw, Jesse. &lt;em&gt;The Night of Your Life: A Slow Wave Collection&lt;/em&gt;. Dark Horse Books. Milwaukie, Oregon: Dark Horse Comics, Inc., 2008. [CL (7/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not as much fun as it looked on the shelf, alas.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sandell, Laurie. &lt;em&gt;The Impostor's Daughter: A True Memoir&lt;/em&gt;. New York: Little, Brown and Company, 2009. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather in the vein of other graphic novel memoirs, such as Alison Bechdel's &lt;i&gt;Fun Home&lt;/i&gt; (2006) or Craig Thompson's &lt;i&gt;Blankets&lt;/i&gt; (2003), but far more nauseatingly egotistic than either of those (or even the odd series of school confessional books by Ariel Schlag, for that matter).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Seth [G. Gallant]. &lt;em&gt;Palookaville 20&lt;/em&gt;. Montreal, Quebec: Drawn &amp; Quarterly, 2010. [CL (9/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Okay. A Bit self-indulgent, but certainly interesting.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sfar, Joann. &lt;em&gt;The Professor's Daughter&lt;/em&gt;. Illustrated by Emmanuel Guibert. 1997. Trans. Alexis Siegel. First Second. New York: Roaring Brook Press, 2007. [CL (11/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Quite entertaining.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Simmonds, Posy. &lt;em&gt;Tamara Drewe&lt;/em&gt;. Jonathan Cape. London: Random House, 2007. [CL (9/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Source of the film, but a lot better, I think.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Simon, Joe, &amp;amp; Jack Kirby. &lt;em&gt;The Best of Simon &amp;amp; Kirby&lt;/em&gt;. Introduction by Joe Simon. Essays by Mark Evanier. Art Restoration by Harry Medryk. Ed. Steve Saffel. Titan Books. London: Titan Publishing Group Ltd., 2009. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Impressive at the time, no doubt, but I fear that most of these comics are now of historical interest only.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Small, David. &lt;em&gt;Stitches: A Memoir&lt;/em&gt;. New York &amp; London: W. W. Norton &amp; Company, Inc., 2009. [CL (11/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Gloomy &amp; gruesome, but pretty good.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Smith, Jeff. &lt;em&gt;RASL. Volume 1: The Drift&lt;/em&gt;. Columbus, Ohio: Cartoon Books, 2008. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Is there life after &lt;i&gt;Bone&lt;/i&gt;? It's a bit too early to say, just on the strength of this volume, but not a bad beginning ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spencer, Si. &lt;em&gt;John Constantine, Hellblazer: City of Demons&lt;/em&gt;. Artist: Sean Murphy. Colorist: Dave Stewart / Dave Gibbons. &lt;i&gt;Another Bloody Christmas&lt;/i&gt;. 2000, 2010-2011. Dark Horse Books. New York: DC Comics, 2011. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not one of the very best Constantines, but not bad either.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sturges, Matthew &amp;amp; Bill Willingham. &lt;em&gt;House of Mystery: Room &amp;amp; Boredom&lt;/em&gt;. Artist: Luca Rossi. Vertigo. New York: DC Comics, 2008. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Rather self-indulgent, I fear - the characters are less intriguing than their creator assumes.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Talbot, Bryan. &lt;em&gt;Grandville&lt;/em&gt;. Dark Horse Books. Milwaukie, OR: Dark Horse Comics, Inc., 2009. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not in the same league as &lt;em&gt;Alice in Sunderland&lt;/em&gt; - another alternate history yarn like &lt;em&gt;Heart of Empire&lt;/em&gt;. Pretty good, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Trondheim, Lewis. &lt;em&gt;Little Nothings: The Curse of the Umbrella&lt;/em&gt;. 2006. Trans. Joe Johnson. ComicsLit Graphic Novel. New York: Nantier / Beall / Minoustchine, 2007. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Amusing - slight. But then I guess that's the whole point.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Trondheim, Lewis, &amp;amp; Manu Larcenet. &lt;em&gt;Astronauts of the Future&lt;/em&gt;. 2000-2001. Trans. Joe Johnson. New York: Nantier, Beall, Minoustchine, 2003. [CL (7/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty much as weird as they come.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Way, Gerard. &lt;em&gt;The Umbrella Academy: Apocalypse Suite&lt;/em&gt;. Illustrated by Gabriel Bá. Dark Horse Books. Milwaukee, OR: Dark Horse Comics, Inc., 2008. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit silly, really.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Whedon, Joss. &lt;em&gt;Buffy The Vampire Slayer. Season Eight, Volume 4: Time of Your Life&lt;/em&gt;. 2008. Pencils: Karl Moline / Inks: Andy Owens / Colors; Michelle Madsen / Script: Jeph Loeb. Dark Horse Books. Milwaukie, OR: Dark Horse Comics, Inc., 2009. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Enjoyable for &lt;i&gt;Buffy&lt;/i&gt; fans such as myself.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Williams, Aaron. &lt;em&gt;North 40&lt;/em&gt;. Artist: Fiona Staples. Letterer: Rob Leigh. Vertigo. New York: DC Comics, 2010. [CL (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty bad -- too many characters, too unfocussed: like a poor cousin of &lt;i&gt;Preacher&lt;/i&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Yang, Belle. &lt;em&gt;Forget Sorrow: An Ancestral Tale&lt;/em&gt;. New York &amp;amp; London: W. W. Norton &amp;amp; Company, Inc., 2010. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Yet another "graphic memoir" in the manner of Marjane Satrapi et al. Kind of a good one, though, I think.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Asimov, Isaac, ed. &lt;em&gt;The Annotated Gulliver's Travels: &lt;/em&gt;Gulliver's Travels&lt;em&gt; by Jonathan Swift&lt;/em&gt;. 1726 / 1734 / 1896. New York: Clarkson N. Potter, Inc. / Publishers, 1980. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;"Other annotations and interpretations by Isaac Asimov: &lt;span style="font-style: italic;"&gt;Asimov's Guide to the Bible; Asimov's Guide to Shakespeare; Asimov's Annotated Don Juan; Asimov's Annotated Paradise Lost; Familiar Poems, Annotated&lt;/span&gt;."&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gombrowicz, Witold. &lt;em&gt;Ferdydurke&lt;/em&gt;. 1937. Trans. Danuta Borchardt. Foreword by Susan Sontag. New Haven: Yale University Press, 2000. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Gombrowicz is certainly an interesting writer. The book seems, in concept (though not at all in style), a little like &lt;em&gt;Vice Versa&lt;/em&gt;. Unfortunately, it's difficult to judge through one of the most cackhanded translations of modern times.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kerouac, Jack. &lt;em&gt;The Dharma Bums&lt;/em&gt;. 1958. Flamingo. London: HarperCollins Publishers, 1992. [MU (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;An account of his involvement with Buddhism.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kerouac, Jack. &lt;em&gt;Desolation Angels: A Novel&lt;/em&gt;. 1965. Introduction by Joyce Johnson. Riverhead Books. New York: The Berkley Publishing Group, 1995. [MU (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;An account of the vastation he suffered during his time as a fire-watcher in Washington, among other things.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;King, Stephen. &lt;em&gt;Blockade Billy&lt;/em&gt;. Illustrated by Alex McVey. Baltimore: Cemetery Dance Publications, 2010. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not too bad - a bit inflated, perhaps. More a short story than a novella, really ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Murakami, Haruki. &lt;em&gt;The Elephant Vanishes: Stories&lt;/em&gt;. 1992. Trans.  Alfred Birnbaum &amp;amp; Jay Rubin. 1993. Vintage International. New York: Random House, Inc., 1994. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The first collection of Murakami's stories to appear in English - contains the germs of various of his novels (&lt;em&gt;The Wind-Up Bird Chronicle&lt;/em&gt; among them).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Murakami, Haruki. &lt;em&gt;South of the Border, West of the Sun&lt;/em&gt;. 1992. Trans.  Philip Gabriel. 1999. Vintage International. New York: Random House, Inc., 2000. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Characteristically gnomic and baffling Murakami love story - told in his own weird brand of "hard-boiled" prose.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Solzhenitsyn, Aleksandr. &lt;em&gt;Apricot Jam and Other Stories&lt;/em&gt;. Trans. Kenneth Lantz &amp; Stephan Solzhenitsyn. Berkeley, CA: Counterpoint, 2011. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Late Solzhenitsyn - written after his return to Russia in 1994.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stoker, Bram. &lt;em&gt;The New Annotated Dracula&lt;/em&gt;. Edited by Leslie S. Klinger. Additional Research by Janet Byrne. Introduction by Neil Gaiman. New York: W. W. Norton &amp;amp; Company. Inc., 2008. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The fatuous convention of pretending that the events of &lt;em&gt;Dracula&lt;/em&gt; actually took place undermines the interest of Klinger's various layers of contextualising detail - but certainly a sumptuously illustrated edition and amusing in its own right. I don't think it replaces Wolf and McNally's pioneering attempts at commentary, however. I may have to buy it at some stage, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Turtledove, Harry, &amp;amp; Martin H. Greenberg, ed. &lt;em&gt;The Best Military Science Fiction of the Twentieth Century&lt;/em&gt;. A Del Rey Book. New York: The Random House Publishing Group, 2001. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Dated May 2001, interestingly enough. The editors are clearly under the impression that a long era of peace stretches in front of us under the beneficent umbrella of the &lt;em&gt;Pax Americana&lt;/em&gt; ... Some excellent stories, but just a little too gung-ho for comfort in parts (particularly one nauseating story about how Gandhi would have failed to make his point against the Nazis. Duh!).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wallace, David Foster. &lt;em&gt;Brief Interviews with Hideous Men&lt;/em&gt;. 1999. Abacus. London: Little, Brown Book Group, 2009. [BC (7/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Looks interesting.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wolfe, Gene. &lt;em&gt;The Sorcerer's House&lt;/em&gt;. A Tor Book. New York: Tom Doherty Associates, LLC, 2010. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The old master still seems to be on form. Not a masterpiece, but still adroitly plotted and written ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;History:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;em&gt;Thames: Sacred River&lt;/em&gt;. Chatto &amp; Windus. London: Random House, 2007. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Horrendously overblown, but some not uninteresting stuff in the index.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;em&gt;London Under&lt;/em&gt;. Chatto &amp; Windus. London: Random House, 2011. [CL (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit vapid (as usual), but some picturesque details.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Altmann, Carol. &lt;em&gt;After Port Arthur: Pesonal Stories of Courage and Resilience Ten Years on from the Tragedy that Shocked the Nation&lt;/em&gt;. Crows Nest, NSW: Allen &amp; Unwin, 2006. [CL (11/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Interesting piece of reportage.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Arnold, Catharine. &lt;em&gt;Necropolis: London and Its Dead&lt;/em&gt;. 2006. Pocket Books. London: Simon &amp;amp; Schuster UK Ltd., 2007. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit sketchy, but intriguing. Rather in the Peter Ackroyd vein, but better written and less orotund.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burrow, John. &lt;em&gt;A History of Histories: Epics, Chronicles, Romances and Inquiries from Herodotus and Thucydides to the Twentieth Century&lt;/em&gt;. London: Allen Lane, 2007. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Really enjoying this. Where I can confirm its insights - with Herodotus and Thucydides - it seems fair if (at times) a little harsh. Where I can't, it's a useful way of working out which histories sound like they'd be worth checking out in the future.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Figes, Orlando. &lt;em&gt;The Whisperers: Private Life in Stalin's Russia&lt;/em&gt;. Metropolitan Book. New York: Henry Holt and Company, 2007. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A kind of sequel (I suppose) to his brilliant social and cultural history of Russia, &lt;em&gt;Natasha's Dance&lt;/em&gt;. It's kind of a depressing subject, though, and finally defeated me (mainly through lack of time before it was due back - even after one renewal).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Goodwin, Doris Kearns. &lt;em&gt;Team of Rivals: The Political Genius of Abraham Lincoln&lt;/em&gt;. New York: Simon &amp;amp; Schuster, 2005. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Not exactly a controversial doctrine, but nicely written and  very informative.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jay, Ricky. &lt;em&gt;Jay's Journal of Anomalies: Conjurers, Cheats, Hustlers, Hoaxsters, Pranksters, Jokesters, Impostors, Pretenders, Sideshow Showmen, Armless Calligraphers, Mechanical Marvels, Popular Entertainments&lt;/em&gt;. 1994-2000, 2001. New York: The Quantuck Lane Press, 2003. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty crazy, really, but very entertaining. The "Bonassus" [= Bison] is probably worth the price of admission just on its own ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zamoyski, Adam. &lt;em&gt;1812: Napoleon's Fatal March on Moscow&lt;/em&gt;. London: HarperCollins Publishers, 2004. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;An epic tragedy - abundantly (at times surprisingly) informative. A nineteenth-century counterpart to Antony Beevor's &lt;em&gt;Stalingrad&lt;/em&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zamoyski, Adam. &lt;em&gt;Rites of Peace: The Fall of Napoleon &amp;amp; The Congress of Vienna&lt;/em&gt;. HarperPress. London: HarperCollins Publishers, 2007. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Alas, like Beevor's &lt;em&gt;Siege of Berlin&lt;/em&gt;, this one is as dull as its predecessor is fascinating. Metternich and Castlereagh just aren't as good value as Napoleon and his entourage.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Literature:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Basbanes, Nicholas A. &lt;em&gt;Patience &amp;amp; Fortitude: A Roving Chronicle of Book People, Book Places and Book Culture&lt;/em&gt;. New York: HarperCollins Publishers, Inc., 2001. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;As shapeless as the title suggests. Full of entertaining lore, but it would be nice if its author could pay just a &lt;i&gt;bit&lt;/i&gt; more attention to method. It does develop momentum when he gets on to the subject of conservation and libraries, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Basbanes, Nicholas A. &lt;em&gt;A Splendor of Letters: The Permanence of Books in an Impermanent World&lt;/em&gt;. New York: HarperCollins Publishers, Inc., 2003. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The last in Basbane's trilogy of Bibliophile tomes. He's gone on to write a number of slightly shorter books since (&lt;i&gt;Among the Slightly Mad&lt;/i&gt; among them ...)&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Basbanes, Nicholas A. &lt;em&gt;Every Book its Reader: The Power of the Printed Word to Stir the World&lt;/em&gt;. New York: HarperCollins Publishers, Inc., 2003. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;No-one could claim that Basbanes is a particularly deep thinker, but he &lt;i&gt;has&lt;/i&gt; talked to some pretty interesting people. And the unpretentious simplicity with which he makes his points is pretty effective (most of the time, at any rate). Certainly these are issues well worth discussing.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bentley, G. E., Jr. &lt;em&gt;Blake Records: Documents (1714-1841), Concerning the Life of William Blake (1757-1827) and His Family, Incorporating &lt;/em&gt;Blake Records&lt;em&gt; (1969) &lt;/em&gt;Blake Records Supplement&lt;em&gt; (1988), and Extensive Discoveries since 1988&lt;/em&gt;. 1969 &amp;amp; 1988. Second edition. Paul Mellon Centre for Studies in British Art. New Haven &amp;amp; London: Yale University Press, 2004. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A genial, thorough book - somehow not oppressed by the weight of its scholarship.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dabney, Lewis M. &lt;em&gt;Edmund Wilson: A Life in Literature&lt;/em&gt;. New York: Farrar, Straus and Giroux, 2005. [CL (3/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;There's a lot of raw information and interesting anecdotes in here, but the writing could hardly be clumsier or less pointed. What a wasted opportunity!&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Daive, Jean. &lt;span style="font-style:italic;"&gt;Under the Dome: Walks With Paul Celan&lt;/span&gt;. [&lt;i&gt;La Condition d'infini 5: Sous la coupole&lt;/i&gt;, P.O.L. Editeur, 1996]. Trans. Rosmarie Waldrop. Série d'écriture, 22. Anyart, Providence: Burning Deck Press, 2009. [MU (10/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;An interesting, though fragmentary, record of a number of conversations during the poet's last days.&lt;br /&gt;Quotes:&lt;ul&gt;&lt;li&gt;When I leave Sainte-Geneviève-des-Bois that I too experience as a prison house, a feeling of freedom washes over me. ... When I point this out to him:&lt;br /&gt;- No more need for walls, no more need for barbed wire as in the concentration camps. The incarceration is chemical. The prisoner is chemical: he cannot take two steps on his own. But he can look at the outside. He can talk, right .... [p.24]&lt;/li&gt;&lt;li&gt;There is no color in Paul's books (he also never wears colors). But there are all the nuances of white, black, gray.&lt;br /&gt;- Pigeon gray - Paris gray, he says. [p.24]&lt;/li&gt;&lt;li&gt;- I was in a hotel room in London when I saw God under my door: a ray, a streak of light.&lt;br /&gt;...&lt;br /&gt;- Have I told you that I've repeatedly found my newspaper, left at home, in front of the grave I had come to scrub and clean? Have you never been troubled by the number of newspapers left in cemeteries by people who have done with them? Note: I use leave.&lt;br /&gt;- Text for the dead.&lt;br /&gt;- Text and death.&lt;br /&gt;- Under the sign of cleaning. [p.69]&lt;/li&gt;&lt;li&gt;The following Sunday we continue to discover Johannes Poethen's vocabulary. Paul Celan signals refusal, distance, perhaps rejection. He remains deliberately absent. I sit at the table; he, at a slant, both ` hands on the table top. His lips move. Then his right hand and thumb hold his left wrist. Time passes. He counts the time. His lips move, I gather that Paul Celan is taking his pulse and counting. Episode of a translation.&lt;br /&gt;- For it is said, thou shalt translate on the seventh day.&lt;br /&gt;- In which passage of the Bible is this written?&lt;br /&gt;- A passage in my head.&lt;br /&gt;- Ah. &lt;br /&gt;- The seventh day is the day of language in pure suspense.&lt;br /&gt;- And what does language do during the six preceding days?&lt;br /&gt;- It gives in to duplication.&lt;br /&gt;- You mean speaking doubles the world?&lt;br /&gt;- Speaking doubles the world ... yes. [pp.114-15]&lt;/li&gt;&lt;/ul&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dalby, Andrew. &lt;em&gt;Rediscovering Homer: Inside the Origins of the Epic&lt;/em&gt;. 2006. Norton Paperbacks. New York: W. W. Norton &amp;amp; Company, 2007. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Very thorough. The writer appears to specialise in the &lt;em&gt;food&lt;/em&gt; of the Ancient World, though, and his grasp of the technicalities of poetry tends to be a bit on the pedestrian side.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Didion, Joan. &lt;em&gt;We Tell Ourselves Stories in Order to Live: Collected Nonfiction [Slouching Towards Bethlehem / The White Album / Salvador / Miami / After Henry / Political Fictions / Where I Was From]&lt;/em&gt;. 1968, 1979, 1983, 1987, 1992, 2001, 2003. Introduction by John Leonard. Everyman's Library. A Borzoi Book. New York: Alfred A. Knopf, 2006. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Really interesting. She's at her weakest when revealing her lack of basic knowledge of the cultures that (for example) compete with American hegemony in Hawaii of Salvador, but her insights into American politics and culture are pretty impressive.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Duriez, Colin. &lt;em&gt;J. R. R. Tolkien and C. S. Lewis: The Story of Their Friendship&lt;/em&gt;. Phoenix Mill, Thrupp, Stroud, Gloucestershire: Sutton Publishing LImited, 2003. [CL (12/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty much mixture as before, I suspect, but hopefully one or two new insights ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Emerson, Ralph Waldo. &lt;em&gt;Essays &amp; Poems. Nature: Addresses and Lectures; Essays: First and Second Series; Representative Men; The Conduct of Life; Other Essays and Addresses; Poems 1847; May-Day and Other Pieces; Uncollected and Manuscript Poems&lt;/em&gt;. Ed. Joel Porte, Harold Bloom and Paul Kane. 1983 &amp; 1994. Library of America College Editions. New York: Literary Classics of the United States, Inc., 1996. [CL (12/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Just checking to see if there's anything there I need ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Godwin, Joscelyn. &lt;em&gt;Athanasius Kircher's Theatre of the World: The Life and Work of the Last Man to Search for Universal Knowledge&lt;/em&gt;. Rochester, Vermont: Inner Traditions, 2009. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Incisively written and well arranged: all the major illustrations from his books collected and annotated.&lt;br /&gt;Quotes:&lt;ul&gt;&lt;li&gt;He also believed that the fermentation of different types of semen could give rise to many strange, hybrid animals ... / As corroborative evidence, he mentions the venerable case of the Scottish barnacle-goose. This large barnacle, which looks somewhat like an embryo bird folded up in its egg, attaches itself by a stalk to the bottoms of ships. Long tradition held that in time it hatches into a goose and flies away, and Kircher accepted this. He explains that ducks and geese drop their eggs into the sea, where they are whipped into a forth by the rough waves around the north of Scotland. The resultant mixture sticks to ships, and in due course naturally develops into duck or geese. [p.146]&lt;/li&gt;&lt;/ul&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hamilton, Scott. &lt;em&gt;The Crisis of Theory: E. P. Thompson, the New Left and Postwar British Politics&lt;/em&gt;. Manchester &amp; New York: Manchester University Press, 2011. [BC (7/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Looks interesting.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Levine, Suzanne Jill. &lt;em&gt;Manuel Puig and the Spider Woman: His Life and Fictions&lt;/em&gt;. New York: Farrar, Straus and Giroux, 2000. [CL (4/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Interesting. Quite well-written, too.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lindskoog, Kathryn. &lt;em&gt;Sleuthing C. S. Lewis: More Light in the Shadowlands&lt;/em&gt;. Macon, Georgia: Mercer University Press, 2001. [CL (9/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Kind of insane, but also disquietingly plausible in parts.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mailer, Norman. &lt;em&gt;The Time of Our Time&lt;/em&gt;. London: Little, Brown and Company (UK), 1998. [CL (1/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A massive hoor of a book - entertaining in parts, but with too  many extracts from novels which need to be read in their entirety, I feel.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Makdisi, Saree, &amp;amp; Felicity Nussbaum, ed. &lt;i&gt;The Arabian Nights in Historical Context: Between East and West&lt;/i&gt;. Oxford: Oxford University Press, 2008. [MU (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Some good essays, some not so good. Very poorly edited, alas, despite its flashy appearance.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Manguel, Alberto. &lt;em&gt;The Library at Night&lt;/em&gt;. 2006. New Haven &amp;amp; London: Yale University Press, 2008. [CL (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Quotes:&lt;ul&gt;&lt;li&gt;... in Lyons, at the end of the first century, a strict law demanded that, after every literary competition, the losers be forced to erase their poetic efforts with their tongues, so no second-rate literature would survive. [p.70]&lt;/li&gt;&lt;li&gt;"God is in the details," he [Aby Warburg] liked repeating. And yet he felt - like Rousseau, who had said, "I die in details" - that he could no longer gather the many strands of image and thought he had once pursued. ... In one of his fragments he writes "that the work of art is something hostile moving towards the beholder" [&lt;em&gt;Annahme des Kunstwerkes als etwas in Richtung auf den Zuschauer feindlich Bewegtes&lt;/em&gt; (27 August, 1890)] [pp.207 &amp;amp; 209]&lt;/li&gt;&lt;li&gt;On 18 January 1949, an American by the name of James T. Mangan filed a charter with the Cook County recorder of Deeds, and under the State of Illinois attorney's authority claimed ownership of the whole of space. After giving his vast territory the name of Celestia, Mr. Mangan notified all countries on earth of his claim, warned them not to attempt any trips to the moon and petitioned the United Nations for membership. [p.226]&lt;/li&gt;&lt;li&gt;Colette, in one of [her] books of memoirs  ... tells the story of imaginary catalogues compiled by her friend Paul Masson - an ex-colonial magistrate who worked at the Bibliotheque Nationale, and an eccentric who ended his life by standing on the edge of the Rhine, stuffing cotton wool soaked in ether up his nose and, after losing consciousness, drowning in barely a foot of water. ... Libraries of imaginary books delight us because they allow us the pleasure of creation without the effort of research and writing. But they are also doubly disturbing - first because they cannot be collected, and secondly because they cannot be read. [pp.282-83]&lt;/li&gt;&lt;/ul&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Marzolph, Ulrich, ed. &lt;span style="font-style: italic;"&gt;The Arabian Nights in Transnational Perspective&lt;/span&gt;. Series in Fairy-Tale Studies. Detroit, Michigan: Wayne State University Press, 2007. [MU (2/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Some good essays, some pointless exercises in Academic point scoring. Among the good ones are Heinz Grotzfeld's "Creativity, Random Selection and &lt;i&gt;pia fraus&lt;/i&gt;: Observations on Compilation and Transmission of the &lt;i&gt;Arabian Nights&lt;/i&gt;" (pp.51-63) and Lee Haring's "Framing in Narrative" (pp.135-53).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mews, Constant J. &lt;em&gt;The Lost Love Letters of Heloise and Abelard: Perceptions of Dialogue in Twelfth-Century France&lt;/em&gt;. Trans.  Neville Chiavaroli &amp;amp; Constant J. Mews. 1999. The New Middle Ages. Palgrave. London: St. Martin's Press, 2001. [CL (1/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Hard to understand why this book hasn't made more stir. It's true that when one turns from the fascinating introduction to the letters themselves, they don't quite fulfil one's expectations. But he makes a pretty convincing case for these being extracts from the actual letters of the two star-crossed lovers.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Motion, Andrew. &lt;em&gt;Keats&lt;/em&gt;. 1997. London: Faber, 1998. [CL (1/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;I was sceptical at first, but I have to say that this biography really justifies all the hype. Brilliantly written, well constructed, and extremely insightful about both Keats's poetry and his politics. I still have a soft spot for Gittings, but there's no doubt that this is a substantial  advance on his pioneering work.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Scammell, Michael. &lt;em&gt;Koestler: The Indispensable Intellectual&lt;/em&gt;. 2009. London: Faber, 2010. [CL (6/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Pretty good so far - far less sensationalist and better researched than the earlier biography by David Cesarani (1998).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Slater, Michael, ed. &lt;em&gt;The Dent Uniform Edition of Dickens' Journalism: Sketches by Boz and Other Early Papers, 1833-39&lt;/em&gt;. Illustrated by George Cruikshank. 1993. Vol. 1 of 4. Columbus: Ohio State University Press, 1994. [CL (4/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;The first annotated edition of Dickens's journalism, apparently. I remember meeting Michael Slater at a conference once - in Auckland? Melbourne? - and he seemed an &lt;i&gt;extremely&lt;/i&gt; nice man.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stead, C. K. &lt;em&gt;South-West of Eden: A Memoir, 1932-1956&lt;/em&gt;. Auckland: Auckland University Press, 2010. [JE (10/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;It's probably best to get going on your memoirs before you've had a debilitating stroke: a mixture of total recall and setting the record straight ... &lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Walser, Robert. &lt;em&gt;Microscripts&lt;/em&gt;. 1985. Trans. Susan Bernofsky. Afterword by Walter Benjamin. Christine Bergin Books. New York: New Directions Books, 2010. [CL (4/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Strange stuff - without Walter Benjamin's essay, it'd be difficult to see anything there at all, I fear.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Paranormal:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hicks, Brian. &lt;em&gt;Ghost Ship: The Mysterious True Story of the &lt;/em&gt;Mary Celeste&lt;em&gt; and her Missing Crew&lt;/em&gt;. New York: Ballantine Books, 2004. [CL (1/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A surprisingly plausible and cogent solution to the mystery. It may not have happened like that, of course, but Hicks's notion of the ship being made uninhabitable by ethanol fumes is the best theory I've heard to date.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;King, David. &lt;em&gt;Finding Atlantis: A True Story of Genius, Madness, and an Extraordinary Quest for a Lost World&lt;/em&gt;. Harmony Books. New York: Random House, Inc., 2005. [CL (8/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A fascinating book, written with real enthusiasm and verve (though the text &lt;i&gt;does&lt;/i&gt; have to be read in tandem with the source notes at the back if one wants to grasp the author's sheer scholarly care and dedication to his subject). Rudbeck's &lt;i&gt;Atlantica&lt;/i&gt; sounds like it dwarfs even Ignatius Donnelly's efforts for true antiquarian lunacy ...&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kurtz, Paul, ed. &lt;em&gt;Skeptical odysseys: Personal Accounts by the World's Leading Paranormal Inquirers&lt;/em&gt;. Amherst, New York: Prometheus Books, 2001. [CL (11/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Some great stuff in here: articles on astrology particularly impressive.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Randles, Jenny. &lt;em&gt;Time Storms: The Amazing Evidence of Time Warps, Space Rifts and Time Travel&lt;/em&gt;. 2001. London: Piatkus, 2001. [CL (1/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Great stuff. The "time storms" themselves are a little unexciting - but an interesting addition to popular folklore if nothing else (who knows? There might even be something in it).&lt;br /&gt;&lt;br /&gt;Quotes:&lt;ul&gt;&lt;li&gt;In this well-researched and authoritative book you will discover:&lt;ul&gt;&lt;li&gt;Why scientists believe time travel will soon be possible&lt;/li&gt;&lt;li&gt;How a time machine would actually work&lt;/li&gt;&lt;li&gt;The truth about experiments already carried out to develop a time machine&lt;/li&gt;&lt;li&gt;First-hand reports of people who were transported hours or days across time and space&lt;/li&gt;&lt;li&gt;Whether UFOs may in fact be time travellers visiting us from our own future [Blurb]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Worrying as the conclusion is, we have to wonder whether Renard floated through &lt;em&gt;time&lt;/em&gt; as well as space that night.&lt;br /&gt;...&lt;br /&gt;Forget the silly media hype - consider only the verifiable facts. [p.66]&lt;/li&gt;&lt;/ul&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Storr, Will. &lt;em&gt;Will Storr vs. The Supernatural: One Man's Search for the Truth about Ghosts&lt;/em&gt;. Ebury Press. London: Random House, 2006. [CL (12/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;A bit of a credulous imbecile, so far, but I guess it might improve as it goes along.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Philosophy:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Žižek, Slavoj. &lt;em&gt;In Defense of Lost Causes&lt;/em&gt;. London &amp;amp; New York: Verso, 2008. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Very interesting,if a little daunting. I didn't actually finish it, I must confess, but I very much liked the chapter on "the family romance" in Hollywood films. Great stuff.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Astley, Neil, ed. &lt;em&gt;In Person: 30 Poets&lt;/em&gt;. Filmed by Pamela Robertson-Pearce. With 2 DVDs. Highgreen, Tarset, Northumberland: Bloodaxe Books, 2008. [JE (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;From my point of view, the mere inclusion of Peter Reading makes this a most worthwhile book. It's informative on all the poets I don't yet know, though. A precedent for the future? Let's hope so.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bloom, Harold, ed. &lt;em&gt;Till I End My Song: A Gathering of Last Poems&lt;/em&gt;. 2000. Harper. New York: HarperCollins Publishers, 2010. [CL (6/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Surprisingly dodgy and ill-defined taste, for so celebrated a critic. His remarks (on p.336) criticizing Lowell for lamenting "Yet why not say what happened", in "Epilogue" (p.337) are particularly revealing of an underlying addiction to obfuscation and elitism.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Cavafy, C. P. &lt;em&gt;Collected Poems&lt;/em&gt;. Trans. Daniel Mendelsohn. New York: Alfred A. Knopf, 2010. [CL (5/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Yet another translation - but this one does admittedly have some claims to be considered definitive. It's judicious and well-expressed, but somehow lacks fire. The completeness aimed at by Mendelsohn definitely has its attractions, though.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Cobb, David, ed. &lt;em&gt;The British Museum Haiku&lt;/em&gt;. 2002. London: The British Museum Press, 2009. [JE (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Beautifully illustrated - charming translations, with the original Japanese to one side.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;em&gt;Letters to Monica&lt;/em&gt;. Ed. Anthony Thwaite. London: Faber, 2010. [CL (6/11)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Now the initial shock of his racism and reactionary opinions has worn off, one can enjoy Larkin's letters more now, I think. Especially this slightly gentler self.&lt;br /&gt;Quotes:&lt;ul&gt;&lt;li&gt;... responsibility is always to the &lt;i&gt;thing&lt;/i&gt; &amp;amp; not to yourself or the filthy reader. [p.222]&lt;/li&gt;&lt;li&gt;I think the reason we make so much of Christmas is that we can credit anyone getting born. No one's seen anyone rise from the dead yet. [p.233]&lt;/li&gt;&lt;li&gt;My old friend Colin Gunner's receipt for novel-writing ('have your heroine raped by a gorilla') occurs to me ... [p.399]&lt;/li&gt;&lt;/ul&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Science:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Cadbury, Deborah. &lt;em&gt;The Dinosaur Hunters: A Story of Scientific Rivalry and the Discovery of the Prehistoric World&lt;/em&gt;. London: Fourth Estate, 2000. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;I think she was the producer of the BBC documentary series &lt;em&gt;Seven Wonders of the Industrial World&lt;/em&gt;, among other things. Excellent and informative.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Darwin, Charles. &lt;em&gt;The Illustrated Origin of Species&lt;/em&gt;. 1859. Abridged &amp;amp; Introduced by Richard Leakey. Consultants: W. F. Bynum &amp;amp; J. A. Barrett. New York: Hill &amp;amp; Wang, 1979. [CL (5/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Hopefully a good preparation for reading the real thing (though unfortunately a bit out-of-date now).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gould, Stephen Jay. &lt;em&gt;Eight Little Piggies: Reflections in Natural History&lt;/em&gt;. London: Jonathan Cape, 1993. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Sixth in a series of essay collections beginning with &lt;span style="font-style: italic;"&gt;Ever Since Darwin&lt;/span&gt; (1977), and continuing with &lt;span style="font-style: italic;"&gt;The Panda's Thumb&lt;/span&gt; (1980), &lt;span style="font-style: italic;"&gt;Hen's Teeth and Horse's Toes&lt;/span&gt; (1983), &lt;span style="font-style: italic;"&gt;The Flamingo's Smile&lt;/span&gt; (1985) and &lt;span style="font-style: italic;"&gt;Bully for Brontosaurus&lt;/span&gt; (1991).&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Milner, Richard. &lt;em&gt;Darwin's Universe: Evolution from A to Z&lt;/em&gt;. 1990 &amp;amp; 1993. Foreword by Ian Tattersall. Preface by Stephen Jay Gould. Berkeley &amp;amp; Los Angeles: University of California Press, 2009. [CL (3/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Surprisingly amusing and informative - a model reference book.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Quammen, David. &lt;em&gt;The Song of the Dodo: Island Biogeography in an Age of Extinctions&lt;/em&gt;. Maps by Kris Ellingsen. New York: Scribner, 1996. [CL (2/10)]&lt;blockquote&gt;&lt;span style="font-size:85%;"&gt;Takes a bit of wading through, but a truly remarkable and worthwhile work - thought-provoking and worrying in the extreme. Particularly good on Wallace's East Indian explorations.&lt;/span&gt;&lt;/blockquote&gt;&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75GbZ62YQI/AAAAAAAADR4/zQoCnVm8e3g/s1600/heloise+%26+abelard.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 297px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75GbZ62YQI/AAAAAAAADR4/zQoCnVm8e3g/s400/heloise+%26+abelard.jpg" alt="" id="BLOGGER_PHOTO_ID_5457877235047751938" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Jenny Chi: &lt;a href="http://www.eiu.edu/%7Eagora/06D/ArtShow.htm"&gt;Heloise and Abelard&lt;/a&gt; (2006)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2104764566818544017-6099280586764414409?l=madbookcollection.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/6099280586764414409/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://madbookcollection.blogspot.com/2010/04/books-on-loan.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/6099280586764414409'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/6099280586764414409'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/2010/04/books-on-loan.html' title='Books on Loan'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_dSZQ_FbAxSA/S75EjFYb8MI/AAAAAAAADRw/bblvwgbjAW4/s72-c/library.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-4073641976999186933</id><published>2010-02-22T08:16:00.001+13:00</published><updated>2010-08-21T11:18:43.460+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Erik Desmazières'/><category scheme='http://www.blogger.com/atom/ns#' term='Preface'/><category scheme='http://www.blogger.com/atom/ns#' term='Mervyn Peake'/><category scheme='http://www.blogger.com/atom/ns#' term='Elias Canetti'/><category scheme='http://www.blogger.com/atom/ns#' term='Carl Spitzweg'/><title type='text'>Preface</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SqwCaPildXI/AAAAAAAACS8/lUa9tmiHHN8/s1600-h/gormenghast.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 211px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SqwCaPildXI/AAAAAAAACS8/lUa9tmiHHN8/s400/gormenghast.jpg" alt="" id="BLOGGER_PHOTO_ID_5380678304672347506" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Mervyn Peake: &lt;a href="http://www.mervynpeake.org/gormenghast/"&gt;&lt;em&gt;Titus Groan&lt;/em&gt;&lt;/a&gt; (1946)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;'How many shelves have you built for your father?' said the Earl to his daughter with a ghastly smile.&lt;br /&gt;&lt;br /&gt;'Seven shelves, father,' said Fuchsia. Her eyes were very wide and her hands trembled as they hung at her sides.&lt;br /&gt;&lt;br /&gt;'Three more shelves, my daughter - three more shelves, and then we will put the volumes back.'&lt;br /&gt;&lt;br /&gt;'Yes, father.'&lt;br /&gt;&lt;br /&gt;Fuchsia, picking up a short branch, scored across the needled ground three long lines, adding them to the seven which already lay between her father and herself.&lt;br /&gt;&lt;br /&gt;'That's it, that's it,' came the melancholy voice. 'Now we have space for the Sonian Poets. Have you the books ready ­- little daughter?'&lt;br /&gt;&lt;br /&gt;Fuchsia swung her head up, and her eyes fastened upon her father. He had never spoken to her in that way - she had never before heard that tone of love in his voice. Chilled by the horror of his growing madness, she had yet been filled with a compas­sion she had never known, but now there was more than compassion within her, there was released, of a sudden, a warm jet of love for the huddled figure whose long pale hand rested upon his knees, whose voice sounded so quiet and so thoughtful. 'Yes, father, I've got the books ready,' she replied; 'do you want me to put them on the shelves?'&lt;br /&gt;&lt;br /&gt;She turned to a heap of pine cones which had been gathered. 'Yes, I am ready,' he replied after a pause that was filled with the silence of the wood. 'But one by one. One by one. We shall stock three shelves tonight. Three of my long, rare shelves.'&lt;br /&gt;&lt;br /&gt;'Yes, father.' ...&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;- Mervyn Peake. &lt;em&gt;Titus Groan&lt;/em&gt;. 1946. Introduction by Anthony Burgess. Penguin Modern Classics. 1968 (Harmondsworth: Penguin, 1975): 345-46.&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;The most poignant piece I know of about the after-effects of the death of a library is this passage from Mervyn Peake's &lt;em&gt;Gormenghast&lt;/em&gt; trilogy (worse even than the final moments of Elias Canetti's &lt;em&gt;Auto-da-fé&lt;/em&gt;). Perhaps its effectiveness comes from the fact that Peake himself may already have known about his own Parkinson's disease. It's hard not to feel him imagining the successive loss of his faculties, both as artist and author.&lt;br /&gt;&lt;br /&gt;Building a library is always, as Canetti reminds us, an act of faith. One one level, of course, it's at the mercy of so many factors: fire, flood, domestic turmoil, and all the other vagaries of life. On another, it needs a logic and a &lt;em&gt;raison d'être&lt;/em&gt; to justify its existence. But without some kind of catalogue or indexing system, can it really be said to &lt;em&gt;be&lt;/em&gt; a library - or just an opportunistic huddle of books?&lt;br /&gt;&lt;br /&gt;A website seems to me not such a bad place to compile such a &lt;em&gt;catalogue raisonnée&lt;/em&gt;. The pages can be edited and re-edited as often as one wants, and (what's more) decorated with the other people's art. With the aid of labels, hypertext and sidebars, it can even be effectively cross-indexed.&lt;br /&gt;&lt;br /&gt;Since my own books are scattered over four locations, I decided I needed, first, a clear geographical map of them. Since each location includes a number of books from different, overlapping categories, I realised I also needed to list them under various headings to coincide with my various areas of interest.&lt;br /&gt;&lt;br /&gt;This blog, then, &lt;a href="http://madbookcollection.blogspot.com/"&gt;A Gentle Madness&lt;/a&gt; (the title borrowed from Nicholas Basbane's entertaining account of the vagaries of eccentric bibliophiles throughout history) is the result. It's very much a work in progress (but then what library could ever be said to be finished? Only when people stop writing new books, or re-editing old ones, I suppose). It's not - I suspect - of particularly absorbing interest (or use) to anyone but me, but, for what it's worth, it's now accessible to all.&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;'My books .. .' he said.&lt;br /&gt;&lt;br /&gt;'I have them here, father. Shall I fill up the first long shelf for you?'&lt;br /&gt;&lt;br /&gt;'With the Sonian Poets, Fuchsia.'&lt;br /&gt;&lt;br /&gt;Yes.'&lt;br /&gt;&lt;br /&gt;She picked up a cone from the heap at her side and placed it on the end of the line she had scored in the ground. The Earl watched her very carefully.&lt;br /&gt;&lt;br /&gt;'That is Andrema, the lyricist - the lover - he whose quill would pulse as he wrote and fill with a blush of blue, like a bruised nail. His verses, Fuchsia, his verses open out like flowers of glass, and at their centre, between the brittle petals lies a pool of indigo, translucent and as huge as doom. His voice is unmuffled - it is like a bell, clearly ringing in the night of our confusion; but the clarity is the clarity of imponderable depth - depth - so that his lines float on for evermore, Fuchsia - on and on and on, for evermore. That is Andrema ... Andrema.'&lt;br /&gt;&lt;br /&gt;The Earl, with his eyes on the cone which Fuchsia had placed at the end of the first line, opened his mouth more widely, and suddenly the pines vibrated with the echoes of a dreadful cry, half scream, half laughter.&lt;br /&gt;&lt;br /&gt;Fuchsia stiffened, the blood draining from her face. Her father, his mouth still open, even after the scream had died out of the forest, was now upon his hands and knees. Fuchsia tried to force her voice from the dryness of her throat. Her father's eyes were on her as she struggled, and at last his lips came to­gether and his eyes recovered the melancholy sweetness that she had so lately discovered in them. She was able to say, as she picked up another cone and made as if to place it at the side of 'Andrema': 'Shall I go on with the library, father?'&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;- Peake. &lt;em&gt;Titus Groan&lt;/em&gt;: 347.&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/SqwTjnUmxhI/AAAAAAAACTM/NTxPuPCPgaI/s1600-h/Alice_poster.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 280px; height: 400px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/SqwTjnUmxhI/AAAAAAAACTM/NTxPuPCPgaI/s400/Alice_poster.jpg" alt="" id="BLOGGER_PHOTO_ID_5380697157372659218" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Mervyn Peake: &lt;a href="http://mervynpeake.blogspot.com/2009/08/mervyn-peake-in-switzerland.html"&gt;&lt;em&gt;Alice&lt;/em&gt;&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Notes:&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;Requests for the &lt;em&gt;loan&lt;/em&gt; of any of the books or materials listed here will not be entertained seriously. It seems most unlikely you won't be able find a nearby public library which can obtain the titles you're searching for.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;The pages are organised in the following way:&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;This image denotes a &lt;strong&gt;category&lt;/strong&gt;:&lt;/li&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dSZQ_FbAxSA/Sk5_lX4DZVI/AAAAAAAABnU/No_6v-5VEfU/s1600-h/library+of+babel+%281997%29.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 320px;" src="http://1.bp.blogspot.com/_dSZQ_FbAxSA/Sk5_lX4DZVI/AAAAAAAABnU/No_6v-5VEfU/s320/library+of+babel+%281997%29.jpg" alt="" id="BLOGGER_PHOTO_ID_5354357287031104850" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Erik Desmazières: &lt;a href="http://www.johncoulthart.com/feuilleton/2007/01/27/the-art-of-erik-desmazieres/"&gt;The Library of Babel&lt;/a&gt; (1997)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;li&gt;This image denotes a &lt;strong&gt;bookcase&lt;/strong&gt;:&lt;/li&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/Sj1szexnSsI/AAAAAAAABbM/bMXmPL8wFDs/s1600-h/Spitzweg1850Buecherwurm.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 238px; height: 320px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/Sj1szexnSsI/AAAAAAAABbM/bMXmPL8wFDs/s320/Spitzweg1850Buecherwurm.jpg" alt="" id="BLOGGER_PHOTO_ID_5349551564076305090" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Carl Spitzweg: &lt;a href="http://www.history.ucsb.edu/faculty/marcuse/"&gt;The Bookworm&lt;/a&gt; (1850)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;li&gt;This image denotes a &lt;strong&gt;bookbox&lt;/strong&gt;:&lt;/li&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Sj1stgiV_LI/AAAAAAAABbE/UDa7RMSYRQs/s1600-h/auto+da+fe.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 298px; height: 320px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/Sj1stgiV_LI/AAAAAAAABbE/UDa7RMSYRQs/s320/auto+da+fe.jpg" alt="" id="BLOGGER_PHOTO_ID_5349551461469912242" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Elias Canetti: &lt;a href="http://www.bookdepository.co.uk/book/9780099470311/Auto-da-Fe"&gt;Auto-da-fé&lt;/a&gt; (1935)]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;The following key to my mapping conventions is (I guess) self-explanatory:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;1, 2 … = shelf numbers counting downwards&lt;br /&gt;[b] = back row of a double row&lt;br /&gt;i, ii = partition / section number (left to right)&lt;br /&gt;• = on top of other books (left to right)&lt;br /&gt;[…] = bound Xerox copy&lt;/span&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/SqwFu2RdByI/AAAAAAAACTE/AxGWuM8SriQ/s1600-h/Gormenghast2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 307px; height: 400px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/SqwFu2RdByI/AAAAAAAACTE/AxGWuM8SriQ/s400/Gormenghast2.jpg" alt="" id="BLOGGER_PHOTO_ID_5380681957201741602" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.mervynpeake.org/gormenghast/attic.html"&gt;Steerpike comes to Fuchsia's Attic]&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2104764566818544017-4073641976999186933?l=madbookcollection.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/4073641976999186933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://madbookcollection.blogspot.com/2010/02/preface.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/4073641976999186933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/4073641976999186933'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/2010/02/preface.html' title='Preface'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_dSZQ_FbAxSA/SqwCaPildXI/AAAAAAAACS8/lUa9tmiHHN8/s72-c/gormenghast.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-632232663314692200</id><published>2010-02-21T08:23:00.084+13:00</published><updated>2011-11-25T09:55:05.285+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Biography'/><category scheme='http://www.blogger.com/atom/ns#' term='Literature'/><category scheme='http://www.blogger.com/atom/ns#' term='History'/><category scheme='http://www.blogger.com/atom/ns#' term='Fiction'/><category scheme='http://www.blogger.com/atom/ns#' term='Travel Writing'/><category scheme='http://www.blogger.com/atom/ns#' term='English'/><title type='text'>English Prose (post-1900)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dSZQ_FbAxSA/SqF3rvgrjqI/AAAAAAAACJo/PnXEcCUcFFg/s1600-h/fiction.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_dSZQ_FbAxSA/SqF3rvgrjqI/AAAAAAAACJo/PnXEcCUcFFg/s400/fiction.jpg" alt="" id="BLOGGER_PHOTO_ID_5377711023428701858" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.writerface.com/"&gt;Fiction&lt;/a&gt; (2003)]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A Bibliography of my Collection:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;1, 2 … = shelf numbers counting downwards&lt;br /&gt;[b] = back row of a double row&lt;br /&gt;i, ii = partition / section number (left to right)&lt;br /&gt;• = on top of other books (left to right)&lt;br /&gt;[…] = bound Xerox copy&lt;/span&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Sections:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html#_ftn1" name="_ftnref1" title="" class="style23"&gt;Alphabetical&lt;/a&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html#_ftn2" name="_ftnref2" title="" class="style23"&gt;Anthologies &amp;amp; Secondary Literature&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dSZQ_FbAxSA/S4A5Th7pxDI/AAAAAAAADKA/ILOSa3GxKUY/s1600-h/Amis+%26+Howard+1974.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 291px;" src="http://2.bp.blogspot.com/_dSZQ_FbAxSA/S4A5Th7pxDI/AAAAAAAADKA/ILOSa3GxKUY/s400/Amis+%26+Howard+1974.jpg" alt="" id="BLOGGER_PHOTO_ID_5440411357552428082" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.guardian.co.uk/books/gallery/2008/sep/06/bookerprize.winners.judges.covers?picture=337219907"&gt;Kingsley Amis &amp;amp; Elizabeth Jane Howard&lt;/a&gt; (1974)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn1"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html#_ftn1" name="_ftn1" title=""&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Alphabetical&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;[1136 books]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Authors:&lt;/strong&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;Peter Ackroyd&lt;/strong&gt; (1949- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Kingsley Amis&lt;/strong&gt; (1922-1995)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Martin Amis&lt;/strong&gt; (1949- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Pat Barker&lt;/strong&gt; (1943- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Julian Barnes&lt;/strong&gt; (1946- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Howarth Bashford&lt;/strong&gt; (1880–1961)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Max Beerbohm&lt;/strong&gt; (1872-1956)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Hilaire Belloc&lt;/strong&gt; (1870-1953)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Arnold Bennett&lt;/strong&gt; (1867-1931)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Stella Benson&lt;/strong&gt; (1892-1933)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Marjorie Bowen&lt;/strong&gt; (1885-1952)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Melvyn Bragg&lt;/strong&gt; (1939- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ernest Bramah&lt;/strong&gt; (1868-1942)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Caryl Brahms&lt;/strong&gt; (1901-1982) &amp;amp; &lt;strong&gt;S. J. Simon&lt;/strong&gt; (1904-1948)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Jocelyn Brooke&lt;/strong&gt; (1908-1966)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Anthony Burgess&lt;/strong&gt; (1917-1993)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Mary Butts&lt;/strong&gt; (1890–1937)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;A. S. Byatt&lt;/strong&gt; (1936- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Cecil&lt;/strong&gt; (1902-1976)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Collier&lt;/strong&gt; (1901-1980)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ivy Compton-Burnett&lt;/strong&gt; (1884-1969)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Cyril Connolly&lt;/strong&gt; (1903-1974)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;A. E. Coppard&lt;/strong&gt; (1878-1957)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Edmund Crispin&lt;/strong&gt; (1921-1978)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Roald Dahl&lt;/strong&gt; (1916-1990)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Norman Douglas&lt;/strong&gt; (1868-1952)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Daphne du Maurier&lt;/strong&gt; (1907–1989)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Lawrence Durrell&lt;/strong&gt; (1912-1990)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Robert Edric&lt;/strong&gt; (1956- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;G. B. Edwards&lt;/strong&gt; (1899-1976)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ronald Firbank&lt;/strong&gt; (1886-1926)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ian Fleming&lt;/strong&gt; (1908-1964)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ford Madox Ford&lt;/strong&gt; (1873-1939)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;C. S. Forester&lt;/strong&gt; (1899-1966)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;E. M. Forster&lt;/strong&gt; (1879-1970)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Fowles&lt;/strong&gt; (1926-2005)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ronald Fraser&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;David Garnett&lt;/strong&gt; (1892-1981)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Richard Garnett&lt;/strong&gt; (1835-1906)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Crosbie Garstin&lt;/strong&gt; (1887-1930)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;William Gerhardie&lt;/strong&gt; (1895-1977)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Stella Gibbons&lt;/strong&gt; (1902-1989)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;William Golding&lt;/strong&gt; (1911-1993)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Winston Graham&lt;/strong&gt; (1908-2003)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Green&lt;/strong&gt; (1905-1973)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Graham Greene&lt;/strong&gt; (1904-1991)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Radclyffe Hall&lt;/strong&gt; (1880-1943)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Patrick Hamilton&lt;/strong&gt; (1904-1962)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Maurice Hewlett&lt;/strong&gt; (1861-1923)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;James Hilton&lt;/strong&gt; (1900–1954)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Winifred Holtby&lt;/strong&gt; (1898-1935)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Anthony Hope&lt;/strong&gt; (1863-1933)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;E. W. Hornung&lt;/strong&gt; (1866–1921)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Richard Hughes&lt;/strong&gt; (1900-1976)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;R. C. Hutchinson&lt;/strong&gt; (1907-1975)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Aldous Huxley&lt;/strong&gt; (1894-1963)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Christopher Isherwood&lt;/strong&gt; (1904-1986)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;B. S. Johnson&lt;/strong&gt; (1933-1973)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Anna Kavan&lt;/strong&gt; (1901—1968)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;M. M. Kaye&lt;/strong&gt; (1908-2004)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Hugh Kingsmill&lt;/strong&gt; (1889-1949)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Rudyard Kipling&lt;/strong&gt; (1865-1936)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;D. H. Lawrence&lt;/strong&gt; (1885-1930)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Malcolm Lowry&lt;/strong&gt; (1909–1957)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ian McEwan&lt;/strong&gt; (1948- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Colin MacInnes&lt;/strong&gt; (1914-1976)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Olivia Manning&lt;/strong&gt; (1908-1980)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Masters&lt;/strong&gt; (1914–1983)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Somerset Maugham&lt;/strong&gt; (1874-1965)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Susan Miles&lt;/strong&gt; (1887-1975)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Jessica Mitford&lt;/strong&gt; (1917-1996)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Nancy Mitford&lt;/strong&gt; (1904-1973)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Nicholas Monsarrat&lt;/strong&gt; (1910-1979) &lt;/li&gt;&lt;li&gt;&lt;strong&gt;Lady Ottoline Morrell&lt;/strong&gt; (1873-1938)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Arthur Morrison&lt;/strong&gt; (1863-1945)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;R. H. Mottram&lt;/strong&gt; (1883–1971)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Malcolm Muggeridge&lt;/strong&gt; (1903-1990)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Middleton Murry&lt;/strong&gt; (1889–1957)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;L. H. Myers&lt;/strong&gt; (1881–1944)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Robert Nye&lt;/strong&gt; (1939- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Patrick O'Brian&lt;/strong&gt; (1914–2000) &lt;/li&gt;&lt;li&gt;&lt;strong&gt;George Orwell&lt;/strong&gt; (1903-1950)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;C. Northcote Parkinson&lt;/strong&gt; (1909–1993)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Iain Pears&lt;/strong&gt; (1955- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Max Plowman&lt;/strong&gt; (1883-1941)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Anthony Powell&lt;/strong&gt; (1905-2000)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Cowper Powys&lt;/strong&gt; (1872-1963)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Llewelyn Powys&lt;/strong&gt; (1884-1939)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;T. F. Powys&lt;/strong&gt; (1875-1953)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;H. F. M. Prescott&lt;/strong&gt; (1896-1972)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;V. S. Pritchett&lt;/strong&gt; (1900-1997)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Sir Arthur Quiller-Couch&lt;/strong&gt; (1863–1944)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Mary Renault&lt;/strong&gt; (1905-1983)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Dorothy Richardson&lt;/strong&gt; (1873-1957)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Fr. Rolfe, Baron Corvo&lt;/strong&gt; (1860-1913)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Jack Ross&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Lisa St Aubin de Terán&lt;/strong&gt; (1953- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Saki&lt;/strong&gt; (1870-1916)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;William Sansom&lt;/strong&gt; (1912-1976)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Dorothy L. Sayers&lt;/strong&gt; (1893-1957)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Paul Scott&lt;/strong&gt; (1920-1978)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Nicholas Shakespeare&lt;/strong&gt; (1957- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Iain Sinclair&lt;/strong&gt; (1943- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;C. P. Snow&lt;/strong&gt; (1905-1980)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Mary Stewart&lt;/strong&gt; (1916- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Lytton Strachey&lt;/strong&gt; (1880-1932)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Adam Thirlwell&lt;/strong&gt; (1978- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;D. M. Thomas&lt;/strong&gt; (1935- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Flora Thompson&lt;/strong&gt; (1876-1947)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Treece&lt;/strong&gt; (1911-1966)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Edward Upward&lt;/strong&gt; (1903-2009)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;E. L. Voynich&lt;/strong&gt; (1864–1960)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Rex Warner&lt;/strong&gt; (1905-1986)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Evelyn Waugh&lt;/strong&gt; (1903-1966)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Mary Webb&lt;/strong&gt; (1881–1927)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Denton Welch&lt;/strong&gt; (1915-1948)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Rebecca West&lt;/strong&gt; (1892-1983)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Henry Williamson&lt;/strong&gt; (1895-1977)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Jeanette Winterson&lt;/strong&gt; (1959- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;P. G. Wodehouse&lt;/strong&gt; (1881–1975)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Leonard&lt;/strong&gt; (1880-1969) &amp;amp; &lt;strong&gt;Virginia Woolf&lt;/strong&gt; (1882-1941)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;P. C. Wren&lt;/strong&gt; (1875-1941)&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;hr noshade="noshade" size="1" align="left" width="70%"&gt;&lt;br /&gt;&lt;ol&gt;&lt;strong&gt;Peter Ackroyd&lt;/strong&gt; (1949- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;The Last Testament of Oscar Wilde&lt;/span&gt;. 1983. Abacus. London: Sphere Books Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;Hawksmoor&lt;/span&gt;. 1985. Abacus. London: Sphere Books Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;Chatterton&lt;/span&gt;. 1987. Abacus. London: Sphere Books Ltd., 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;First Light&lt;/span&gt;. 1989. Abacus. London: Sphere Books Ltd., 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;English Music&lt;/span&gt;. London: Hamish Hamilton, Ltd. / Harmondsworth: The Penguin Group, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;Dan Leno and The Limehouse Golem&lt;/span&gt;. 1994. A Minerva Paperback. London: Mandarin/ Reed International Books Ltd., 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;Albion: The Origins of the English Imagination&lt;/span&gt;. 2002. Vintage. London: Random House, 2004.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ackroyd, Peter. &lt;span style="font-style: italic;"&gt;The English Ghost: Spectres through Time&lt;/span&gt;. Chatto &amp;amp; Windus. London: Random House, 2010.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Kingsley William Amis&lt;/strong&gt; (1922-1995)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;[Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Bright November: Poems&lt;/span&gt;. London: the Fortune Press, n.d. (1947?)]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Lucky Jim: A Novel&lt;/span&gt;. 1953. London: Victor Gollancz, Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;That Uncertain Feeling&lt;/span&gt;. 1955. Four Square Books Ltd. London: New English Library Ltd. / Sydney. Horwitz Publications Inc. Pty. Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;I Like it Here&lt;/span&gt;. 1958. Penguin Book 2884. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Take A Girl Like You&lt;/span&gt;. 1960. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;My Enemy's Enemy&lt;/span&gt;. 1962. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;One Fat Englishman&lt;/span&gt;. 1963. Penguin Book 2417. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley, &amp;amp; Robert Conquest. &lt;span style="font-style: italic;"&gt;The Egyptologists&lt;/span&gt;. 1965. Panther Books Ltd. Frogmore, St Albans, Herts: Granada Publishing Limited, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The James Bond Dossier&lt;/span&gt;. 1965. London: Pan Books Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Anti-Death League&lt;/span&gt;. 1966. Penguin Book 2803. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley [as ‘Robert Markham’]. &lt;span style="font-style: italic;"&gt;Colonel Sun: A James Bond Adventure&lt;/span&gt;. 1968. London: Pan Books Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;I Want It Now&lt;/span&gt;. 1968. London: Panther Books, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Green Man&lt;/span&gt;. London: Jonathan Cape Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;What Became of Jane Austen?, and Other Questions&lt;/span&gt;. 1970. Panther Books Limited. London: Granada Publishing Limited, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Girl, 20&lt;/span&gt;. 1971. New York: Ballantine Books, Inc., 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;On Drink&lt;/span&gt;. Pictures by Nicolas Bentley. 1972. Panther Books Ltd. Frogmore, St Albans, Herts: Granada Publishing Limited, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Riverside Villas Murder&lt;/span&gt;. 1973. London: Book Club Associates / Jonathan Cape Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Ending Up&lt;/span&gt;. London: Jonathan Cape Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Crime Of The Century&lt;/span&gt;. 1975. Introduction by the Author. Everyman Paperbacks: Mastercrime. London: J. M. Dent &amp;amp; Sons Ltd., 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Alteration&lt;/span&gt;. 1976. Triad / Panther Books. Frogmore, St Albans, Herts: Triad Paperbacks Ltd, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Jake's Thing&lt;/span&gt;. 1978. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Russian Hide-and-Seek: A Melodrama&lt;/span&gt;. 1980. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Collected Short Stories&lt;/span&gt;. 1980. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Every Day Drinking&lt;/span&gt;. Illustrated by Merrily Harpur. London: Hutchinson &amp;amp; Co. (Publishers) Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Stanley and the Women&lt;/span&gt;. London: Hutchinson &amp;amp; Co. (Publishers) Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Old Devils&lt;/span&gt;. 1986. Hutchinson. London: Century Hutchinson Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Difficulties With Girls&lt;/span&gt;. 1988. Harmondsworth: Penguin, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Folks That Live on the Hill&lt;/span&gt;. Hutchinson. London: Century Hutchinson Ltd, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;We Are All Guilty&lt;/span&gt;. London: Reinhardt Books / Viking, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Russian Girl&lt;/span&gt;. 1992. Harmondsworth: Penguin, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Mr Barrett's Secret and Other Stories&lt;/span&gt;. 1993. Harmondsworth: Penguin, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;You Can't Do Both&lt;/span&gt;. Hutchinson. London: Random House (UK) Ltd., 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Biographer's Moustache&lt;/span&gt;. 1995. Flamingo. London: HarperCollins Publishers, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Complete Stories&lt;/span&gt;. Foreword by Rachel Cusk. Penguin Classics. London: Penguin, 2011.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The King’s English: A Guide to Modern Usage&lt;/span&gt;. London: HarperCollins Publishers, 1997.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Collected Poems 1944-1979&lt;/span&gt;. London: Hutchinson &amp;amp; Co. (Publishers) Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;The Amis Collection: Selected Non-Fiction, 1954-1990&lt;/span&gt;. Introduction by John McDermott. 1990. Harmondsworth: Penguin, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley. &lt;span style="font-style: italic;"&gt;Memoirs&lt;/span&gt;. Hutchinson. London: Random Century Group Ltd., 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Leader, Zachary, ed. &lt;span style="font-style: italic;"&gt;The Letters of Kingsley Amis&lt;/span&gt;. 2000. London: HarperCollins Publishers, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Kingsley, ed. &lt;span style="font-style: italic;"&gt;The New Oxford Book of Light Verse&lt;/span&gt;. Oxford: Oxford University Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bradford, Richard. &lt;span style="font-style: italic;"&gt;Lucky Him: The Life of Kingsley Amis&lt;/span&gt;. London: Peter Owen Publishers, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Leader, Zachary. &lt;span style="font-style: italic;"&gt;The Life of Kingsley Amis&lt;/span&gt;. 2006. Vintage Books. London: The Random House Group Limited, 2007.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Martin Louis Amis&lt;/strong&gt; (1949- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;The Rachel Papers&lt;/span&gt;. 1973. Frogmore, St Albans, Herts: Granada Publishing Limited, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Dead Babies&lt;/span&gt;. 1975. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Success&lt;/span&gt;. 1978. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Other People: A Mystery Story&lt;/span&gt;. 1981. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Money: A Suicide Note&lt;/span&gt;. 1984. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;The Moronic Inferno, and Other Visits to America&lt;/span&gt;. 1986. King Penguin. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;London Fields&lt;/span&gt;. London: Jonathan Cape Ltd., 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Time's Arrow, or The Nature of the Offence&lt;/span&gt;. 1991. Harmondsworth: Penguin, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;The Information&lt;/span&gt;. 1995. Flamingo. London: HarperCollins Publishers, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Heavy Water and Other Stories&lt;/span&gt;. 1998. Vintage. London: Random House UK Limited, 1999.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Experience&lt;/span&gt;. 2000. Vintage. London: The Random House Group Limited, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Amis, Martin. &lt;span style="font-style: italic;"&gt;Koba the Dread: Laughter and the Twenty Million&lt;/span&gt;. 2002. Vintage. London: The Random House Group Limited, 2003.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pat Barker&lt;/strong&gt; (1943- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Barker, Pat. &lt;em&gt;The Regeneration Trilogy: Regeneration; The Eye in the Door; The Ghost Road&lt;/em&gt;. 1991, 1993, 1995. London: Viking, 1996.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Julian Patrick Barnes [‘Dan Kavanagh’]&lt;/strong&gt; (1946- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Barnes, Julian. &lt;span style="font-style: italic;"&gt;Flaubert’s Parrot&lt;/span&gt;. 1984. London: Picador, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Barnes, Julian [as ‘Dan Kavanagh’]. &lt;span style="font-style: italic;"&gt;The Duffy Omnibus: Duffy; Fiddle City; Putting the Boot In; Going to the Dogs&lt;/span&gt;. 1980, 1981, 1985, 1987. Harmondsworth: Penguin, 1991.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Henry Howarth Bashford&lt;/strong&gt; (1880–1961)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bashford, Sir Henry Howarth. &lt;span style="font-style: italic;"&gt;Augustus Carp, Esq., by Himself: The Autobiography of a Really Good Man&lt;/span&gt;. 1924. Postscript by Anthony Burgess. 1966. Introduction by Robert Robinson. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Henry Maximilian [Max] Beerbohm&lt;/strong&gt; (1872-1956)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;Zuleika Dobson, or An Oxford Love Story&lt;/span&gt;. 1911. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;A Christmas Garland, woven by Max Beerbohm&lt;/span&gt;. 1912. London: William Heinemann Ltd., 1938.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;Seven Men&lt;/span&gt;. 1919. London: William Heinemann Ltd., 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;Seven Men, and Two Others&lt;/span&gt;. 1919. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;The Incomparable Max: A Selection&lt;/span&gt;. Introduction by S. C. Roberts. 1962. London: Icon Books Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;Max in Verse: Rhymes and Parodies&lt;/span&gt;. Ed. J. G. Riewald. Foreword by S. N. Behrman. Brattleboro, Vermont: The Stephen Greene Press, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;The Bodley Head Max Beerbohm&lt;/span&gt;. Ed. Lord David Cecil. London: The Bodley Head, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beerbohm, Max. &lt;span style="font-style: italic;"&gt;A Peep into the Past and Other Prose Pieces&lt;/span&gt;. Ed. Rupert Hart-Davis. London: William Heinemann Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lago, Mary M., &amp;amp; Karl Beckson, ed. &lt;span style="font-style: italic;"&gt;Max and Will: Max Beerbohm and William Rothenstein: Their Friendship and Letters, 1893-1945&lt;/span&gt;. London: John Murray (Publishers) Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Behrman, S. N. &lt;span style="font-style: italic;"&gt;Conversation with Max&lt;/span&gt;. London: The Quality Book Club / Hamish Hamilton Ltd., 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Cecil, Lord David. &lt;span style="font-style: italic;"&gt;Max: A Biography&lt;/span&gt;. 1964. London: Readers Union Ltd. / Constable &amp;amp; Co. Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Joseph Hilaire Pierre René Belloc&lt;/strong&gt; (1870-1953)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The Path to Rome&lt;/span&gt;. 1902. Nelson Library of Notable Books. London: Thomas Nelson &amp;amp; Sons, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Hills and the Sea&lt;/span&gt;. 1906. London: Methuen &amp;amp; Co. Ltd., 1943.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The Eye-Witness: Being a Series of Descriptions and Sketches in Which It is Attempted to Reproduce Certain Incidents and Periods in History, as From the Testimony of a Person Present at Each&lt;/span&gt;. 1908. The King’s Treasuries of Literature. Ed. Sir A. T. Quiller-Couch. 1924. London: J. M. Dent &amp;amp; Sons Ltd. / New York: E. P. Dutton &amp;amp; Co. Inc., 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;On Everything&lt;/span&gt;. 1909. London: Methuen &amp;amp; Co. Ltd., 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;On Something&lt;/span&gt;. 1910. London: Methuen &amp;amp; Co. Ltd., 1917.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;First and Last&lt;/span&gt;. 1911. London: Methuen &amp;amp; Co. Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The Four Men: A Farrago&lt;/span&gt;. 1911. London: Thomas Nelson and Sons, Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The French Revolution&lt;/span&gt;. 1911. Opus 5: Oxford Paperbacks University Series. London: Oxford University Press, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The Green Overcoat&lt;/span&gt;. Illustrated by G. K. Chesterton. 1912. Harmondsworth: Penguin, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;The Cruise of the ‘Nona’. &lt;/span&gt;1925. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Mr. Petre: A Novel&lt;/span&gt;. 1925. West Drayton, Middlesex: Penguin, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Stories, Essays and Poems&lt;/span&gt;. 1938. Everyman’s Library, 948. London: J. M. Dent &amp;amp; Sons Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;But Soft: We are Observed! &lt;/span&gt;Illustrated by G. K. Chesterton. 1928. Harmondsworth: Penguin, 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Napoleon&lt;/span&gt;. London: Cassell &amp;amp; Company Ltd., 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;One Thing and Another: A Miscellany from his Uncollected Essays&lt;/span&gt;. Ed. Patrick Cahill. London: Hollis &amp;amp; Carter, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Selected Essays&lt;/span&gt;. Ed. J. B. Morton. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Cautionary Verses: Illustrated Album Edition&lt;/span&gt;. Illustrated by B.T.B. &amp;amp; Nicolas Bentley. 1940. London: Gerald Duckworth, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Collected Verse&lt;/span&gt;. 1910, 1923, 1954. Introduction by Ronald Knox. The Penguin Poets. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Belloc, Hilaire. &lt;span style="font-style: italic;"&gt;Complete Verse: Including Sonnets and Verse, Cautionary Verses, The Modern Traveller, etc&lt;/span&gt;. Preface by W. N. Roughead. 1954. London: Gerald Duckworth, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wilson, A. N. &lt;span style="font-style: italic;"&gt;Hilaire Belloc&lt;/span&gt;. London: Hamish Hamilton, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Enoch Arnold Bennett&lt;/strong&gt; (1867-1931)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;A Man from the North&lt;/span&gt;. 1898. London: Methuen &amp;amp; Co. Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Anna of the Five Towns&lt;/span&gt;. 1902. Penguin Modern Classics. Harmondsworth: Penguin, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Grand Babylon Hotel: A Fantasia on Modern Themes&lt;/span&gt;. 1902. Penguin Modern Classics. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Teresa of Watling Street: A Fantasia on Modern Themes&lt;/span&gt;. 1904. London: Methuen &amp;amp; Co. Ltd., 1913.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Tales of the Five Towns&lt;/span&gt;. 1905. Phoenix Library. London: Chatto &amp;amp; Windus, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Whom God Hath Joined&lt;/span&gt;. 1906. Guild Books, 405. London: The British Publishers Guild Limited, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Grim Smile of the Five Towns&lt;/span&gt;. 1907. London: W. Collins &amp;amp; Sons, Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Buried Alive&lt;/span&gt;. 1908. London: The Readers Library Publishing Company Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Old Wives’ Tale&lt;/span&gt;. 1908. Everyman’s Library, 919. 1935. London: J. M. Dent &amp;amp; Sons Ltd. / New York: E. P. Dutton &amp;amp; Co. Inc., 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Clayhanger&lt;/span&gt;. 1910. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Card: A Story of Adventure in the Five Towns&lt;/span&gt;. 1911. Guild Books, 450. London: The British Publishers Guild Limited, 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Hilda Lessways&lt;/span&gt;. 1911. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;These Twain&lt;/span&gt;. 1916. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Books and Persons: Being Comments on a Past Epoch, 1908-1911&lt;/span&gt;. 1917. London: Chatto &amp;amp; Windus, 1919.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Pretty Lady: A Novel&lt;/span&gt;. 1918. Preface by Frank Swinnerton. London: The Richards Press, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Mr. Prohack&lt;/span&gt;. 1922. London: Methuen &amp;amp; Co. Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Arnold Bennett Omnibus Book, Containing Riceyman Steps; Elsie &amp;amp; the Child; Lord Raingo; Accident&lt;/span&gt;. 1923, 1926. London: Cassell and Company, Limited, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Imperial Palace&lt;/span&gt;. 1930. London: Cassell and Company, Limited, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Journal 1929&lt;/span&gt;. London: Cassell and Company Limited, 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;The Journals: Now published with the addition of &lt;/span&gt;Journal Volume 6&lt;span style="font-style: italic;"&gt;, Newly Discovered, Covering the Period 21 September 1906-18 July 1907, and &lt;/span&gt;Florentine Journal&lt;span style="font-style: italic;"&gt;, Covering the Period 1 April 1910-25 May 1910&lt;/span&gt;. 1930, 1932-33, 1967. Ed. Frank Swinnerton. 1954. Penguin Modern Classics. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bennett, Arnold. &lt;span style="font-style: italic;"&gt;Sketches for Autobiography&lt;/span&gt;. Ed. James Hepburn. London: George Allen &amp;amp; Unwin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Drabble, Margaret. &lt;span style="font-style: italic;"&gt;Arnold Bennett: A Biography&lt;/span&gt;. 1974. An Omega book. London: Futura Publications Limited, 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Stella Benson&lt;/strong&gt; (1892-1933)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;I Pose&lt;/span&gt;. London: Macmillan, 1915.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;This is the End&lt;/span&gt;. London: Macmillan, 1917.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Twenty&lt;/span&gt;. London: Macmillan, 1918.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Living Alone&lt;/span&gt;. London: Macmillan, 1919.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;The Poor Man&lt;/span&gt;. London: Macmillan, 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Pipers and a Dancer&lt;/span&gt;. London: Macmillan, 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;The Little World&lt;/span&gt;. London: Macmillan, 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;The Awakening&lt;/span&gt;. San Francisco: The Lantern Press, 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Goodbye, Stranger&lt;/span&gt;. London: Macmillan, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella, ed. &lt;span style="font-style: italic;"&gt;Come to Eleuthera, or New Lands for Old&lt;/span&gt;. N.p. [Bahama?]. n.d. [c.1926?].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Worlds Within Worlds&lt;/span&gt;. London: Macmillan, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;The Man Who Missed the Bus&lt;/span&gt;. London: Elkin Mathews &amp;amp; Marrot, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Tobit Transplanted&lt;/span&gt;. 1930. London: Macmillan, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Hope Against Hope and Other Stories&lt;/span&gt;. London: Macmillan, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Christmas Formula and Other Stories&lt;/span&gt;. London: Jackson, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Pull Devil, Pull Baker&lt;/span&gt;. London: Macmillan, 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Mundos&lt;/span&gt;. London: Macmillan, 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Benson, Stella. &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;. London: Macmillan, 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bottome, Phyllis. &lt;span style="font-style: italic;"&gt;Stella Benson&lt;/span&gt;. San Francisco: Albert M. Bender, 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Clarabut, Cecil, ed. &lt;span style="font-style: italic;"&gt;Some Letters of Stella Benson, 1928-1933&lt;/span&gt;. Hong Kong: Libra Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grant, Joy. &lt;span style="font-style: italic;"&gt;Stella Benson: A Biography&lt;/span&gt;. London: Macmillan, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Roberts, R. Ellis. &lt;span style="font-style: italic;"&gt;Portrait of Stella Benson&lt;/span&gt;. London: Macmillan, 1939.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mrs Gabrielle Margaret Vere Long (née Campbell) ['Marjorie Bowen']&lt;/strong&gt; (1885-1952)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bowen, Marjorie. &lt;span style="font-style: italic;"&gt;The Viper of Milan: A Romance of Lombardy&lt;/span&gt;. 1906. Introductory Note by Graham Greene. A Peacock Book. Harmondsworth: Penguin, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bowen, Marjorie. &lt;span style="font-style: italic;"&gt;Mary, Queen of Scots&lt;/span&gt;. 1934. London: Sphere Books, 1971.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Melvyn Bragg, Baron Bragg&lt;/strong&gt; (1939- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bragg, Melvyn. &lt;span style="font-style: italic;"&gt;The Maid of Buttermere&lt;/span&gt;. 1987. London: Sceptre, 1988.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ernest Brammah Smith [Ernest Bramah]&lt;/strong&gt; (1868-1942)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bramah, Ernest. &lt;span style="font-style: italic;"&gt;The Wallet of Kai-Lung&lt;/span&gt;. 1909. London: Penguin, 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bramah, Ernest. &lt;span style="font-style: italic;"&gt;Kai-Lung’s Golden Hours&lt;/span&gt;. Preface by Hilaire Belloc. 1922. London: the Richards Press, Ltd., 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bramah, Ernest. &lt;span style="font-style: italic;"&gt;Kai-Lung Unrolls His Mat&lt;/span&gt;. 1928. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Doris Caroline Abrahams ['Caryl Brahms']&lt;/strong&gt; (1901-1982) &amp;amp;&lt;br /&gt;&lt;strong&gt;Seca Jascha Skidelsky ['S. J. Simon']&lt;/strong&gt; (1904-1948)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Brahms, Caryl, &amp;amp; S. J. Simon. &lt;em&gt;A Bullet in the Ballet&lt;/em&gt;. 1937. Harmondsworth: Penguin, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Brahms, Caryl, &amp;amp; S. J. Simon. &lt;em&gt;No Bed for Bacon&lt;/em&gt;. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Brahms, Caryl, &amp;amp; S. J. Simon. &lt;em&gt;Don’t Mr Disraeli!&lt;/em&gt; 1940. London: Four Square, 1964.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jocelyn Brooke&lt;/strong&gt; (1908-1966)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Brooke, Jocelyn. &lt;span style="font-style: italic;"&gt;The Military Orchid and Other Novels: A Mine of Serpents / The Goose Cathedral&lt;/span&gt;. 1948, 1949 &amp;amp; 1950. Introduction by Anthony Powell. 1981. Preface by Jonathan Hunt. Penguin Classics. Harmondsworth: Penguin, 2002.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Burgess Wilson ['Anthony Burgess']&lt;/strong&gt; (1917-1993)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Malayan Trilogy (The Long Day Wanes): Time for a Tiger; The Enemy in the Blanket; Beds in the East&lt;/span&gt;. 1956, 1958, 1959. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Right to an Answer&lt;/span&gt;. 1960. NEL Books. London: The New English Library, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Doctor is Sick&lt;/span&gt;. 1960. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Worm and the Ring&lt;/span&gt;. 1961. London: William Heinemann Ltd., 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Devil of a State&lt;/span&gt;. 1961. London: Hutchinson &amp;amp; Co. (Publishers ) Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;A Clockwork Orange&lt;/span&gt;. 1962. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;A Clockwork Orange&lt;/span&gt;. 1962. Introduction by Blake Morrison. 1996. Penguin Classics. London: Penguin, 2000.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Wanting Seed&lt;/span&gt;. 1962. London: Pan Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Honey for the Bears&lt;/span&gt;. 1963. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Inside Mr. Enderby&lt;/span&gt;. The Enderby Quartet, 1. 1963. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Eve of St. Venus&lt;/span&gt;. 1964. Illustrated by Edward Pagram. Preface by the Author. 1981. Hamlyn Paperbacks. Feltham, Middlesex: The Hamlyn Publishing Group Ltd., 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Nothing Like the Sun: A Story of Shakespeare's Love-Life&lt;/span&gt;. 1964. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Tremor of Intent: An Eschatological Spy Novel&lt;/span&gt;. 1966. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Enderby Outside&lt;/span&gt;. The Enderby Quartet, 2. 1968. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Here Comes Everybody: An Introduction to James Joyce for the Ordinary Reader&lt;/span&gt;. London: Faber, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Shakespeare&lt;/span&gt;. 1970. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;MF&lt;/span&gt;. London: Jonathan Cape Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Napoleon Symphony: A Novel in Four Movements&lt;/span&gt;. 1974. London: Jonathan Cape Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Clockwork Testament, or Enderby's End&lt;/span&gt;. The Enderby Quartet, 3. 1974. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Beard's Roman Women&lt;/span&gt;. 1976. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Abba Abba&lt;/span&gt;. 1977. A Corgi Book. London: Transworld Publishers Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;1985&lt;/span&gt;. 1978. London: Arrow Books Ltd., 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Man of Nazareth&lt;/span&gt;. New York: McGraw-Hill Book Company, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Earthly Powers&lt;/span&gt;. 1980. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The End of the World News: An Entertainment&lt;/span&gt;. 1982. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Enderby's Dark Lady, or No End of Enderby&lt;/span&gt;. The Enderby Quartet, 4. 1984. Abacus. London: Sphere Books Ltd., 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Kingdom of the Wicked&lt;/span&gt;. 1985. Abacus. London: Sphere Books Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Byrne: A Novel&lt;/span&gt;. Hutchinson. London: Random House (UK) Limited, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Urgent Copy: Literary Studies&lt;/span&gt;. 1968. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Homage to QWERT YUIOP: Selected Journalism, 1978-1985&lt;/span&gt;. London: Century Hutchinson Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;Little Wilson and Big God, Being the First Part of the Confessions of Anthony Burgess&lt;/span&gt;. 1987. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;You've Had Your Time, Being the Second Part of the Confessions of Anthony Burgess&lt;/span&gt;. 1990. Harmondsworth: Penguin, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burgess, Anthony. &lt;span style="font-style: italic;"&gt;The Novel Now: A Student's Guide to Contemporary Fiction&lt;/span&gt;. 1967. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lewis, Roger. &lt;span style="font-style: italic;"&gt;Anthony Burgess&lt;/span&gt;. 2002. London: Faber, 2003.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Franeis Butts&lt;/strong&gt; (1890–1937)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Butts, Mary. &lt;span style="font-style: italic;"&gt;Scenes from the Life of Cleopatra&lt;/span&gt;. 1935. New York: The Ecco Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Antonia Susan Duffy, nee Drabble [A. S. Byatt]&lt;/strong&gt; (1936- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Byatt, A. S. &lt;em&gt;Possession: A Romance&lt;/em&gt;. 1990. London: Vintage, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Byatt, A. S. &lt;em&gt;Angels and Insects&lt;/em&gt;. London: Chatto &amp;amp; Windus, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Byatt, A. S. &lt;span style="font-style: italic;"&gt;The Djinn in the Nightingale’s Eye: Five Fairy Stories&lt;/span&gt;. 1994. London: Vintage, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Byatt, A. S. &lt;em&gt;The Children's Book&lt;/em&gt;. Chatto &amp;amp; Windus. London: The Random House Group Limited, 2009.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry Cecil Leon [Henry Cecil / Clifford Maxwell]&lt;/strong&gt; (1902-1976)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Cecil, Henry. &lt;span style="font-style: italic;"&gt;Full Circle&lt;/span&gt;. 1948. Penguin Book 2380. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Collier&lt;/strong&gt; (1901-1980)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Collier, John. &lt;span style="font-style: italic;"&gt;His Monkey Wife&lt;/span&gt;. 1930. Introduction by Paul Theroux. Twentieth Century Classics. Oxford: Oxford University Press, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Collier, John. &lt;span style="font-style: italic;"&gt;Defy the Foul Fiend, or The Misadventures of a Heart&lt;/span&gt;. 1934. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Collier, John. &lt;span style="font-style: italic;"&gt;Fancies and Goodnights&lt;/span&gt;. 1951. Introduction by Fred Hoyle. 1965. Time Reading Program Special Edition. Alexandria, Virginia: Time-Life Books, Inc., 1980.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dame Ivy Compton-Burnett&lt;/strong&gt; (1884-1969)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Dolores&lt;/span&gt;. 1911. Introduction by Charles Burkhart. Edinburgh &amp;amp; London: Wiliam Blackwood &amp;amp; Sons Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Pastors and Masters&lt;/span&gt;. 1925. Collectors’ Edition. London: Victor Gollancz Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Brothers and Sisters: A Novel&lt;/span&gt;. 1929. London: Allison &amp;amp; Busby Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Men and Wives: A Novel&lt;/span&gt;. 1931. London: Allison &amp;amp; Busby Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;More Women Than Men: A Novel&lt;/span&gt;. 1933. London: Allison &amp;amp; Busby Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;A House and Its Head&lt;/span&gt;. 1935. Penguin Books 1317. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Daughters and Sons&lt;/span&gt;. 1937. Panther Books Limited. London: Granada Publishing Limited, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;A Family and a Fortune&lt;/span&gt;. 1939. Reissue of Works by I. Compton-Burnett, XII. London: Victor Gollancz Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Parents and Children&lt;/span&gt;. 1941. Reissue of Works by I. Compton-Burnett, I. London: Victor Gollancz Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Parents and Children&lt;/span&gt;. 1941. Penguin Modern Classics. Harmondsworth: Penguin, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Elders and Betters: A Novel&lt;/span&gt;. 1944. London: Allison &amp;amp; Busby Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Manservant and Maidservant&lt;/span&gt;. 1947. Introduction by Penelope Lively. Twentieth Century Classics. Oxford: Oxford University Press, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Two Worlds and Their Ways&lt;/span&gt;. 1949. Introduction by Hilary Spurling. Virago Modern Classic, 354. London: Virago Press limited, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Darkness and Day&lt;/span&gt;. 1951. Reissue of Works by I. Compton-Burnett. London: Victor Gollancz Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;The Present and the Past&lt;/span&gt;. 1953. Penguin Modern Classics. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;Mother and Son&lt;/span&gt;. 1955. Introduction by Hilary Spurling. Virago Modern Classic, 394. London: Virago Press limited, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;A Father and His Fate&lt;/span&gt;. 1957. Introduction by Penelope Lively. Twentieth Century Classics. Oxford: Oxford University Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;A Heritage and Its History&lt;/span&gt;. London: Victor Gollancz Ltd., 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;The Mighty and Their Fall&lt;/span&gt;. 1961. Introduction by Hilary Spurling. Virago Modern Classic, 355. London: Virago Press limited, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;A God and His Gifts&lt;/span&gt;. 1963. Corgi Modern Reading. London: Transworld Publishers Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Compton-Burnett, Ivy. &lt;span style="font-style: italic;"&gt;The Last and the First&lt;/span&gt;. Foreword by Elizabeth Sprigge. Critical Epilogue by Charles Burkhart. 1971. Penguin Modern Classics. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spurling, Hilary. &lt;span style="font-style: italic;"&gt;Ivy When Young: The Early Life of I. Compton-Burnett, 1884-1919&lt;/span&gt;. 1974. London: The Quality Book Club / Victor Gollancz Ltd. , 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spurling, Hilary. &lt;span style="font-style: italic;"&gt;Secrets of a Woman's Heart: The Later Life of Ivy Compton-Burnett, 1920-1969&lt;/span&gt;. London: Hodder and Stoughton, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cyril Vernon Connolly&lt;/strong&gt; (1903-1974)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Connolly, Cyril. &lt;span style="font-style: italic;"&gt;The Rock Pool&lt;/span&gt;. 1936. Introduction by Peter Quennell. Oxford: Oxford University Press, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Connolly, Cyril. &lt;span style="font-style: italic;"&gt;Enemies of Promise&lt;/span&gt;. 1938. Penguin Modern Classics. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Connolly, Cyril [as ‘Palinurus’]. &lt;span style="font-style: italic;"&gt;The Unquiet Grave: A Word Cycle&lt;/span&gt;. 1944. Rev. ed. 1945. London: Arrow Books, 1961.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alfred Edgar Coppard&lt;/strong&gt; (1878-1957)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Coppard, A. E. &lt;span style="font-style: italic;"&gt;The Collected Tales&lt;/span&gt;. 1948. A Borzoi Book. New York: Alfred A. Knopf, 1966.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Robert Bruce Montgomery ['Edmund Crispin']&lt;/strong&gt; (1921-1978)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;The Case of the Gilded Fly&lt;/span&gt;. 1944. London: Victor Gollancz Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Swan Song&lt;/span&gt;. 1947. A Four Square Crime Book. London: The New English Library Limited, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Love Lies Bleeding&lt;/span&gt;. 1948. Penguin Crime Fiction. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Buried for Pleasure&lt;/span&gt;. 1948. Penguin Books 1292. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Frequent Hearses&lt;/span&gt;. 1950. Penguin Crime Fiction. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;The Long Divorce&lt;/span&gt;. 1952. Penguin Books 1304. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Beware of the Trains&lt;/span&gt;. 1953. Penguin Classic Crime. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;The Glimpses of the Moon&lt;/span&gt;. 1977. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crispin, Edmund. &lt;span style="font-style: italic;"&gt;Fen Country: Twenty-Six Stories&lt;/span&gt;. 1979. Penguin Crime Fiction. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roald Dahl&lt;/strong&gt; (1916-1990)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Dahl, Roald. &lt;em&gt;The Collected Short Stories: An Omnibus Volume Containing: Kiss, Kiss, Over To You, Switch Bitch, Someone Like You and eight further tales of the unexpected&lt;/em&gt;. 1960, 1946, 1974, 1954, London: BCA, 1991.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;George Norman Douglas&lt;/strong&gt; (1868-1952)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Douglas, Norman. &lt;span style="font-style: italic;"&gt;Fountains in the Sand&lt;/span&gt;. 1912. Harmondsworth: Penguin, 1944.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dame Daphne du Maurier, Lady Browning&lt;/strong&gt; (1907–1989)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;Jamaica Inn&lt;/span&gt;. 1936. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;Rebecca&lt;/span&gt;. 1938. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;Frenchman’s Creek&lt;/span&gt;. 1941. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;The King’s General&lt;/span&gt;. 1946. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;My Cousin Rachel&lt;/span&gt;. 1951. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;The House on the Strand&lt;/span&gt;. 1969. The Great West Country Novels of Daphne du Maurier. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;du Maurier, Daphne. &lt;span style="font-style: italic;"&gt;Daphne du Maurier's Classics of the Macabre&lt;/span&gt;. Illustrated by Michael Foreman. London: Victor Gollancz Ltd., 1987.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lawrence George Durrell&lt;/strong&gt; (1912-1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style:italic;"&gt;Pied Piper of Lovers&lt;/span&gt;. 1935. Ed. James Gifford. Afterword by James A. Brigham. Victoria, BC: ELS Editions, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence [as ‘Charles Norden’]. &lt;span style="font-style:italic;"&gt;Panic Spring: A Romance&lt;/span&gt;. 1937. Ed. James Gifford. Introduction by Richard Pine. Afterword by James A. Brigham. Victoria, BC: ELS Editions, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Black Book: A Novel&lt;/span&gt;. 1938. Faber Paperbacks. London: Faber, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Dark Labyrinth: A Novel&lt;/span&gt;. 1947, as ‘Cefalu’. Faber Paper Covered Editions. London: Faber, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;White Eagles Over Serbia&lt;/span&gt;. 1957. Faber Paper Covered Editions. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Justine&lt;/span&gt;. 1957. The Alexandria Quartet, 1. London: Faber, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Balthazar&lt;/span&gt;. 1958. The Alexandria Quartet, 2. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Mountolive&lt;/span&gt;. 1958. The Alexandria Quartet, 3. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Clea&lt;/span&gt;. 1960. The Alexandria Quartet, 4. London: Faber, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;The Alexandria Quartet: Justine; Balthazar; Mountolive: Clea&lt;/em&gt;. 1957, 1958, 1958, 1960. London: Faber, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Alexandria Quartet: Justine; Balthazar; Mountolive; Clea&lt;/span&gt;. 1957, 1958, 1958, 1960, &amp;amp; 1962. Faber Paperbacks. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Nunquam: A Novel&lt;/span&gt;. 1970. Faber Paper Covered Editions. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Revolt of Aphrodite: &lt;/span&gt;Tunc &lt;span style="font-style: italic;"&gt;and&lt;/span&gt; Nunquam. 1968, 1970. London: Faber, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Monsieur: or, The Prince of Darkness: A Novel&lt;/span&gt;. 1974. London: Faber, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Monsieur, or The Prince of Darkness&lt;/em&gt;. The Avignon Quintet, 1. 1974. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Livia: or, Buried Alive: A Novel&lt;/span&gt;. London: Faber, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Livia, or Buried Alive&lt;/em&gt;. The Avignon Quintet, 2. 1978. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Constance: or, Solitary Practices: A Novel&lt;/span&gt;. 1982. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Constance, or Solitary Practices&lt;/em&gt;. The Avignon Quintet, 3. 1982. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Sebastian: or, Ruling Passions: A Novel&lt;/span&gt;. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Sebastian, or Ruling Passions&lt;/em&gt;. The Avignon Quintet, 4. 1983. London: Faber, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Quinx, or The Ripper’s Tale&lt;/em&gt;. 1985. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;em&gt;Quinx, or The Ripper’s Tale&lt;/em&gt;. The Avignon Quintet, 5. 1985. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Avignon Quintet: Monsieur: or, The Prince of Darkness; Livia: or, Buried Alive; Constance: or, Solitary Practices; Sebastian: or, Ruling Passions; Quinx: or, The Ripper's Tale&lt;/span&gt;. 1974, 1978, 1982, 1983, 1985. London: Faber, 1992.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Humour:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Esprit de Corps: Sketches from Diplomatic Life&lt;/span&gt;. Illustrated by V. H. Drummond. 1957. Faber Paper Covered Editions. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Stiff Upper Lip&lt;/span&gt;. Illustrated by Nicolas Bentley. 1958. Faber Paper Covered Editions. London: Faber, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Sauve Qui Peut&lt;/span&gt;. Illustrated by Nicolas Bentley. 1966. Faber Paper Covered Editions. London: Faber, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Antrobus Complete&lt;/span&gt;. Drawings by Marc. 1985. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Travel &amp; Miscellaneous Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Prospero's Cell: A Guide to the Landscape and Manners of the Island of Corcyra&lt;/span&gt;. 1945. Faber Paper Covered Editions. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Reflections on a Marine Venus: A Companion to the Landscape of Rhodes&lt;/span&gt;. 1953. London: Faber, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Bitter Lemons&lt;/span&gt;. 1957. Faber Paper Covered Editions. London: Faber, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Spirit of Place: Letters and Essays on Travel&lt;/span&gt;. Ed. Alan G. Thomas. 1969. Faber Paper Covered Editions. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Spirit of Place: Letters &amp;amp; Essays on Travel&lt;/span&gt;. Ed. Alan G. Thomas. 1969. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Sicilian Carousel&lt;/span&gt;. 1977. London: Faber, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Greek Islands&lt;/span&gt;. 1978. Faber Paperbacks. 1980. London: Faber, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;A Smile in the Mind's Eye&lt;/span&gt;. 1980. A Paladin Book. Frogmore, St. Albans, Herts.: Granada Publishing Limited, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Caesar's Vast Ghost: Aspects of Provence&lt;/span&gt;. Photographs by Harry Peccinotti. 1990. Faber Paperbacks. London: Faber, 1995.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Sappho: A Play in Verse&lt;/span&gt;. 1950. Faber Paper Covered Editions. London: Faber, 1967.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1957. Second Edition. London: Faber, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Collected Poems: 1931–1974&lt;/span&gt;. Ed. James A. Brigham. London: Faber, 1980.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Translation:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Royidis, Emmanuel. &lt;span style="font-style: italic;"&gt;The Curious History of Pope Joan&lt;/span&gt;. 1954. Trans. Lawrence Durrell. London: Sphere Books Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Letters:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;Literary Lifelines: The Richard Aldington–Lawrence Durrell Correspondence&lt;/span&gt;. Ed. Ian S. MacNiven &amp;amp; Harry T. Moore. London: Faber, 1981.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Fraser, G. S. &lt;span style="font-style: italic;"&gt;Lawrence Durrell: A Study&lt;/span&gt;. With a Bibliography by Alan G. Thomas. London: Faber, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Durrell, Lawrence. &lt;span style="font-style: italic;"&gt;The Big Supposer: A Dialogue with Marc Alyn&lt;/span&gt;. Illustrated by Lawrence Durrell. 1972. Trans. Francine Barker. London: Abelard-Schuman Limited, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bowker, Gordon. &lt;span style="font-style:italic;"&gt;Through the Dark Labyrinth: A Biography of Lawrence Durrell: Fully Revised Edition&lt;/span&gt;. 1996. Pimlico. London: Random House, 1998.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gary Edric Armitage ['Robert Edric']&lt;/strong&gt; (1956- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Edric, Robert. &lt;span style="font-style: italic;"&gt;The Broken Lands&lt;/span&gt;. 1992. London: Picador, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gerald Basil Edwards&lt;/strong&gt; (1899-1976)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Edwards, G. B. &lt;span style="font-style: italic;"&gt;The Book of Ebenezer Le Page&lt;/span&gt;. Introduction by John Fowles. 1981. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arthur Annesley Ronald Firbank&lt;/strong&gt; (1886-1926)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Firbank, Ronald. &lt;span style="font-style: italic;"&gt;Five Novels: Valmouth; The Flower Beneath the Foot; Prancing Nigger; Concerning the Eccentricities of Cardinal Pirelli; The Artificial Princess&lt;/span&gt;. Introduction by Osbert Sitwell. 1949. London: Gerald Duckworth &amp;amp; Co. Ltd., 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Firbank, Ronald. &lt;span style="font-style: italic;"&gt;Valmouth / Prancing Nigger / Concerning the Eccentricities of Cardinal Pirelli&lt;/span&gt;. 1919, 1924, 1926, 1961. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Firbank, Ronald. &lt;span style="font-style: italic;"&gt;The Complete Ronald Firbank: Odette: A Fairy Tale for Weary People (1915); The Artificial Princess (1915); Vainglory (1915); Inclinations (1916); Caprice (1917); Valmouth (1918); Santal (1921); The Flower Beneath the Foot (1923); Prancing Nigger [Sorrow in Sunlight] (1924); Concerning the Eccentricities of Cardinal Pirelli (1926); The Princess Zoubaroff (1920)&lt;/span&gt;. Introduction by Anthony Powell. London: Gerald Duckworth &amp;amp; Co. Ltd., 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Firbank, Ronald. &lt;span style="font-style: italic;"&gt;The Complete Firbank&lt;/span&gt;. Introduction by Anthony Powell. 1961. Picador Classics. London: Pan Books Ltd., 1988.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ian Lancaster Fleming&lt;/strong&gt; (1908-1964)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Casino Royale&lt;/span&gt;. 1953. London: Pan Books Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Live and Let Die&lt;/span&gt;. 1954. London: Pan Books Ltd., 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Moonraker&lt;/span&gt;. 1955. London: Pan Books Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Diamonds Are Forever&lt;/span&gt;. 1956. London: Pan Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;From Russia with Love&lt;/span&gt;. 1957. London: Pan Books Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;The Diamond Smugglers&lt;/span&gt;. 1957. London: Pan Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Dr. No&lt;/span&gt;. 1958. London: Pan Books Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Goldfinger&lt;/span&gt;. 1959. London: Pan Books Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;For Your Eyes Only: Five Secret Occasions in the Life of James Bond&lt;/span&gt;. 1960. London: Pan Books Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Thunderball&lt;/span&gt;. 1961. London: Pan Books Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian, with Vivienne Michel. &lt;span style="font-style: italic;"&gt;The Spy Who Loved Me&lt;/span&gt;. 1962. London: Pan Books Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;On Her Majesty's Secret Service&lt;/span&gt;. 1963. London: Pan Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;You Only Live Twice&lt;/span&gt;. 1964. London: Pan Books Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;The Man with the Golden Gun&lt;/span&gt;. 1965. London: Pan Books Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fleming, Ian. &lt;span style="font-style: italic;"&gt;Octopussy&lt;/span&gt;. 1966. London: Pan Books Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pearson, John. &lt;span style="font-style: italic;"&gt;The Life of Ian Fleming&lt;/span&gt;. 1966. London: Pan Books Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pearson, John. &lt;span style="font-style: italic;"&gt;The Authorized Biography of 007: James Bond. A Fictional Biography&lt;/span&gt;. 1973. London: Pan Books Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ford Hermann Hueffer [Ford Madox Ford]&lt;/strong&gt; (1873-1939)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;The Fifth Queen: the Fifth Queen; Privy Seal; The Fifth Queen Crowned&lt;/span&gt;. 1906, 1907, 1908. Twentieth-Century Classics. Introduction by A. S. Byatt. Oxford: Oxford University Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hueffer, Ford Madox. &lt;span style="font-style: italic;"&gt;Memories and Impressions: A Study in Atmospheres&lt;/span&gt;. New York &amp;amp; London: Harper &amp;amp; Brothers Publishers, 1911.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;The Good Soldier: A Tale of Passion&lt;/span&gt;. 1915. Penguin Modern Classics. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;Some Do Not… A Novel&lt;/span&gt;. 1924. Parade’s End, 1. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;No More Parades: A Novel&lt;/span&gt;. 1925. Parade’s End, 2. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;A Man Could Stand Up: A Novel&lt;/span&gt;. 1926. Parade’s End, 3. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;Last Post: A Novel&lt;/span&gt;. 1928. Parade’s End, 4. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;Joseph Conrad: A Personal Remembrance&lt;/span&gt;. 1924. New York: The Ecco Press, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;Portraits from Life: Reminiscences&lt;/span&gt;. 1937. Boston: Houghton Mifflin Company, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;The March of Literature: From Confucius to Modern Times&lt;/span&gt;. 1938. London: Allen &amp;amp; Unwin / Readers Union, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ford, Ford Madox. &lt;span style="font-style: italic;"&gt;Memories and Impressions&lt;/span&gt;. Ed. Michael Killigrew. 1971. Penguin Modern Classics. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stang, Sondra J., ed. &lt;span style="font-style: italic;"&gt;The Ford Madox Ford Reader&lt;/span&gt;. Foreword by Graham Greene. 1986. Paladin. London: Grafton Books, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mizener, Arthur. &lt;span style="font-style: italic;"&gt;The Saddest Story: A Biography of Ford Madox Ford&lt;/span&gt;. London: The Bodley Head, 1971.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil Louis Troughton Smith ['Cecil Scott Forester']&lt;/strong&gt; (1899-1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Hornblower Books:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Mr. Midshipman Hornblower&lt;/span&gt;. 1950. Mermaid Books. London: Michael Joseph Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Lieutenant Hornblower&lt;/span&gt;. 1952. London: The Reprint Society / Michael Joseph Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Hornblower and the Hotspur&lt;/span&gt;. 1962. Modern Reading. London: Longmans Green and Co. Ltd. / Michael Joseph Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Hornblower and the Crisis: An Unfinished Novel&lt;/span&gt;. London: Michael Joseph Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Hornblower and the Atropos&lt;/span&gt;. 1953. London: The Companion Book Club / Readers Book Club, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Captain Hornblower, R. N., A Trilogy: Comprising The Happy Return / A Ship of the Line / Flying Colours&lt;/span&gt;. 1937, 1938 &amp;amp; 1938. London: Michael Joseph Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Commodore&lt;/span&gt;. 1945. London: Michael Joseph Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Lord Hornblower&lt;/span&gt;. 1946. Penguin Book 1536. Harmondsworth: Penguin, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Hornblower in the West Indies&lt;/span&gt;. London: Michael Joseph Ltd., 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Hornblower Companion&lt;/span&gt;. With Maps and Drawings by Samuel H. Bryant. London: Michael Joseph Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Parkinson, C. Northcote. &lt;span style="font-style: italic;"&gt;The Life and Times of Horatio Hornblower&lt;/span&gt;. 1970. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Other Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Payment Deferred&lt;/span&gt;. 1926. New York: Bantam Books, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Brown on Resolution&lt;/span&gt;. 1929. London: Pan Books Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Plain Murder&lt;/span&gt;. 1930. London: John Lane / The Bodley Head, 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Gun&lt;/span&gt;. 1933. Penguin Books 229. Harmondsworth: Penguin, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Death to the French&lt;/span&gt;. 1933. Ed. E. L. Black. The Bodley Head Series. London: The Bodley Head, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Peacemaker&lt;/span&gt;. 1934. NEL Books. London: The New English Library Limited, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The African Queen&lt;/span&gt;. 1935. Penguin Books 1112. Harmondsworth: Penguin, 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The General&lt;/span&gt;. 1936. London: Michael Joseph Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Earthly Paradise&lt;/span&gt;. 1940. Mermaid Books. London: Michael Joseph Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Captain from Connecticut&lt;/span&gt;. 1941. A Four Square Book. London: Landsborough Publications Limited, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Ship&lt;/span&gt;. 1943. Greenwich Edition. London: Michael Joseph Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Sky and the Forest&lt;/span&gt;. 1948. NEL Books. London: The New English Library Limited, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Randall and the River of Time&lt;/span&gt;. 1950. London: Michael Joseph Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Nightmare&lt;/span&gt;. 1954. NEL Books. London: The New English Library Limited, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Hostage&lt;/span&gt;. 1954. NEL Books. London: The New English Library Limited, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Good Shepherd&lt;/span&gt;. 1955. London: Michael Joseph Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Man in the Yellow Raft: Short Stories&lt;/span&gt;. 1969. London: Pan Books Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Gold from Crete: Short Stories&lt;/span&gt;. 1971. London: Pan Books Ltd., 1973.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Non-Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Barbary Pirates&lt;/span&gt;. 1953. NEL Books. London: The New English Library Limited, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;The Naval War of 1812&lt;/span&gt;. 1957. A Four Square Book. London: Landsborough Publications Limited, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forester, C. S. &lt;span style="font-style: italic;"&gt;Hunting the Bismarck&lt;/span&gt;. 1959. Mayflower Books Ltd. Frogmore, St Albans, Herts: Granada Publishing Limited, 1973.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edward Morgan Forster&lt;/strong&gt; (1879-1970)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Where Angels Fear to Tread: A Novel&lt;/span&gt;. 1905. Guild Books, No. C10. Stockholm: The British Publishers Guild, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;The Longest Journey&lt;/span&gt;. 1907. Pocket Edition. London: Edward Arnold &amp;amp; Co., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;A Room with a View&lt;/span&gt;. 1908. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Howards End&lt;/span&gt;. 1910. Penguin Modern Classics. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Maurice&lt;/span&gt;. 1971. Introduction by P. N. Furbank. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Alexandria: A History and Guide&lt;/span&gt;. 1922. Ed. Michael Haag. Introduction by Lawrence Durrell. 1982. London: Michael Haag Limited, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Pharos and Pharillon&lt;/span&gt;. 1923. Berkeley: Creative Arts Books, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;A Passage to India&lt;/span&gt;. 1924. Ed. Oliver Stallybrass. 1978. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Aspects of the Novel&lt;/span&gt;. 1927. A Pelican Book. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Abinger Harvest&lt;/span&gt;. 1936. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Collected Short Stories&lt;/span&gt;. 1948. London: Readers Union, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Two Cheers for Democracy&lt;/span&gt;. 1951. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;The Hill of Devi: Being Letters from Dewas State Senior&lt;/span&gt;. London: Edward Arnold &amp;amp; Co., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Marianne Thornton, 1797-1887: A Domestic Biography&lt;/span&gt;. London: Edward Arnold (Publishers) Ltd., 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;The Life to Come and Other Stories&lt;/span&gt;. Ed. Oliver Stallybrass. 1972. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, E. M. &lt;span style="font-style: italic;"&gt;Arctic Summer and Other Fiction&lt;/span&gt;. Ed. Elizabeth Heine &amp;amp; Oliver Stallybrass. The Abinger Edition of E. M. Forster. London: Edward Arnold (Publishers) Ltd., 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Furbank, P. N. &lt;span style="font-style: italic;"&gt;E. M. Forster: A Life (1879-1970): The Growth of the Novelist (1879-1914); Polycrates’ Ring (1914-1970)&lt;/span&gt;. 1977 &amp;amp; 1978. London: Martin Secker &amp;amp; Warburg Limited, 1979.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Robert Fowles&lt;/strong&gt; (1926-2005)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Collector&lt;/span&gt;. 1963. London: Pan Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Aristos&lt;/span&gt;. 1964. Rev. ed. London: Jonathan Cape Ltd., 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Magus&lt;/span&gt;. 1966. London: Pan Books Ltd., 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Magus: A Revised Version&lt;/span&gt;. 1965. Foreword by the Author. 1977. Triad / Panther Books. Frogmore, St Albans, Herts: Triad Paperbacks Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The French Lieutenant's Woman&lt;/span&gt;. 1969. A Signet Novel. New York: The New American Library, Inc., 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Ebony Tower&lt;/span&gt;. 1974. Panther Books Ltd. Frogmore, St Albans, Herts: Granada Publishing Limited, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;Daniel Martin&lt;/span&gt;. 1977. Triad / Panther Books. Frogmore, St Albans, Herts: Triad Paperbacks Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;Mantissa&lt;/span&gt;. 1982. Triad / Panther Books. London: Granada Publishing Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;Wormholes: Essays and Occasional Writings&lt;/span&gt;. Ed. Jan Relf. London: Jonathan Cape Ltd., 1998.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fowles, John. &lt;span style="font-style: italic;"&gt;The Journals. Volume 1&lt;/span&gt;. Ed. Charles Drazin. 2003. Vintage. London: Random House, 2004.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ronald Fraser&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fraser, Ronald. &lt;span style="font-style: italic;"&gt;The Flying Draper&lt;/span&gt;. 1924. Introduction by Humbert Wolfe. The Travellers’ Library. London: Jonathan Cape, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fraser, Ronald. &lt;span style="font-style: italic;"&gt;Flower Phantoms&lt;/span&gt;. New York: Boni &amp;amp; Liveright, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fraser, Ronald. &lt;span style="font-style: italic;"&gt;Landscape with Figures&lt;/span&gt;. New York: Boni &amp;amp; Liveright, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fraser, Ronald. &lt;span style="font-style: italic;"&gt;Rose Anstey&lt;/span&gt;. London: Jonathan Cape, 1930.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;David Garnett&lt;/strong&gt; (1892-1981)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;Lady into Fox and A Man in the Zoo&lt;/span&gt;. 1922 &amp;amp; 1924. Illustrated by R. A. Garnett. Harmondsworth: Penguin, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;The Sailor’s Return and Beany-Eye&lt;/span&gt;. 1925 &amp;amp; 1935. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;Go She Must&lt;/span&gt;. 1927. Harmondsworth: Penguin, 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;The Grasshoppers Come &amp;amp; A Rabbit in the Air&lt;/span&gt;. 1931 &amp;amp; 1932. Illustrated by R. A. Garnett. London: Chatto &amp;amp; Windus, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;The Golden Echo&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;Aspects of Love&lt;/span&gt;. 1955. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;A Shot in the Dark&lt;/span&gt;. 1958. Harmondsworth: Penguin, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;The Sons of the Falcon&lt;/span&gt;. 1972. London: Quartet Books, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, David. &lt;span style="font-style: italic;"&gt;Great Friends: Portraits of Seventeen Writers&lt;/span&gt;. London: Macmillan, 1979.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Richard Garnett&lt;/strong&gt; (1835-1906)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Garnett, Richard. &lt;span style="font-style: italic;"&gt;The Twilight of the Gods&lt;/span&gt;. 1888. Rev. ed. 1903. Introduction by T. E. Lawrence. The Week-End Library. London: John Lane / The Bodley Head Ltd., 1927.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Garnett, Richard. &lt;span style="font-style: italic;"&gt;The Twilight of the Gods and Other Tales&lt;/span&gt;. 1888. Harmondsworth: Penguin, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Heilbrun, Carolyn G. &lt;span style="font-style: italic;"&gt;The Garnett Family: The History of a Literary Family&lt;/span&gt;. London: George Allen &amp;amp; Unwin Ltd., 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jefferson, George. &lt;span style="font-style: italic;"&gt;Edward Garnett: A Life in Literature&lt;/span&gt;. London: Jonathan Cape, 1982.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Crosbie Garstin&lt;/strong&gt; (1887-1930)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Garstin, Crosbie. &lt;span style="font-style: italic;"&gt;The Penhales: The Owls’ House / High Noon / The West Wind&lt;/span&gt;. London: William Heinemann Ltd., 1933.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;William Alexander Gerhardie&lt;/strong&gt; (1895-1977)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gerhardie, William. &lt;span style="font-style: italic;"&gt;Futility: A Novel on Russian Themes&lt;/span&gt;. 1922. Preface by Michael Holroyd. Penguin Modern Classics. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gerhardie, William. &lt;span style="font-style: italic;"&gt;Pretty Creatures&lt;/span&gt;. 1927. Preface by Michael Holroyd. The Revised Definitive Edition of the Works of William Gerhardie. London: Macdonald &amp;amp; Co (Publishers) Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Stella Dorothea Gibbons&lt;/strong&gt; (1902-1989)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gibbons, Stella. &lt;span style="font-style: italic;"&gt;Cold Comfort Farm, or A Good Woman’s Influence&lt;/span&gt;. 1932. London: Longmans Green and Co. Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir William Gerald Golding&lt;/strong&gt; (1911-1993)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;Three Novels: Lord of the Flies / Pincher Martin / Rites of Passage&lt;/span&gt;. 1954, 1956, 1980. London: Guild Publishing, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Inheritors&lt;/span&gt;. 1955. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Brass Butterfly: A Play in Three Acts&lt;/span&gt;. 1958. Faber School Editions. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;Free Fall&lt;/span&gt;. 1959. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Spire&lt;/span&gt;. 1964. London: Faber, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Hot Gates and Other Occasional Pieces&lt;/span&gt;. 1965. London: Faber, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Pyramid&lt;/span&gt;. 1967. London: Faber, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Scorpion God: Three Short Novels&lt;/span&gt;. 1971. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;Darkness Visible&lt;/span&gt;. 1979. London: Faber, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;A Moving Target&lt;/span&gt;. London: Faber, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Paper Men&lt;/span&gt;. London: Faber, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;An Egyptian Journal&lt;/span&gt;. London: Faber, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;To the Ends of the Earth: A Sea Trilogy, comprising Rites of Passage; Close Quarters; and Fire Down Below&lt;/span&gt;. 1980, 1987 &amp;amp; 1989. London: Faber, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Golding, William. &lt;span style="font-style: italic;"&gt;The Double Tongue&lt;/span&gt;. London: Faber, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kinkead-Weekes, Mark, &amp;amp; Ian Gregor. &lt;span style="font-style: italic;"&gt;William Golding: A Critical Study&lt;/span&gt;. 1967. London: Faber, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Winston Mawdsley Graham&lt;/strong&gt; (1908-2003)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Graham, Winston. &lt;span style="font-style: italic;"&gt;The Tumbled House&lt;/span&gt;. London: Hodder &amp;amp; Stoughton, 1959.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry Vincent Yorke ['Henry Green']&lt;/strong&gt; (1905-1973)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Loving / Living / Party Going&lt;/span&gt;. 1945, 1929 &amp;amp; 1939. Introduction by John Updike. Picador. London: Pan Books Ltd., 1978&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Nothing / Doting / Blindness&lt;/span&gt;. 1950, 1952 &amp;amp; 1926. Picador. London: Pan Books Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Caught: A Novel&lt;/span&gt;. 1943 &amp;amp; 1952. Viking Reprint Editions. New York: Augustus M. Kelly, Publishers, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Back: A Novel&lt;/span&gt;. 1946. London: The Hogarth Press Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Concluding&lt;/span&gt;. 1948. Penguin Modern Classics. Harmondsworth: Penguin / London: The Hogarth Press, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Henry. &lt;span style="font-style: italic;"&gt;Surviving: The Uncollected Writings&lt;/span&gt;. Ed. Matthew Yorke. Introduction by John Updike. 1992. Harvill. London: HarperCollins Publishers, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry Graham Greene&lt;/strong&gt; (1904-1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Novels:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Man Within&lt;/span&gt;. 1929. Uniform Edition. London: William Heinemann Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Name of Action&lt;/span&gt;. London: William Heinemann Ltd., 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Stamboul Train: An Entertainment&lt;/span&gt;. 1932. The Library Edition of the Works of Graham Greene. London: William Heinemann Ltd., 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;It's a Battlefield&lt;/span&gt;. 1934. London: Pan Books Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;It's a Battlefield&lt;/span&gt;. 1934. Introduction by the Author. The Collected Edition, 2. London: William Heinemann / The Bodley Head, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;England Made Me&lt;/span&gt;. 1935. London: Pan Books Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;A Gun for Sale&lt;/span&gt;. 1936. Introduction by the Author. The Collected Edition, 9. London: William Heinemann / The Bodley Head, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Brighton Rock&lt;/span&gt;. 1938. Uniform Edition. London: William Heinemann Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Confidential Agent: An Entertainment&lt;/span&gt;. 1939. Harmondsworth: Penguin / London: William Heinemann Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Power and the Glory&lt;/span&gt;. 1940. The Vanguard Library, 3. London: William Heinemann Ltd. / Chatto &amp;amp; Windus Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Ministry of Fear: An Entertainment&lt;/span&gt;. 1943. Uniform Edition. London: William Heinemann Ltd., 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Heart of the Matter&lt;/span&gt;. 1948. London: The Reprint Society Ltd. / William Heinemann Ltd., 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Third Man and the Fallen Idol&lt;/span&gt;. Prefaces by the Author. 1950. London: Pan Books Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Third Man: A Film by Graham Greene and Carol Reed&lt;/span&gt;. 1968. Modern Film Scripts. London: Lorrimer Publishing Limited, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The End of the Affair&lt;/span&gt;. 1951. Harmondsworth: Penguin / London: William Heinemann Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Loser Takes All&lt;/span&gt;. London: William Heinemann Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Quiet American&lt;/span&gt;. 1955. World Books. London: The Reprint Society Ltd. / William Heinemann Ltd., 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Quiet American: Text and Criticism&lt;/span&gt;. 1955. Ed. John Clark Pratt. The Viking Critical Library. New York: Penguin, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Our Man in Havana: An Entertainment&lt;/span&gt;. London: William Heinemann Ltd., 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;A Burnt-Out Case&lt;/span&gt;. 1961. London: The Reprint Society Ltd. / William Heinemann Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Comedians&lt;/span&gt;. 1966. Melbourne: Readers Book Club, 165. / London: William The Companion Book Club, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Travels with My Aunt&lt;/span&gt;. 1969. Harmondsworth: Penguin / London: The Bodley Head, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Honorary Consul&lt;/span&gt;. 1973. London: Book Club Associates / The Bodley Head, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Human Factor&lt;/span&gt;. 1978. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Doctor Fischer of Geneva, or The Bomb Party&lt;/span&gt;. London: The Bodley Head, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Monsignor Quixote&lt;/span&gt;. 1982. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Tenth Man&lt;/span&gt;. 1985. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Captain and the Enemy&lt;/span&gt;. 1988. Harmondsworth: Penguin / London: Reinhardt Books Ltd., 1989.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Short Stories:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Twenty-One Stories&lt;/span&gt;. 1947 &amp;amp; 1954. Harmondsworth: Penguin, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;A Sense of Reality&lt;/span&gt;. 1963. Harmondsworth: Penguin, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;May We Borrow Your Husband? And Other Comedies of the Sexual Life&lt;/span&gt;. London: The Bodley Head Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Last Word and Other Stories&lt;/span&gt;. 1990. Harmondsworth: Penguin / London: Reinhardt Books Ltd., 1991.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Travel:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Journey Without Maps: A Travel Book&lt;/span&gt;. 1936. Uniform Edition. London: William Heinemann Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Lawless Roads&lt;/span&gt;. 1939. Harmondsworth: Penguin / London: William Heinemann Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;In Search of a Character: Two African Journals&lt;/span&gt;. 1961. Harmondsworth: Penguin / London: The Bodley Head, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Getting to Know the General: The Story of an Involvement&lt;/span&gt;. London: The Bodley Head Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Autobiography:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;A Sort of Life&lt;/span&gt;. 1971. Harmondsworth: Penguin / London: The Bodley Head, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Ways of Escape&lt;/span&gt;. 1980. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Three Plays: The Living Room / The Potting Shed / The Complaisant Lover&lt;/span&gt;. 1953, 1957 &amp;amp; 1959. Mercury Books, 15. London: The Heinemann Group of Publishers, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Return of A. J. Raffles: An Edwardian Comedy in Three Acts Based Somewhat Loosely on E. W. Hornung’s Characters in &lt;/span&gt;The Amateur Cracksman. 1975. Penguin Plays. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Miscellaneous Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Lost Childhood and Other Essays&lt;/span&gt;. 1951. London: Eyre &amp;amp; Spottiswoode (Publishers) Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Collected Essays&lt;/span&gt;. London: The Bodley Head Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;The Pleasure-Dome: The Collected Film Criticism, 1935-40&lt;/span&gt;. Ed. John Russell Taylor. 1972. Oxford: Oxford University Press, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Lord Rochester's Monkey: Being the life of John Wilmot, Second Earl of Rochester&lt;/span&gt;. London: The Bodley Head Limited, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;J'Accuse: The Dark Side of Nice&lt;/span&gt;. London: The Bodley Head Ltd., 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;Yours, etc.: Letters to the Press, 1945-89&lt;/span&gt;. Ed. Christopher Hawtree. Viking. London: Reinhardt Books Ltd. / Harmondsworth: Penguin, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Greene, Graham. &lt;span style="font-style: italic;"&gt;A World of My Own: A Dream Diary&lt;/span&gt;. 1992. Harmondsworth: Penguin, 1993.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Allain, Marie-Françoise. &lt;span style="font-style: italic;"&gt;The Other Man: Conversations with Graham Greene&lt;/span&gt;. 1981. Trans. Guido Waldman. London: The Bodley Head Ltd.,1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sherry, Norman. &lt;span style="font-style: italic;"&gt;The Life of Graham Greene. Volume One: 1904-1939&lt;/span&gt;. London: Jonathan Cape Ltd., 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sherry, Norman. &lt;span style="font-style: italic;"&gt;The Life of Graham Greene. Volume Two: 1939-1955&lt;/span&gt;. 1994. New York: Viking Penguin, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sherry, Norman. &lt;span style="font-style: italic;"&gt;The Life of Graham Greene. Volume Three: 1955-1991&lt;/span&gt;. London: Jonathan Cape Ltd., 2004.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Marguerite Radclyffe-Hall [Radclyffe Hall]&lt;/strong&gt; (1880-1943)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hall, Radclyffe. &lt;em&gt;The Well of Loneliness&lt;/em&gt;. Commentary by Havelock Ellis. 1928. New York: Quality Paperback Book Club, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Souhami, Diana.  &lt;em&gt;The Trials of Radclyffe Hall&lt;/em&gt;. London: Weidenfield &amp;amp; Nicolson, 1998.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Patrick Hamilton&lt;/strong&gt; (1904-1962)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hamilton, Patrick. &lt;span style="font-style: italic;"&gt;Twenty Thousand Streets Under the Sky: A London Trilogy&lt;/span&gt;. 1935. Introduction by Michael Holroyd. Hogarth Fiction. London: The Hogarth Press / Chatto &amp;amp; Windus Ltd., 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hamilton, Patrick. &lt;span style="font-style: italic;"&gt;Hangover Square: A Story of Darkest Earl’s Court&lt;/span&gt;. 1941. Introduction by J. B. Priestley. 1972. Penguin Twentieth-Century Classics. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hamilton, Patrick. &lt;span style="font-style: italic;"&gt;The Slaves of Solitude&lt;/span&gt;. 1947. Introduction by Claud Cockburn. Twentieth-Century Classics. Oxford: Oxford University Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hamilton, Patrick. &lt;span style="font-style: italic;"&gt;The Gorse Trilogy: The West Pier / Mr Stimpson and Mr Gorse / Unknown Assailant&lt;/span&gt;. 1952, 1953 &amp;amp; 1955. Penguin Twentieth-Century Classics. Harmondsworth: Penguin, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jones, Nigel. &lt;span style="font-style: italic;"&gt;Through a Glass Darkly: The Life of Patrick Hamilton&lt;/span&gt;. 1991. Abacus. London: Little, Brown and Company (UK) Limited, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maurice Henry Hewlett&lt;/strong&gt; (1861-1923)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hewlett, Maurice. &lt;span style="font-style: italic;"&gt;The Life and Death of Richard Yea-and-Nay&lt;/span&gt;. 1900. Penguin Books 471. Harmondsworth: Penguin, 1945.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;James Hilton&lt;/strong&gt; (1900–1954)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hilton, James. &lt;span style="font-style: italic;"&gt;Lost Horizon: A Novel&lt;/span&gt;. 1933. London: Pan Books Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Winifred Holtby&lt;/strong&gt; (1898-1935)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Holtby, Winifred. &lt;span style="font-style: italic;"&gt;South Riding: An English Landscape&lt;/span&gt;. 1936. Fontana Paperbacks. Glasgow: William Collins Sons &amp;amp; Co. Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Anthony Hope Hawkins&lt;/strong&gt; (1863-1933)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hope, Anthony. &lt;span style="font-style: italic;"&gt;The Prisoner of Zenda / Rupert of Hentzau&lt;/span&gt;. 1894 &amp;amp; 1898. Introduction by Roger Lancelyn Green. Everyman’s Library, 637. London: J. M. Dent &amp;amp; Sons Ltd. / New York: E. P. Dutton &amp;amp; Co. Inc., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hope, Anthony. &lt;span style="font-style: italic;"&gt;Sophy of Kravonia&lt;/span&gt;. 1906. Introduction by Hugh Greene. The Bow Street Library. London: The Bodley Head Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ernest William Hornung&lt;/strong&gt; (1866–1921)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hornung, E. W. &lt;span style="font-style: italic;"&gt;The Collected Raffles&lt;/span&gt;. 1899, 1901, 1905. Introduction by Jeremy Lewis. Classic Thrillers. London: J. M. Dent &amp;amp; Sons, 1985.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Richard Arthur Warren Hughes&lt;/strong&gt; (1900-1976)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;A High Wind in Jamaica&lt;/em&gt;. 1929. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;In Hazard&lt;/em&gt;. 1938. London: Chatto &amp;amp; Windus, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;The Fox in the Attic&lt;/em&gt;. The Human Predicament, 1. 1961. London: The Reprint Society, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;The Wooden Shepherdess&lt;/em&gt;. The Human Predicament, 2. 1973. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;The Spider’s Palace and Other Stories&lt;/em&gt;. 1931. Illustrated by George Charlton. A Puffin Book. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Richard. &lt;em&gt;Plays: The Sister’s Tragedy; A Comedy of Good and Evil; The Man Born to be Hanged: Danger&lt;/em&gt;. 1924. London: Chatto &amp;amp; Windus, 1966.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ray Coryton Hutchinson&lt;/strong&gt; (1907-1975)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Shining Scabbard&lt;/span&gt;. 1936. Zenith. London: Arrow Books Limited, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Testament&lt;/span&gt;. 1938. King Penguin. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Recollection of a Journey: A Novel&lt;/span&gt;. London: Cassell &amp;amp; Co., Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;March the Ninth&lt;/span&gt;. London: The Companion Book Club, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Johanna at Daybreak&lt;/span&gt;. London: Michael Joseph Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Origins of Cathleen: A Diversion&lt;/span&gt;. London: Michael Joseph Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;Rising&lt;/span&gt;. London: Michael Joseph Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hutchinson, R. C. &lt;span style="font-style: italic;"&gt;The Quixotes: Collected Stories&lt;/span&gt;. Ed. Robert Green. Manchester: Carcanet Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Aldous Leonard Huxley&lt;/strong&gt; (1894-1963)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Mortal Coils: Five Stories / Verses &amp;amp; a Comedy: Early Poems, Leda, The Cicadas, The World of Light&lt;/span&gt;. 1922 &amp;amp; 1920. Illustrations by Patrick Rixson. Geneva: Heron Books, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Crome Yellow: A Novel&lt;/span&gt;. 1921. The Collected Works of Aldous Huxley. London: Chatto &amp;amp; Windus, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Antic Hay: A Novel&lt;/span&gt;. 1923. Harmondsworth: Penguin, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Those Barren Leaves: A Novel&lt;/span&gt;. 1925. Harmondsworth: Penguin, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Jesting Pilate: The Diary of a Journey&lt;/span&gt;. 1926. Geneva: Heron Books, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Point Counter Point: A Novel&lt;/span&gt;. 1928. Penguin Modern Classics. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Music at Night and Other Essays&lt;/span&gt;. 1931. Harmondsworth: Penguin, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Brave New World: A Novel&lt;/span&gt;. 1932. Foreword by the Author. 1950. Penguin Modern Classics. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Beyond the Mexique Bay: A Traveller’s Journal&lt;/span&gt;. 1934. Harmondsworth: Penguin, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Eyeless in Gaza: A Novel&lt;/span&gt;. 1936. Penguin Modern Classics. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Ends and Means: An Enquiry into the Nature of Ideals and into the Methods employed for their Realization&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;After Many a Summer: A Novel&lt;/span&gt;. 1939. Harmondsworth: Penguin, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Grey Eminence: A Study in Religion and Politics&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Time Must Have a Stop&lt;/span&gt;. 1945. London: Chatto &amp;amp; Windus, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;The Perennial Philosophy&lt;/span&gt;. 1946. Fontana Books. London: Collins, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Ape and Essence: A Novel&lt;/span&gt;. 1949. The Collected Works of Aldous Huxley. London: Chatto &amp;amp; Windus, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;The Devils of Loudun&lt;/span&gt;. 1952. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;The Doors of Perception &amp;amp; Heaven and Hell&lt;/span&gt;. 1954 &amp;amp; 1956. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;The Genius and the Goddess&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Collected Short Stories&lt;/span&gt;. 1957. The Collected Works of Aldous Huxley. London: Chatto &amp;amp; Windus, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Brave New World Revisited&lt;/span&gt;. 1958. Perennial Library. New York: Harper &amp;amp; Row, Publishers, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous. &lt;span style="font-style: italic;"&gt;Island: A Novel&lt;/span&gt;. 1962. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Huxley, Aldous, &amp; Christopher Isherwood. &lt;span style="font-style: italic;"&gt;Jacob's Hands&lt;/span&gt;. Introductions by Laura Archera Huxley &amp; David Bradshaw. London: Bloomsbury Publishing Plc., 1998.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bedford, Sybille. &lt;span style="font-style: italic;"&gt;Aldous Huxley: A Biography. Volume One: 1894-1939&lt;/span&gt;. 2 vols. London: Chatto &amp;amp; Windus / Collins, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bedford, Sybille. &lt;span style="font-style: italic;"&gt;Aldous Huxley: A Biography. Volume Two: 1939-1963&lt;/span&gt;. 2 vols. London: Chatto &amp;amp; Windus / Collins, 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Christopher William Bradshaw Isherwood&lt;/strong&gt; (1904-1986)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;All the Conspirators&lt;/span&gt;. 1928. Foreword by the Author. 1957. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;The Memorial: Portrait of a Family&lt;/span&gt;. 1932. London: The Hogarth Press Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Mr. Norris Changes Trains&lt;/span&gt;. 1935. Auckland: Penguin NZ, 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Lions and Shadows: An Education in the Twenties&lt;/span&gt;. 1938. Magnum Books. London: Methuen Paperbacks Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Goodbye to Berlin&lt;/span&gt;. 1939. Penguin Books 504. Harmondsworth: Penguin, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Prater Violet&lt;/span&gt;. 1945. Penguin Modern Classics. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher, ed. &lt;span style="font-style: italic;"&gt;Vedanta for the Western World&lt;/span&gt;. 1948. Unwin Books. London: George Allen &amp;amp; Unwin Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;The Condor and the Cows&lt;/span&gt;. Illustrated from photos by William Caskey. London: Methuen &amp;amp; Co. Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;The World in the Evening&lt;/span&gt;. 1954. Penguin Book 2399. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Down There on a Visit&lt;/span&gt;. 1959. A Bard Book. New York: Avo Books, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;A Single Man&lt;/span&gt;. 1964. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Ramakrishna and His Disciples&lt;/span&gt;. 1965. A Touchstone Book. New York: Simon and Schuster, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Exhumations: Stories / Articles / Verses&lt;/span&gt;. 1966. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;A Meeting by the River&lt;/span&gt;. 1967. Magnum Books. London: Methuen Paperbacks Ltd., 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Kathleen and Frank&lt;/span&gt;. London: Methuen &amp;amp; Co. Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;The Berlin of Sally Bowles: Mr. Norris Changes Trains / Goodbye to Berlin&lt;/span&gt;. 1935 &amp;amp; 1939. London: Book Club Associates / The Hogarth Press Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Christopher and His Kind, 1929-1939&lt;/span&gt;. 1976. Magnum Books. London: Methuen Paperbacks Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;My Guru and His Disciple&lt;/span&gt;. London: Eyre Methuen Ltd., 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Lost Years: A Memoir 1945–1951&lt;/span&gt;. Ed. Katherine Bucknell. 2000. Vintage Books. London: Random House, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Isherwood, Christopher. &lt;span style="font-style: italic;"&gt;Diaries. Volume One: 1939-1960&lt;/span&gt;. Ed. Katherine Bucknell. 1996. Vintage Books. London: Random House, 2011.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Parker, Peter. &lt;span style="font-style: italic;"&gt;Isherwood: A Life&lt;/span&gt;. 2004. Picador. London: Pan Macmillan Ltd., 2005.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bryan Stanley Johnson&lt;/strong&gt; (1933-1973)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Johnson, B. S. &lt;span style="font-style: italic;"&gt;Christy Malry’s Own Double-Entry&lt;/span&gt;. 1973. King Penguin. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Emily Woods ['Anna Kavan']&lt;/strong&gt; (1901—1968)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Kavan, Anna. &lt;span style="font-style: italic;"&gt;Ice&lt;/span&gt;. 1967. Introduction by Brian Aldiss. London: Picador, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sturm, Jennifer, ed. &lt;span style="font-style: italic;"&gt;Anna Kavan’s New Zealand: A Pacifc Interlude in a Turbulent Life&lt;/span&gt;. A Vintage Book. Auckland: Random House, 2009.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Margaret Kaye&lt;/strong&gt; (1908-2004)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Kaye, M. M. &lt;span style="font-style: italic;"&gt;The Far Pavilions&lt;/span&gt;. 1978. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kaye, M. M. ed. &lt;span style="font-style: italic;"&gt;The Golden Calm: An English Lady’s Life in Moghul Delhi. Reminiscences by Emily, Lady Clive Bayley, and by Her Father, Sir Thomas Metcalfe&lt;/span&gt;. Exeter, England: Webb &amp;amp; Bower, 1980.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hugh Kingsmill Lunn ['Hugh Kingsmill']&lt;/strong&gt; (1889-1949)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Holroyd, Michael, ed. &lt;span style="font-style: italic;"&gt;The Best of Hugh Kingsmill: Selections from His Writings&lt;/span&gt;. 1970. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Joseph Rudyard Kipling&lt;/strong&gt; (1865-1936)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Plain Tales from the Hills&lt;/span&gt;. 1888. St. Martin’s Library. London: Macmillan &amp;amp; Co. Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Soldiers Three / The Story of the Gadsbys / In Black and White&lt;/span&gt;. 1888 &amp;amp; 1895. St. Martin’s Library. London: Macmillan &amp;amp; Co. Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Wee Willie Winkie: Under the Deodars / The Phantom Rickshaw and other Eerie Tales / Wee Willie Winkie and Other Child Stories&lt;/span&gt;. 1888 &amp;amp; 1895. St. Martin’s Library. London: Macmillan &amp;amp; Co. Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Wee Willie Winkie: Under the Deodars / The Phantom Rickshaw and other Eerie Tales / Wee Willie Winkie and Other Child Stories&lt;/span&gt;. 1888 &amp;amp; 1895. Ed. Hugh Haughton. Penguin Classics. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Life's Handicap: Being Stories of Mine Own People&lt;/span&gt;. 1891. Ed. P. N. Furbank. Penguin Classics. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;The Light that Failed&lt;/span&gt;. 1891. Macmillan’s Colonial Library. London: Macmillan &amp;amp; Co. Limited, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard, &amp;amp; Wolcott Balestier. &lt;span style="font-style: italic;"&gt;The Naulahka: A Story of West and East&lt;/span&gt;. 1892. 2 vols. The Service Edition of the Works of Rudyard Kipling. London: Macmillan &amp;amp; Co., Limited, 1915.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Many Inventions&lt;/span&gt;. 1893. The Dominions Edition. London: Macmillan &amp;amp; Co. Limited, 1913.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;The Jungle Books&lt;/span&gt;. 1894 &amp;amp; 1895. Illustrated by Stuart Tresilian. 1955. London: the Reprint Society, 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;‘Captains Courageous’: A Story of the Grand Banks&lt;/span&gt;. 1896. Melbourne &amp;amp; London: Macmillan &amp;amp; Company Ltd., 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;The Day's Work&lt;/span&gt;. 1898. London: Macmillan &amp;amp; Co., Limited, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Stalky &amp;amp; Co.&lt;/span&gt; 1899. St. Martin’s Library. London: Macmillan &amp;amp; Co. Ltd., 1902.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Stalky &amp;amp; Co.: Complete&lt;/span&gt;. 1899. Ed. Isabel Quigley. The World’s Classics. Oxford: Oxford University Press, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;From Sea to Sea and Other Sketches: Letters of Travel&lt;/span&gt;. 1899. 2 vols. Macmillan’s Pocket Kipling. London: Macmillan &amp;amp; Co. Limited, 1914.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Kim&lt;/span&gt;. 1901. London: Macmillan &amp;amp; Co. Limited, 1940.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Just So Stories for Little Children&lt;/span&gt;. 1902. London: Macmillan and Co., Limited, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Just So Stories for Little Children: A Reprint of the First Edition&lt;/span&gt;. Illustrated by the Author. 1902. New York: Weathervane Books, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Traffics and Discoveries&lt;/span&gt;. London: Macmillan &amp;amp; Co. Limited, 1904.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Puck of Pook's Hill&lt;/span&gt;. 1906. London: Macmillan &amp;amp; Co. Ltd., 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Actions and Reactions&lt;/span&gt;. 1909. Macmillan’s Pocket Kipling. London: Macmillan &amp;amp; Co. Limited, 1920.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Rewards and Fairies&lt;/span&gt;. 1910. Macmillan’s Pocket Kipling. London: Macmillan &amp;amp; Co. Limited, 1920.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Sea Warfare&lt;/span&gt;. The Dominions Edition. London: Macmillan &amp;amp; Co. Limited, 1916.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;A Diversity of Creatures&lt;/span&gt;. 1917. The Medallion Edition. Dunedin: James Johnston, Limited /  London: Macmillan and Co. Limited, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Letters of Travel (1892-1913)&lt;/span&gt;. Macmillan’s Pocket Kipling. London: Macmillan and Co., Limited, 1920.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Land &amp;amp; Sea Tales for Scouts and Guides&lt;/span&gt;. 1923. Macmillan’s Pocket Kipling. London: Macmillan &amp;amp; Co. Limited, 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Debits and Credits&lt;/span&gt;. Macmillan’s Pocket Kipling. London: Macmillan &amp;amp; Co. Limited, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;A Book of Words: Selections from Speeches and Addresses Delivered Between 1906 and 1927&lt;/span&gt;. London: Macmillan &amp;amp; Co. Limited, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;The One Volume Kipling: Authorized&lt;/span&gt;. 1893 &amp;amp; 1928. New York: Doubleday, Doran &amp;amp; Company, Inc., 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard, ed. &lt;span style="font-style: italic;"&gt;Thy Servant a Dog, Told by Boots&lt;/span&gt;. Illustrated by G. L. Stampa. 1930. London: Macmillan &amp;amp; Co. Limited, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Limits and Renewals&lt;/span&gt;. The Dominions Edition. London: Macmillan &amp;amp; Co. Limited, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Limits and Renewals&lt;/span&gt;. 1932. Ed. Phillip V. Mallett. Penguin Classics. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Animal Stories from Rudyard Kipling&lt;/span&gt;. Illustrated by Stuart Tresilian. 1932. London: Macmillan &amp; Co. Ltd., 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;All the Mowgli Stories&lt;/span&gt;. 1933. St. Martin’s Library. 1961. London: Macmillan &amp;amp; Co. Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Something of Myself: For My Friends Known and Unknown&lt;/span&gt;. 1937. London: Macmillan &amp;amp; Co. Limited, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Something of Myself: For My Friends Known and Unknown&lt;/span&gt;. 1937. Ed. Robert Hampson. Introduction by Richard Holmes. Penguin Classics. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Ten Stories&lt;/span&gt;. London: Pan Books Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;A Choice of Kipling's Prose&lt;/span&gt;. Ed. W. Somerset Maugham. London: Macmillan &amp;amp; Co. Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Short Stories. Volume 1: A Sahib’s War and Other Stories&lt;/span&gt;. Ed. Andrew Rutherford. 1971. Penguin Modern Classics. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Short Stories. Volume 2: Friendly Brook and Other Stories&lt;/span&gt;. Ed. Andrew Rutherford. 1971. Penguin Modern Classics. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Rudyard Kipling’s Verse: Definitive Edition&lt;/span&gt;. 1912. Second Edition. 1919. Third Inclusive Edition. 1927. Fourth Inclusive Edition. 1933. Definitive Edition. 1940. London: Hodder and Stoughton Limited, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;Rudyard Kipling’s Verse: Definitive Edition&lt;/span&gt;. 1912. Second Edition. 1919. Third Inclusive Edition. 1927. Fourth Inclusive Edition. 1933. Definitive Edition. 1940. London: Hodder and Stoughton Limited, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kipling, Rudyard. &lt;span style="font-style: italic;"&gt;A Choice of Kipling's Verse&lt;/span&gt;. Ed. T. S. Eliot. 1941. Faber Paper Covered Editions. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Carrington, Charles, ed. &lt;span style="font-style: italic;"&gt;The Complete Barrack-Room Ballads of Rudyard Kipling&lt;/span&gt;. 1892. London: Methuen &amp;amp; Co. Ltd., 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rutherford, Andrew, ed. &lt;span style="font-style: italic;"&gt;Early Verse by Rudyard Kipling, 1879-1889: Unpublished, Uncollected, and Rarely Published Poems&lt;/span&gt;. 1986. Oxford: Oxford University Press, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gilbert, Elliot L., ed. &lt;span style="font-style: italic;"&gt;“O Beloved Kids”: Rudyard Kipling’s Letters to his Children&lt;/span&gt;. London: Weidenfeld and Nicolson., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Carrington, Charles. &lt;span style="font-style: italic;"&gt;Rudyard Kipling: His Life and Work&lt;/span&gt;. 1955. London: Macmillan Limted, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Green, Roger Lancelyn. &lt;span style="font-style: italic;"&gt;Kipling and the Children&lt;/span&gt;. London: Elek Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;David Herbert Richards Lawrence&lt;/strong&gt; (1885-1930)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The White Peacock&lt;/span&gt;. 1911. Introduction by Richard Aldington. Penguin Books 760. Harmondsworth: Penguin, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Trespasser&lt;/span&gt;. 1912. Harmondsworth: Penguin / London: William Heinemann Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Trespasser&lt;/span&gt;. 1912. Ed. Elizabeth Mansfield. 1981. Introduction by Melvyn Bragg. The Cambridge Edition of the Works of D. H. Lawrence. London: Granada Publishing Limited, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Sons and Lovers&lt;/span&gt;. 1912. Penguin Books 608. Harmondsworth: Penguin / London: William Heinemann Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Rainbow&lt;/span&gt;. 1915. Penguin Books 692. Harmondsworth: Penguin / London: William Heinemann Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Women in Love&lt;/span&gt;. 1920. Harmondsworth: Penguin / London: William Heinemann Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Lost Girl&lt;/span&gt;. 1920. Harmondsworth: Penguin / London: William Heinemann Ltd., 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Aaron's Rod&lt;/span&gt;. 1922. Guild Books, 242. London: The British Publishers Guild / William Heinemann Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Kangaroo&lt;/span&gt;. 1923. Penguin Books 751. Harmondsworth: Penguin / London: William Heinemann Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H., &amp;amp; M. L. Skinner. &lt;span style="font-style: italic;"&gt;The Boy in the Bush&lt;/span&gt;. 1924. Penguin Books 1935. Harmondsworth: Penguin / London: William Heinemann Ltd., 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Plumed Serpent (Quetzalcoatl)&lt;/span&gt;. 1926. Ed. Ronald G. Walker. Penguin Classics. Harmondsworth: Penguin, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The First Lady Chatterley: The First Version of Lady Chatterley’s Lover&lt;/span&gt;. Foreword by Frieda Lawrence. 1944. Publisher’s Note by Roland Gant. 1972. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;John Thomas and Lady Jane: The Second Version of Lady Chatterley’s Lover&lt;/span&gt;. 1954. Publisher’s Note by Roland Gant. 1972. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Lady Chatterley's Lover&lt;/span&gt;. 1928. Introduction by Richard Hoggart Harmondsworth: Penguin / London: William Heinemann Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Collected Short Stories&lt;/span&gt;. London: Book Club Associates / William Heinemann Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Virgin and the Gipsy&lt;/span&gt;. 1930. Harmondsworth: Penguin / London: William Heinemann Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Complete Short Novels&lt;/span&gt;. Ed. Keith Sagar &amp;amp; Melissa Partridge. The Penguin English Library. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Travel:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Twilight in Italy&lt;/span&gt;. 1916. The Travellers’ Library. London: Jonathan Cape, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Sea and Sardinia&lt;/span&gt;. 1923. Harmondsworth: Penguin / London: William Heinemann Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Mornings in Mexico / Etruscan Places&lt;/span&gt;. 1927 &amp;amp; 1932. Harmondsworth: Penguin / London: William Heinemann Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Works of D. H. Lawrence: Collected Poems&lt;/span&gt;. 1928. Introduction by Albert Glover. The Wordsworth Poetry Library. Ware, Hertfordshire, Wordsworth Editions Ltd., 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Complete Poems of D. H. Lawrence&lt;/span&gt;. Ed. Vivian de Sola Pinto &amp;amp; F. Warren Roberts. 1964. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;The Complete Poems&lt;/span&gt;. Ed. Vivian de Sola Pinto &amp;amp; F. Warren Roberts. 1964. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. Ed. Keith Sagar. 1972. Penguin Poets. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Plays&lt;/span&gt;. 1965. Introduction by Malcolm Elwin. Illustrated by Patrick Rixson. D. H. Lawrence: Complete Works. Heron Books. Geneva: Edito-Service, S. A., n.d.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Paintings:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;D. H. Lawrence’s Paintings&lt;/span&gt;. Introduction by Keith Sagar. Chaucer Press. London: Caxton Publishing Group, 2003.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Miscellaneous Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. [as Lawrence H. Davison]. &lt;span style="font-style: italic;"&gt;Movements in European History&lt;/span&gt;. 1921. Introduction by James T. Boulton. Oxford Paperbacks. Oxford: Oxford University Press, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Fantasia of the Unconscious / Psychoanalysis and the Unconscious&lt;/span&gt;. 1923. Harmondsworth: Penguin / London: William Heinemann Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Studies in Classic American Literature&lt;/span&gt;. 1924. Harmondsworth: Penguin / London: William Heinemann Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Apocalypse&lt;/span&gt;. 1931. Introduction by Richard Aldington. 1932. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Selected Essays&lt;/span&gt;. Introduction by Richard Aldington. 1950. Harmondsworth: Penguin / London: William Heinemann Ltd., 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Phoenix: The Posthumous Papers of D. H. Lawrence&lt;/span&gt;. Ed. Edward D. McDonald. 1936. London: William Heinemann Ltd., 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Phoenix II: Uncollected, Unpublished and Other Prose Works by D. H. Lawrence&lt;/span&gt;. London: William Heinemann Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;A Selection from Phoenix&lt;/span&gt;. 1936 &amp;amp; 1968. Ed. A. A. M. Inglis. Peregrine Books. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Letters:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Collected Letters. Volume I: 1903-1920&lt;/span&gt;. 1932. Introduction by Harry T. Moore. D. H. Lawrence: Complete Works. Heron Books. Geneva: Edito-Service, S. A., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Collected Letters. Volume II: 1921-1930&lt;/span&gt;. Appendix by Aldous Huxley. 1932. D. H. Lawrence: Complete Works. Heron Books. Geneva: Edito-Service, S. A., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lawrence, D. H. &lt;span style="font-style: italic;"&gt;Selected Letters&lt;/span&gt;. Ed. Richard Aldington. Introduction by Aldous Huxley. 1950. Harmondsworth: Penguin / London: William Heinemann Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lawrence, Frieda. &lt;span style="font-style: italic;"&gt;‘Not I, But the Wind …’&lt;/span&gt; 1935. Introduction by Margaret Drabble. London: Granada Publishing Limited, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Moore, Harry T. &lt;span style="font-style: italic;"&gt;The Priest of Love: A Life of D. H. Lawrence&lt;/span&gt;. 1954. Rev. ed. 1974. Pelican Biographies. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolph, C. H., ed. &lt;span style="font-style: italic;"&gt;The Trial of Lady Chatterley: Regina v. Penguin Book Limited. The Transcript of the Trial&lt;/span&gt;. Illustrated by Paul Hogarth. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Clarence Malcolm Lowry&lt;/strong&gt; (1909–1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Ultramarine: A Novel&lt;/span&gt;. 1933. Rev. ed. Introductory Note by Margerie Lowry. 1963. Penguin Modern Classics. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Under the Volcano&lt;/span&gt;. 1947. With Letters between Malcolm Lowry and Jonathan Cape. 1985. Penguin Modern Classics. Harmondsworth: Penguin / London: Jonathan Cape Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Hear Us O Lord from Heaven Thy Dwelling Place &amp;amp; Lunar Caustic&lt;/span&gt;. Ed. Earle Birney &amp;amp; Margerie Lowry. 1961 &amp;amp; 1963. Penguin Modern Classics. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Dark as the Grave wherein my Friend is Laid&lt;/span&gt;. Ed. Douglas Day &amp;amp; Margerie Lowry. 1968. Penguin Modern Classics. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;October Ferry to Gabriola&lt;/span&gt;. Ed. Margerie Lowry. 1971. Penguin Modern Classics. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style:italic;"&gt;Psalms and Songs&lt;/span&gt;. Ed. Margerie Lowry. A Meridian Book. New York: The New American Library, Inc., 1975.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Selected Poems of Malcolm Lowry&lt;/span&gt;. Ed. Earle Birney, with Margerie Lowry. Pocket Poets Series, 17. San Francisco: City Lights Books, 1962.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Letters:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Lowry, Malcolm. &lt;span style="font-style: italic;"&gt;Selected Letters&lt;/span&gt;. Ed. Harvey Breit &amp;amp; Margerie Bonner Lowry. 1965. Lives &amp;amp; Letters. Harmondsworth: Penguin, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grace, Sherrill E., ed. &lt;span style="font-style: italic;"&gt;Sursam Corda! The Collected Letters of Malcolm Lowry. Volume I: 1926-1946&lt;/span&gt;. Jonathan Cape. London: Random House UK Limited, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grace, Sherrill E., with Kathy K. Y. Chung, ed. &lt;span style="font-style: italic;"&gt;Sursam Corda! The Collected Letters of Malcolm Lowry. Volume II: 1946-1957&lt;/span&gt;. Jonathan Cape. London: Random House UK Limited, 1996.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Ackerley, Chris, &amp;amp; Lawrence J. Clipper. &lt;span style="font-style: italic;"&gt;A Companion to &lt;/span&gt;Under the Volcano. Vancouver: University of British Columbia Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Day, Douglas. &lt;span style="font-style: italic;"&gt;Malcolm Lowry: A Biography&lt;/span&gt;. 1973. Oxford Paperbacks. New York: Oxford University Press, 1984. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grace, Sherrill E. &lt;span style="font-style: italic;"&gt;The Voyage That Never Ends: Malcolm Lowry’s Fiction&lt;/span&gt;. Vancouver: University of British Columbia Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woodcock, George, ed. &lt;span style="font-style: italic;"&gt;Malcolm Lowry: The Man and His Work&lt;/span&gt;. 1971. Canadian Literature Series. Vancouver: University of British Columbia Press, 1973.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ian Russell McEwan&lt;/strong&gt; (1948- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;First Love, Last Rites&lt;/span&gt;. 1975. Picador. London: Pan Books Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;In Between the Sheets and Other Stories&lt;/span&gt;. 1978. Picador. London: Pan Books Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;The Innocent&lt;/span&gt;. London: Jonathan Cape Ltd., 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;The Daydreamer&lt;/span&gt;. 1994. Vintage Books. London: Random House, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Enduring Love&lt;/span&gt;. 1997. A Vintage Book. London: Random House, 1998.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Enduring Love&lt;/span&gt;. 1997. Vintage. London: Random House, 2006.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Amsterdam&lt;/span&gt;. 1998. Vintage Books. London: Random House, 2005.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Atonement&lt;/span&gt;. 2001. Vintage Books. London: Random House, 2007.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Saturday&lt;/span&gt;. 2005. Vintage. London: Random House, 2006.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;On Chesil Beach&lt;/span&gt;. 2007. Vintage Books. London: Random House, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McEwan, Ian. &lt;span style="font-style: italic;"&gt;Solar&lt;/span&gt;. Jonathan Cape. 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London: William Heinemann Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Manning, Olivia. &lt;span style="font-style: italic;"&gt;The Levant Trilogy. Volume One: The Danger Tree / Volume Two: The Battle Lost and Won / Volume Three: The Sum of Things&lt;/span&gt;. 1977, 1978 &amp;amp; 1980. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lieutenant Colonel John Masters&lt;/strong&gt; (1914–1983)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Masters, John. &lt;span style="font-style: italic;"&gt;The Venus of Konpara&lt;/span&gt;. London: Michael Joseph Ltd., 1960.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;William Somerset Maugham&lt;/strong&gt; (1874-1965)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Maugham, Somerset. &lt;span style="font-style: italic;"&gt;Of Human Bondage&lt;/span&gt;. 1915. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Maugham, Somerset. &lt;span style="font-style: italic;"&gt;The Moon and Sixpence&lt;/span&gt;. 1919. Guild Books, S69. London: The British Publishers Guild Limited, 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Maugham, Somerset. &lt;span style="font-style: italic;"&gt;Far &amp;amp; Wide – 9 Novels. Volume 2: The Painted Veil, Christmas Holiday, Up at the Villa, The Razor’s Edge&lt;/span&gt;. 1925, 1939, 1941, 1944. London: The Companion Book Club, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Maugham, Somerset. &lt;span style="font-style: italic;"&gt;Cakes and Ale&lt;/span&gt;. 1930. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Maugham, Somerset. &lt;span style="font-style: italic;"&gt;The Complete Short Stories&lt;/span&gt;. 1951. 3 vols. London: William Heinemann Ltd., 1953-54.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Morgan, Ted. &lt;span style="font-style: italic;"&gt;Maugham: A Biography&lt;/span&gt;. 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London: Martin Secker &amp;amp; Warburg Ltd., 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;Homage to Catalonia, &amp;amp; Looking Back on the Spanish War&lt;/span&gt;. 1938 &amp;amp; 1953. Harmondsworth: Penguin, 1978. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;Burmese Days / A Clergyman's Daughter / Keep the Aspidistra Flying / Coming Up for Air / Animal Farm / Nineteen Eighty-Four&lt;/span&gt;. 1934, 1935, 1936, 1939, 1945, 1949. London: Martin Secker &amp;amp; Warburg Limited / Octopus Books Limited, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;Nineteen Eighty-Four: The Facsimile of the Extant Manuscript&lt;/span&gt;. Ed. Peter Davison. Preface by Daniel G. Siegel. London: Martin Secker &amp;amp; Warburg Limited / Weston, Massachusetts: M &amp;amp; S Press Inc., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;The Collected Essays, Journalism and Letters of George Orwell. Volume 1: An Age Like This, 1920–1940&lt;/span&gt;. Ed. Ian Angus &amp;amp; Sonia Brownell. 1968. 4 vols. Harmondsworth: Penguin, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;The Collected Essays, Journalism and Letters of George Orwell. Volume 2: My Country Right or Left, 1940–1943&lt;/span&gt;. Ed. Ian Angus &amp;amp; Sonia Brownell. 1968. 4 vols. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Orwell, George. &lt;span style="font-style: italic;"&gt;The Collected Essays, Journalism and Letters of George Orwell. Volume 3: As I Please, 1943–1945&lt;/span&gt;. Ed. Ian Angus &amp;amp; Sonia Brownell. 1968. 4 vols. 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London: Allan wingate, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Buddicom., Jacintha. &lt;span style="font-style: italic;"&gt;Eric and Us: A Remembrance of George Orwell&lt;/span&gt;. London: Leslie Frewin Publishers Limited, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stansky, Peter, &amp;amp; William Abrahams. &lt;span style="font-style: italic;"&gt;The Unknown Orwell&lt;/span&gt;. 1972. A Paladin Book. Frogmore, St. Albans, Herts.: Granada Publishing Limited, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stansky, Peter, &amp;amp; William Abrahams. &lt;span style="font-style: italic;"&gt;Orwell: The Transformation&lt;/span&gt;. 1979. A Paladin Book. Frogmore, St. Albans, Herts.: Granada Publishing Limited, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Crick, Bernard. &lt;span style="font-style: italic;"&gt;George Orwell: A Life&lt;/span&gt;. 1980. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Coppard, Audrey, &amp;amp; Bernard Crick. &lt;span style="font-style: italic;"&gt;Orwell Remembered&lt;/span&gt;. Ariel Books. London: British Broadcasting Corporation, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wadhams, Stephen, ed. &lt;span style="font-style: italic;"&gt;Remembering Orwell&lt;/span&gt;. Introduction by George Woodcock. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cyril Northcote Parkinson&lt;/strong&gt; (1909–1993)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Parkinson, C. Northcote. &lt;span style="font-style: italic;"&gt;Parkinson’s Law, or The Pursuit of Progress&lt;/span&gt;. Illustrated by Osbert Lancaster. 1957. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Parkinson, C. Northcote. &lt;span style="font-style: italic;"&gt;The Law and the Profits&lt;/span&gt;. Illustrated by Osbert Lancaster. 1960. London: John Murray, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Parkinson, C. 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London: Collins, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;A Buyer’s Market: A Novel&lt;/span&gt;. 1952. A Dance to the Music of Time, 2. 12 vols. Fontana Modern Novels. London: Collins, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;The Acceptance World: A Novel&lt;/span&gt;. 1955. A Dance to the Music of Time, 3. 12 vols. Fontana Books. London: Collins, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;At Lady Molly’s: A Novel&lt;/span&gt;. 1957. A Dance to the Music of Time, 4. 12 vols. Fontana Modern Novels. London: Collins, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;Casanova’s Chinese Restaurant: A Novel&lt;/span&gt;. 1960. A Dance to the Music of Time, 5. 12 vols. Fontana Modern Novels. London: Collins, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;The Kindly Ones: A Novel&lt;/span&gt;. 1962. A Dance to the Music of Time, 6. 12 vols. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;The Valley of Bones: A Novel&lt;/span&gt;. 1964. A Dance to the Music of Time, 7. 12 vols. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;The Soldier’s Art: A Novel&lt;/span&gt;. 1966. A Dance to the Music of Time, 8. 12 vols. Fontana Books. London: Collins, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;The Military Philosophers: A Novel&lt;/span&gt;. 1968. A Dance to the Music of Time, 9. 12 vols. Fontana Modern Novels. London: Collins, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;Books Do Furnish a Room: A Novel&lt;/span&gt;. 1971. A Dance to the Music of Time, 10. 12 vols. Fontana Modern Novels. London: Collins, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;Temporary Kings: A Novel&lt;/span&gt;. 1973. A Dance to the Music of Time, 11. 12 vols. Fontana Modern Novels. London: Collins, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;Hearing Secret Harmonies: A Novel&lt;/span&gt;. 1975. A Dance to the Music of Time, 12. 12 vols. Boston: Little, Brown &amp;amp; Company, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powell, Anthony. &lt;span style="font-style: italic;"&gt;To Keep the Ball Rolling: The Memoirs&lt;/span&gt;. 1976, 1978, 1980, 1982. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Cowper Powys&lt;/strong&gt; (1872-1963)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Fiction:&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Wood and Stone: A Romance&lt;/em&gt;. 1915. London: Village Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Rodmoor&lt;/em&gt;. 1916. Faber Finds. London: Faber, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;After My Fashion&lt;/span&gt;. 1916. Foreword by Francis Powys. London: Picador, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Ducdame&lt;/em&gt;. 1925. London: Village Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Wolf Solent&lt;/span&gt;. 1929. Preface by the Author. 1961. Penguin Modern Classics. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;A Glastonbury Romance&lt;/em&gt;. 1933. John Lane / The Bodley Head, 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;A Glastonbury Romance&lt;/span&gt;. 1933. Preface by the Author. 1955. London: Picador, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Weymouth Sands&lt;/span&gt;. 1935. As ‘Jobber Skald’. 1935. Introduction by Angus Wilson. 1973. London: Picador, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Maiden Castle&lt;/span&gt;. 1937. London: Picador, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Morwyn: The Vengeance of God&lt;/span&gt;. 1937. The Dennis Wheatley Library of the Occult, 45. London: Sphere Books Ltd., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Owen Glendower&lt;/span&gt;. 1941. London: Picador, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Porius: A Romance of the Dark Ages&lt;/span&gt;. London: Macdonald &amp;amp; Co., (Publishers) Ltd., 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Porius: A Romance of the Dark Ages. A New Edition&lt;/em&gt;. 1951. Ed. Wilbur T. Albrecht. Hamilton, New York: Colgate University Press, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;The Inmates&lt;/em&gt;. London: MacDonald, 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Atlantis&lt;/em&gt;. 1954. Faber Finds. London: Faber, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;The Brazen Head&lt;/span&gt;. 1956. London: Picador, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Up and Out&lt;/em&gt;. London: Macdonald &amp;amp; Co., (Publishers) Ltd., 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Homer and the Aether&lt;/span&gt;. London: Macdonald &amp;amp; Co., (Publishers) Ltd., 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;All or Nothing&lt;/span&gt;. London: Village Press, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Three Fantasies&lt;/span&gt;. Afterword by Glen Cavaliero. 1985. Paladin Grafton Books. London: Collins Publishing Group, 1986.&lt;/li&gt;&lt;br /&gt;&lt;b&gt;Miscellaneous Prose:&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper, &amp;amp; Llewellyn Powys. &lt;span style="font-style: italic;"&gt;Confessions of Two Brothers&lt;/span&gt;. 1916. Introduction by Malcolm Elwin. London: Sinclair Browne Ltd., 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style:italic;"&gt;In Defence of Sensuality&lt;/span&gt;. 1930. London: Village Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Autobiography&lt;/em&gt;. 1934. London: John Lane / The Bodley Head, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Autobiography&lt;/span&gt;. 1934. Introduction by J. B. Priestley. 1967. London: Picador, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;The Art of Growing Old&lt;/span&gt;. 1944. London: Jonathan Cape Ltd., 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Visions and Revisions: A Book of Literary Devotions&lt;/span&gt;. Macdonald &amp;amp; Co. (Publishers) Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;b&gt;Poetry:&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style:italic;"&gt;Wolf's Bane: Rhymes&lt;/span&gt;. 1916. London: Village Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Mandragora: Poems&lt;/em&gt;. 1917. London: Village Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;em&gt;Poems: A Selection from His Poems&lt;/em&gt;. Ed. Kenneth Hopkins. London: Macdonald &amp;amp; Co., (Publishers) Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;b&gt;Letters:&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Letters of John Cowper Powys to Louis Wilkinson, 1935-1956&lt;/span&gt;. London: Macdonald &amp;amp; Co., (Publishers) Ltd., 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style: italic;"&gt;Letters to Nicholas Ross: Selected by Nicholas and Adelaide Ross&lt;/span&gt;. Ed. Arthur Uphill. London: Bertram Rota (Publishing) Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, John Cowper. &lt;span style="font-style:italic;"&gt;Letters from John Cowper Powys to C. Benson Roberts&lt;/span&gt;. Ed. C. Benson Roberts. London: Village Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;b&gt;Secondary:&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;li&gt;Brebner, John A. &lt;span style="font-style: italic;"&gt;The Demon Within: A Study of John Cowper Powys’s Novels&lt;/span&gt;. London: Macdonald and Jane’s, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Richard Perceval. &lt;span style="font-style: italic;"&gt;The Brothers Powys&lt;/span&gt;. 1983. Oxford; Oxford University Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Knight, G. Wilson. &lt;span style="font-style: italic;"&gt;The Saturnian Quest: A Study of the Prose Works of John Cowper Powys&lt;/span&gt;. London: Methuen &amp;amp; Co. Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Marlow, Louis. &lt;span style="font-style: italic;"&gt;Welsh Ambassadors: Powys Lives and Letters&lt;/span&gt;. 1936. Introduction by Kenneth Hopkins. London: Village Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Marlow, Louis. &lt;span style="font-style: italic;"&gt;Forth, Beast!&lt;/span&gt; London: Faber, 1946.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Llewelyn Powys&lt;/strong&gt; (1884-1939)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Ebony and Ivory&lt;/span&gt;. 1923. Preface by Edward Shanks. Harmondsworth: Penguin, 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Black Laughter&lt;/span&gt;. 1925. London: Macdonald &amp;amp; Co. (Publishers) Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Skin for Skin&lt;/span&gt;. Limited Edition of 900 copies (455). London: Jonathan Cape, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Apples Be Ripe&lt;/span&gt;. London: Longmans, Green &amp;amp; Co. Ltd., 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;The Pathetic Fallacy: A Study of Christianity&lt;/span&gt;. 1930. Thinker’s Library, 22. 1931. London: Watts &amp;amp; Co., 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;A Pagan's Pilgrimage&lt;/span&gt;. London: Longmans, Green &amp;amp; Co. Ltd., 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Glory of Life and Now That the Gods are Dead&lt;/span&gt;. 1934 &amp;amp; 1932. London: John Lane, The Bodley Head Limited, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Glory of Life&lt;/span&gt;. 1934. London: John Lane / The Bodley Head, 1938.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Dorset Essays&lt;/span&gt;. Photographs by Wyndham Goodden. London: John Lane / The Bodley Head, 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Love and Death: An Imaginary Autobiography&lt;/span&gt;. London: John Lane / The Bodley Head, 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Swiss Essays&lt;/span&gt;. London: John Lane, The Bodley Head Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, Llewellyn. &lt;span style="font-style: italic;"&gt;Advice to a Young Poet&lt;/span&gt;. London: John Lane The Bodley Head Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hopkins, Kenneth, ed. &lt;span style="font-style: italic;"&gt;Llewellyn Powys: A Selection from His Writings&lt;/span&gt;. London: Macdonald &amp;amp; Co. (Publishers) Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Elwin, Malcolm. &lt;span style="font-style: italic;"&gt;The Life of Llewellyn Powys&lt;/span&gt;. London: John Lane / The Bodley Head, 1946.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Theodore Francis Powys&lt;/strong&gt; (1875-1953)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Soliloquies of a Hermit&lt;/span&gt;. London: Andrew Melrose Ltd., 1918.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Mr. Tasker’s Gods&lt;/span&gt;. 1925. Beckenham, Kent: Trigon Press, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Mr. Weston’s Good Wine&lt;/span&gt;. 1927. Penguin Modern Classics. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;The House with the Echo: Twenty-Six Stories&lt;/span&gt;. 1928. The Phoenix Library. London: Chatto &amp;amp; Windus, 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Fables&lt;/span&gt;. 1929. The Phoenix Library. London: Chatto &amp;amp; Windus, 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Kindness in a Corner&lt;/span&gt;. Evergreen Books. London: William Heinemann Ltd., 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;Bottle’s Path and Other Stories&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Powys, T. F. &lt;span style="font-style: italic;"&gt;God’s Eyes a-Twinkle: An Anthology of the Stories of T. F. Powys&lt;/span&gt;. Preface by Charles Prentice. London: Chatto &amp;amp; Windus, 1947.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hilda Francis Margaret Prescott&lt;/strong&gt; (1896-1972)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Prescott, H. F. M. &lt;span style="font-style: italic;"&gt;The Man on a Donkey&lt;/span&gt;. 1952. Penguin Modern Classics. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Victor Sawdon Pritchett&lt;/strong&gt; (1900-1997)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Pritchett, V. S. &lt;span style="font-style: italic;"&gt;Dead Man Leading&lt;/span&gt;. 1937. Introduction by Paul Theroux. Twentieth-Century Classics. Oxford: Oxford University Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Arthur Thomas Quiller-Couch&lt;/strong&gt; (1863–1944)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Quiller-Couch, Sir Arthur. &lt;span style="font-style: italic;"&gt;Selected Short Stories&lt;/span&gt;. Penguin Books 1191. Harmondsworth: Penguin, 1957.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Challans [Mary Renault]&lt;/strong&gt; (1905-1983)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;Purposes of Love&lt;/em&gt;. 1939. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Friendly Young Ladies&lt;/em&gt;. 1944. London: Virago, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;Return to Night&lt;/em&gt;. New York: William Morrow &amp;amp; Company, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Charioteer&lt;/em&gt;. 1953. London: New English Library, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Last of the Wine&lt;/em&gt;. 1956. London: Four Square, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The King Must Die&lt;/em&gt;. 1958. London: Reprint Society, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Bull from the Sea&lt;/em&gt;. 1962. London: Reprint Society, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Lion in the Gateway: the Story of the Persian Wars&lt;/em&gt;. Illustrated by C. Walter Hodges. 1964. Harmondsworth: Longman Young Books, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Mask of Apollo&lt;/em&gt;. 1966. London: New English Library / Times Mirror, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Alexander Trilogy: Fire from Heaven; The Persian Boy: Funeral Games&lt;/em&gt;. 1970, 1972, 1981. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Nature of Alexander&lt;/em&gt;. 1975. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Renault, Mary. &lt;em&gt;The Praise Singer&lt;/em&gt;. 1978. London: Book Club Associates, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sweetman, David. &lt;em&gt;Mary Renault: A Biography&lt;/em&gt;. London: Chatto &amp;amp; Windus, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dorothy Miller Richardson&lt;/strong&gt; (1873-1957)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Richardson, Dorothy. &lt;span style="font-style: italic;"&gt;Pilgrimage 1: Pointed Roofs / Backwater / Honeycomb&lt;/span&gt;. 1915, 1916, 1917. Introduction by Gill Hanscombe. 4 vols. Virago Modern Classics. London: Virago Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Richardson, Dorothy. &lt;span style="font-style: italic;"&gt;Pilgrimage 2: The Tunnel / Interim&lt;/span&gt;. 1919. Introduction by Gill Hanscombe. 4 vols. Virago Modern Classics. London: Virago Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Richardson, Dorothy. &lt;span style="font-style: italic;"&gt;Pilgrimage 3: Deadlock / Revolving Lights / The Trap&lt;/span&gt;. 1921, 1923, 1925. Introduction by Gill Hanscombe. 4 vols. Virago Modern Classics. London: Virago Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Richardson, Dorothy. Pilgrimage 4: &lt;span style="font-style: italic;"&gt;Oberland / Dawn’s Left Hand / Clear Horizon / Dimple Hill / March Moonlight&lt;/span&gt;. 1927, 1931, 1935, 1938, 1967. Introduction by Gill Hanscombe. 4 vols. Virago Modern Classics. London: Virago Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Frederick William Serafino Austin Lewis Mary Rolfe, Baron Corvo&lt;/strong&gt; (1860-1913)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Frederick, Baron Corvo. &lt;span style="font-style: italic;"&gt;Stories Toto Told Me&lt;/span&gt;. 1901. Preface by Christopher Sykes. London: William Collins Sons and Co., Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Frederick, Baron Corvo. &lt;span style="font-style: italic;"&gt;A History of the Borgias&lt;/span&gt;. 1901. Introduction by Shane Leslie. New York: The Modern Library, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Fr. [Frederick, Baron Corvo]. &lt;span style="font-style: italic;"&gt;Hadrian the Seventh&lt;/span&gt;. 1904. The New Phoenix Library. London: Chatto &amp;amp; Windus, 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Frederick, Baron Corvo. &lt;span style="font-style: italic;"&gt;Don Tarquinio: A Kataleptic Phantasmatic Romance&lt;/span&gt;. 1905. London: Chatto &amp;amp; Windus, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Fr. (Baron Corvo). &lt;span style="font-style: italic;"&gt;Don Renato: An Ideal Content&lt;/span&gt;. 1907-8. Ed. Cecil Woolf. London: Chatto &amp;amp; Windus, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rolfe, Frederick, Baron Corvo. &lt;span style="font-style: italic;"&gt;The Desire and Pursuit of the Whole: A Romance of Modern Venice&lt;/span&gt;. 1909. Introduction by A. J. A. Symons. London: Cassell and Company, Limited, 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Symons, A. J. A. &lt;span style="font-style: italic;"&gt;The Quest for Corvo: An Experiment in Biography&lt;/span&gt;. 1934. Introduction by Julian Symons. 1966. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jack Ross&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ross, Jack. &lt;span style="font-style: italic;"&gt;Requiem&lt;/span&gt;. Hutchinson. London: Random House, 2008.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lisa St Aubin de Terán&lt;/strong&gt; (1953- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;St Aubin de Terán, Lisa. &lt;span style="font-style: italic;"&gt;Keepers of the House&lt;/span&gt;. 1982. King Penguin. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;St Aubin de Terán, Lisa. &lt;span style="font-style: italic;"&gt;The Tiger&lt;/span&gt;. 1984. King Penguin. Harmondsworth: Penguin, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;St Aubin de Terán, Lisa. &lt;span style="font-style: italic;"&gt;The High Place&lt;/span&gt;. London: Jonathan Cape Ltd., 1985.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hector Hugh Munro ['Saki']&lt;/strong&gt; (1870-1916)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Short Stories of Saki (H. H. Munro): Complete&lt;/em&gt;. Introduction by Christopher Morley. 1930. London: John Lane / The Bodley Head, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Novels and Plays of Saki (H. H. Munro): Complete in One Volume&lt;/em&gt;. 1933. London: John Lane / The Bodley Head, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;Humor, Horror and the Supernatural: 22 Stories by Saki (H. H. Munro)&lt;/em&gt;. New York: Scholastic Book Services, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Best of Saki&lt;/em&gt;. Introduction by Tom Sharpe. London: Picador, 1976.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;William Sansom&lt;/strong&gt; (1912-1976)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Sansom, William. &lt;span style="font-style: italic;"&gt;Selected Short Stories: Chosen by the Author&lt;/span&gt;. Harmondsworth: Penguin, 1960.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dorothy Leigh Sayers&lt;/strong&gt; (1893-1957)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Whose Body?&lt;/span&gt; 1923. NEL Books. London: New English Library Limited, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;The Lord Peter Omnibus: Clouds of Witness / Unnatural Death / The Unpleasantness at the Bellona Club&lt;/span&gt;. 1926, 1927, 1928 &amp;amp; 1935. London: Victor Gollancz Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Lord Peter Views the Body&lt;/span&gt;. 1928. London: Victor Gollancz Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Strong Poison&lt;/span&gt;. 1930. Four Square Books. London: New English Library Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;The Five Red Herrings&lt;/span&gt;. 1931. London: Victor Gollancz Ltd., 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Have His Carcase&lt;/span&gt;. 1932. London: Victor Gollancz Ltd., 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Hangman's Holiday&lt;/span&gt;. 1933. NEL Books. London: New English Library Limited, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Murder Must Advertise: A Detective Story&lt;/span&gt;. 1933. London: Victor Gollancz Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;The Nine Tailors: Changes Rung on an Old Theme in Two Short Touches and Two Full Peals&lt;/span&gt;. 1934. London: Victor Gollancz Ltd., 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Gaudy Night&lt;/span&gt;. 1935. London: Victor Gollancz Ltd., 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Busman's Honeymoon: A Love Story with Detective Interruptions&lt;/span&gt;. 1937. London: Victor Gollancz Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;In the Teeth of the Evidence&lt;/span&gt;. 1939. NEL Books. London: New English Library Limited, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Striding Folly: Including Three Final Lord Peter Wimsey Stories&lt;/span&gt;. Introduction by Janet Hitchman. 1972. NEL Books. London: New English Library Limited, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L., &amp;amp; Robert Eustace. &lt;span style="font-style: italic;"&gt;The Documents in the Case&lt;/span&gt;. 1930. London: Victor Gollancz Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;The Mind of the Maker&lt;/span&gt;. 1941. London: Methuen &amp;amp; Co. Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;The Man Born to be King: A Play-Cycle on the Life of our Lord and Saviour Jesus Christ. Presented by the British Broadcasting Corporation, Dec. 1941–Oct. 1942&lt;/span&gt;. Producer: Val Gielgud. 1943. London: Victor Gollancz Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sayers, Dorothy L. &lt;span style="font-style: italic;"&gt;Four Sacred Plays: The Devil to Pay / The Just Vengeance / He That Should Come / The Zeal of Thy House&lt;/span&gt;. London: Victor Gollancz Ltd., 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Scott-Giles, C. W. &lt;span style="font-style: italic;"&gt;The Wimsey Family: A Fragmentary History Compiled from Correspondence with Dorothy L. Sayers&lt;/span&gt;. 1977. NEL Books. London: New English Library Limited, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hitchman, Janet. &lt;span style="font-style: italic;"&gt;‘Such a Strange Lady’: An Introduction to Dorothy L. Sayers (1893-1957)&lt;/span&gt;. 1975. NEL Books. London: New English Library Limited, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Brabazon, James. &lt;span style="font-style: italic;"&gt;Dorothy L. Sayers: A Biography&lt;/span&gt;. Preface by Anthony Fleming. Foreword by P. D. James. 1981. A Discus Book. New York: Avon Books, 1982.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Paul Mark Scott&lt;/strong&gt; (1920-1978)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Scott, Paul. &lt;span style="font-style: italic;"&gt;The Raj Quartet: The Jewel in the Crown / The Day of the Scorpion / The Towers of Silence / A Division of the Spoils&lt;/span&gt;. 1966, 1968, 1971, 1975 &amp;amp; 1976. London: William Heinemann Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Nicholas William Richmond Shakespeare&lt;/strong&gt; (1957- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Shakespeare, Nicholas. &lt;span style="font-style: italic;"&gt;The Vision of Elena Silves&lt;/span&gt;. 1989. Harmondsworth: Penguin, 1990.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Iain Sinclair&lt;/strong&gt; (1943- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Sinclair, Iain. &lt;em&gt;Lud Heat and Suicide Bridge&lt;/em&gt;. 1975 &amp;amp; 1979. Introduction by Michael Moorcock. London: Vintage, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sinclair, Iain. &lt;em&gt;Dining on Stones (or, The Middle Ground)&lt;/em&gt;. 2004. Harmondsworth: Penguin, 2005.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Charles Percy Snow, Baron Snow&lt;/strong&gt; (1905-1980)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Snow, C. P. &lt;span style="font-style: italic;"&gt;Strangers and Brothers. Volume One: Time of Hope (1914-33); George Passant (1925-33); The Conscience of the Rich (1927-37); The Light and the Dark (1935-43). &lt;/span&gt;1949, 1940, 1958, 1947. 3 vols. London: Macmillan, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Snow, C. P. Strangers and Brothers. &lt;span style="font-style: italic;"&gt;Volume Two: The Masters (1937); The New Men (1939-47); Homecomings (1938-51); The Affair (1953-54). &lt;/span&gt;1951, 1954, 1956, 1960. 3 vols. London: Macmillan, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Snow, C. P. &lt;span style="font-style: italic;"&gt;Strangers and Brothers. Volume Three: Corridors of Power (1955-59); The sleep of Reason (1963-64); Last Things (1964-68). &lt;/span&gt;1964, 1968, 1970. 3 vols. London: Macmillan, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Snow, C. P. &lt;span style="font-style: italic;"&gt;Public Affairs&lt;/span&gt;. London: Macmillan, 1971.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Florence Elinor Stewart [née Rainbow]&lt;/strong&gt; (1916- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Stewart, Mary. &lt;span style="font-style: italic;"&gt;Madam, Will You Walk? &lt;/span&gt;1955. London: Hodder Paperbacks Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stewart, Mary. &lt;span style="font-style: italic;"&gt;Wildfire at Midnight&lt;/span&gt;. 1956. Coronet Books. London: Hodder Paperbacks Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stewart, Mary. &lt;span style="font-style: italic;"&gt;Thunder on the Right&lt;/span&gt;. 1957. Coronet Books. 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Introduction by Michael Moorcock. Manchester: Savoy Books Ltd., 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Treece, Henry. &lt;span style="font-style: italic;"&gt;Viking’s Sunset&lt;/span&gt;. Illustrated by Christine Price. 1960. Puffin Books. Harmondsworth: Penguin / London: The Bodley Head Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Treece, Henry. &lt;span style="font-style: italic;"&gt;Jason&lt;/span&gt;. 1961. Paperback Library. New York: Coronet Communications, Inc., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Treece, Henry. &lt;span style="font-style: italic;"&gt;Electra&lt;/span&gt;. 1963. Consul. London: World Distributors (Manchester) Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Treece, Henry. &lt;span style="font-style: italic;"&gt;Oedipus&lt;/span&gt;. 1964. London: Sphere Books Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Treece, Henry. &lt;span style="font-style: italic;"&gt;The Green Man&lt;/span&gt;. 1966. London: Sphere Books Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edward Falaise Upward&lt;/strong&gt; (1903-2009)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Upward, Edward. &lt;span style="font-style: italic;"&gt;In the Thirties&lt;/span&gt;. 1962. The Spiral Ascent, 1. Harmondsworth: Penguin, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Upward, Edward. &lt;span style="font-style: italic;"&gt;The Rotten Elements&lt;/span&gt;. 1969. The Spiral Ascent, 2. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Upward, Edward. &lt;span style="font-style: italic;"&gt;The Railway Accident and Other Stories&lt;/span&gt;. 1969. Penguin Modern Classics. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ethel Lilian Voynich, née Boole&lt;/strong&gt; (1864–1960)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Voynich, E. L. &lt;span style="font-style: italic;"&gt;The Gadfly&lt;/span&gt;. 1897. Mayflower Books Ltd. London: Granada Publishing Limited., 1973.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rex Warner&lt;/strong&gt; (1905-1986)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;. London: Boriswood Limited, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;The Wild Goose Chase: A Novel&lt;/span&gt;. London: Boriswood Limited, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;The Professor: A Novel&lt;/span&gt;. 1938. Penguin Books 482. Harmondsworth: Penguin, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;The Aerodrome&lt;/span&gt;. 1941. Uniform Edition. London: John Lane / The Bodley Head Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Why Was I Killed? A Dramatic Dialogue&lt;/span&gt;. London: John Lane / The Bodley Head Ltd., 1943.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Men and Gods&lt;/span&gt;. 1950. Penguin Books 885. Harmondsworth: Penguin, 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Greeks and Trojans&lt;/span&gt;. 1951. Penguin Books 942. Harmondsworth: Penguin, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;The Stories of the Greeks: Men and Gods / Greeks and Trojans / The Vengeance of the Gods&lt;/span&gt;. 1951, 1953, 1955. New York: Farrar, Straus and Giroux, Inc., 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Julius Caesar: A One-Volume Edition of the Two Novels &lt;/span&gt;The Young Caesar&lt;span style="font-style: italic;"&gt; and &lt;/span&gt;Imperial Caesar. 1958 &amp;amp; 1960. London: Collins Clear-Type Press, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;Pericles the Athenian&lt;/span&gt;. London: Collins Clear-Type Press, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Warner, Rex. &lt;span style="font-style: italic;"&gt;The Converts: A Novel of Early Christianity&lt;/span&gt;. London: The Bodley Head Ltd., 1967.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arthur Evelyn St. John Waugh&lt;/strong&gt; (1903-1966)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Decline and Fall&lt;/span&gt;. 1928. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Vile Bodies&lt;/span&gt;. 1930. Penguin Books 136. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Black Mischief&lt;/span&gt;. 1932. With Nine Drawings by the Author. Harmondsworth: Penguin, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Ninety-Two Days: A Journey in Guiana and Brazil&lt;/span&gt;. 1934. Penguin Travel Library. Harmondsworth: Penguin, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;A Handful of Dust&lt;/span&gt;. 1934. Penguin Books 822. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Edmund Campion&lt;/span&gt;. 1935. Penguin Books 955. Harmondsworth: Penguin, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Scoop: A Novel about Journalists&lt;/span&gt;. 1938. Penguin Books 455. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Put Out More Flags&lt;/span&gt;. 1942. Penguin Books 423. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Work Suspended and Other Stories: Including Charles Ryder’s Schooldays&lt;/span&gt;. 1943, 1946, 1963 &amp;amp; 1982. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder. A Novel&lt;/span&gt;. 1945. London: Chapman &amp;amp; Hall Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder&lt;/span&gt;. 1945. Rev. ed. 1960. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;When The Going Was Good&lt;/span&gt;. 1946. Penguin Books 825. Harmondsworth: Penguin, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Loved One: An Anglo-American Tragedy&lt;/span&gt;. 1947. Penguin Modern Classics. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Helena&lt;/span&gt;. 1950. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Men at Arms&lt;/span&gt;. 1952. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Officers and Gentlemen&lt;/span&gt;. 1955. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;Unconditional Surrender&lt;/span&gt;. 1961. Penguin Books 2122. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Sword of Honour Trilogy: Men at Arms / Officers and Gentlemen / Unconditional Surrender&lt;/span&gt;. 1952, 1955 &amp;amp; 1961. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Ordeal of Gilbert Pinfold / Tactical Exercise / Love Among the Ruins: A Romance of the Near Future&lt;/span&gt;. 1957, 1962 &amp;amp; 1953. Penguin Books 1794. Harmondsworth: Penguin, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Life of Ronald Knox: Compiled from the Original Sources&lt;/span&gt;. 1959. Fontana Books. London: Collins Clear-Type press, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;A Little Learning: The First Volume of an Autobiography&lt;/span&gt;. 1964. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;A Little Order: A Selection from His Journalism&lt;/span&gt;. Ed. Donat Gallagher. London: Eyre Methuen Ltd., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Diaries of Evelyn Waugh&lt;/span&gt;. Ed. Michael Davie. 1976. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Waugh, Evelyn. &lt;span style="font-style: italic;"&gt;The Letters of Evelyn Waugh&lt;/span&gt;. Ed. Mark Amory. 1980. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Carpenter, Humphrey. &lt;span style="font-style: italic;"&gt;The Brideshead Generation: Evelyn Waugh and His Friends&lt;/span&gt;. 1989. London: Faber, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sykes, Christopher. &lt;span style="font-style: italic;"&gt;Evelyn Waugh: A Biography&lt;/span&gt;. 1975. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Webb&lt;/strong&gt; (1881–1927)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Webb, Mary. &lt;span style="font-style: italic;"&gt;Gone to Earth&lt;/span&gt;. 1917. Introduction by John Buchan. Florin Books. London: Jonathan Cape, 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Webb, Mary. &lt;span style="font-style: italic;"&gt;Precious Bane: A Novel&lt;/span&gt;. 1924. Introduction by Stanley Baldwin. Florin Books. London: Jonathan Cape, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Webb, Mary. &lt;span style="font-style: italic;"&gt;The Spring of Joy: Poems, some Prose Pieces and the Unfinished Novel Armour Wherein He Trusted&lt;/span&gt;. 1928 &amp;amp; 1929. Introductions by Walter de la Mare &amp;amp; Martin Armstrong. Illustrated by Norman Hepple. London: Jonathan Cape, 1937.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maurice Denton Welch&lt;/strong&gt; (1915-1948)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Welch, Denton. &lt;em&gt;Fragments of a Life Story: The Collected Short Writings&lt;/em&gt;. Harmondsworth: Penguin, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;De-la-Noy, Michael, ed. &lt;em&gt;The Journals of Denton Welch&lt;/em&gt;. 1952. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;De-la-Noy, Michael. &lt;em&gt;Denton Welch: The Making of a Writer&lt;/em&gt;. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cicely Isabel Fairfield ['Rebecca West']&lt;/strong&gt; (1892-1983)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Marcus, Jane, ed. &lt;span style="font-style: italic;"&gt;The Young Rebecca: Writings of Rebecca West 1911-17&lt;/span&gt;. Bloomington: Indian University Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;The Return of the Soldier&lt;/span&gt;. 1918. Introduction by Victoria Glendinning. 1980. London: Fontana Paperbacks, in association with Virago Limited, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;Harriet Hume: A London Fantasy&lt;/span&gt;. London: Hutchinson &amp;amp; Co (publishers) Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca.&lt;span style="font-style: italic;"&gt; A Letter to a Grandfather&lt;/span&gt;. Hogarth Letters, 7. London: The Hogarth Press, 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;Black Lamb and Grey Falcon: A Journey Through Yugoslavia&lt;/span&gt;. 1942. Papermac. London: Macmillan Publishers Limited, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;The Meaning of Treason&lt;/span&gt;. 1949. London: Macmillan &amp;amp; Co. Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;A Train of Powder&lt;/span&gt;. 1955. Introduction by Mollie Panter-Downes. London: Virago Press Limited, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;West, Rebecca. &lt;span style="font-style: italic;"&gt;Rebecca West: A Celebration. Selected from Her Writings by Her Publishers with Her Help&lt;/span&gt;. Critical Introduction by Samuel Hynes. 1977. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ray, Gordon N. &lt;span style="font-style: italic;"&gt;H. G. Wells &amp;amp; Rebecca West&lt;/span&gt;. 1974. London: Macmillan London Limited, 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Henry William Williamson&lt;/strong&gt; (1895-1977)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Williamson, Henry. &lt;span style="font-style: italic;"&gt;The Flax of Dream. A Novel in Four Books: The Beautiful Years; Dandelion Days; The Dream of Fair Women; The Pathway&lt;/span&gt;. 1921, 1922, 1924, 1928. London: Faber, 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Williamson, Henry. &lt;span style="font-style: italic;"&gt;The Old Stag: Stories&lt;/span&gt;. 1926. London &amp;amp; New York: G. P. Putnam’s Sons, Ltd., 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Williamson, Henry. &lt;span style="font-style: italic;"&gt;The Henry Williamson Animal Saga: Tarka the Otter; Salar the Salmon; The Epic of Brock the Badger; Chadchek the Peregrine&lt;/span&gt;. 1927, 1935, 1960. London: Book Club Associates, 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jeanette Winterson&lt;/strong&gt; (1959- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;Oranges are not the Only Fruit&lt;/span&gt;. 1985. London: Vintage, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;The Passion&lt;/span&gt;. London: Bloomsbury, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;The Passion&lt;/span&gt;. 1987. London: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;Sexing the Cherry&lt;/span&gt;. London: Bloomsbury, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;Art Objects: Essays on Ecstasy and Effrontery&lt;/span&gt;. 1995. A Vintage Book. London: Jonathan Cape Ltd., 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Winterson, Jeanette. &lt;span style="font-style: italic;"&gt;The World and Other Places&lt;/span&gt;. 1998. London: Vintage, 1999.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Pelham Grenville Wodehouse&lt;/strong&gt; (1881–1975)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Pothunters&lt;/span&gt;. 1902. Mumbai: Jaico Publishing House / London: Souvenir Press Ltd., 1998. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;A Prefect's Uncle&lt;/span&gt;. 1903. Mumbai: Jaico Publishing House / London: Souvenir Press Ltd., 1995. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Tales of St Austin's&lt;/span&gt;. 1903. Puffin Books. Harmondsworth: Penguin, 1978. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Gold Bat&lt;/span&gt;. 1904. Mumbai: Jaico Publishing House / London: Souvenir Press Ltd., 1998. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Head of Kay's&lt;/span&gt;. 1905. Mumbai: Jaico Publishing House / London: Souvenir Press Ltd., 1998. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The White Feather&lt;/span&gt;. 1907. Mumbai: Jaico Publishing House / London: Souvenir Press Ltd., 1998. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Mike at Wrykyn&lt;/span&gt;. 1909 &amp;amp; 1953. An Armada Paperback. London: May Fair Books Ltd., 1968. [School Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Psmith in the City&lt;/span&gt;. 1910. Harmondsworth: Penguin, 1981. [Psmith Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;A Gentleman of Leisure&lt;/span&gt;. 1910. A Star Book. London: W. H. Allen &amp;amp; Co. Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Little Nugget&lt;/span&gt;. 1913. Four Square Books. London: New English Library Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Man Upstairs and Other Stories&lt;/span&gt;. 1914. London: Methuen &amp;amp; Co. Ltd., 1927. [Golf Stories &amp;amp; Others]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Sir Agravaine&lt;/span&gt;. 1914. Illustrated by Rodger McPhail. Poole, Dorset: Blandford Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Psmith, Journalist&lt;/span&gt;. 1915. Black’s Novel Library. London: A. &amp;amp; C. Black, Ltd, 1925. [Psmith Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Something Fresh&lt;/span&gt;. 1915. A Mayflower Paperback. London: Mayflower Books Ltd., 1961. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Man with Two Left Feet and Other Stories&lt;/span&gt;. 1917. London: Methuen &amp;amp; Co. Ltd., 1924. [Jeeves Stories &amp;amp; Others]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Uneasy Money&lt;/span&gt;. 1917. Penguin Book 1273. Harmondsworth: Penguin, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Piccadilly Jim&lt;/span&gt;. 1918. Harmondsworth: Penguin, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;A Damsel in Distress&lt;/span&gt;. 1919. A Star Book. London: W. H. Allen &amp;amp; Co. Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;My Man Jeeves&lt;/span&gt;. London: George Newnes, Limited, 1919. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Coming of Bill&lt;/span&gt;. London: Herbert Jenkins Limited, 1920.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Indiscretions of Archie&lt;/span&gt;. 1921. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Clicking of Cuthbert and Other Stories&lt;/span&gt;. 1922. Penguin Book 1772. Harmondsworth: Penguin, 196. [Golf Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Girl on the Boat&lt;/span&gt;. 1922. London: Pan Books Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Adventures of Sally&lt;/span&gt;. London: Herbert Jenkins Limited, 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Leave it to Psmith&lt;/span&gt;. 1923. Harmondsworth: Penguin, 1975. [Psmith / Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Inimitable Jeeves&lt;/span&gt;. 1923. Penguin Book 933. Harmondsworth: Penguin, 1953. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Bill the Conqueror: His Invasion of England in the Springtime&lt;/span&gt;. 1924. Vintage Books. London: Methuen &amp;amp; Co. Ltd., 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Ukridge&lt;/span&gt;. 1924. Harmondsworth: Penguin, 1979. [Ukridge Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Carry on, Jeeves&lt;/span&gt;. 1925. Harmondsworth: Penguin, 1974. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Sam the Sudden&lt;/span&gt;. 1925. London: Methuen &amp;amp; Co. Ltd., 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Heart of a Goof&lt;/span&gt;. 1926. Harmondsworth: Penguin, 1978. [Golf Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Meet Mr Mulliner&lt;/span&gt;. London: Herbert Jenkins Limited, 1927. [Mr. Mulliner Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Small Bachelor&lt;/span&gt;. London: Methuen &amp;amp; Co. Ltd., 1927.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Money for Nothing&lt;/span&gt;. London: Herbert Jenkins Limited, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Summer Lightning&lt;/span&gt;. 1929. Penguin Books 995. Harmondsworth: Penguin, 1954. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Very Good, Jeeves!&lt;/span&gt; 1930. Penguin Book 1173. Harmondsworth: Penguin, 1966. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Big Money&lt;/span&gt;. London: Herbert Jenkins Limited, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Doctor Sally&lt;/span&gt;. 1932. Penguin Book 1370. Harmondsworth: Penguin, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Hot Water&lt;/span&gt;. London: Herbert Jenkins Limited, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Heavy Weather&lt;/span&gt;. 1933. Penguin Book 2569. Harmondsworth: Penguin, 1966. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Mulliner Nights&lt;/span&gt;. 1933. Harmondsworth: Penguin, 1971. [Mr. Mulliner Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Thank You, Jeeves&lt;/span&gt;. 1934. Coronet Books. London: Hodder &amp;amp; Stoughton Ltd., 1975. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Right Ho, Jeeves&lt;/span&gt;. 1934. Penguin Book 934. Harmondsworth: Penguin, 1961. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Blandings Castle and Elsewhere&lt;/span&gt;. 1935. Penguin Books 985. Harmondsworth: Penguin, 1966. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Luck of the Bodkins&lt;/span&gt;. 1935. Penguin Book 986. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Laughing Gas&lt;/span&gt;. 1936. Penguin Book 1172. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Young Men in Spats&lt;/span&gt;. 1936. Harmondsworth: Penguin, 1971. [Uncle Fred / Drones Club Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Lord Emsworth and Others&lt;/span&gt;. 1937. Penguin Book 2568. Harmondsworth: Penguin, 1966. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Code of the Woosters&lt;/span&gt;. London: Herbert Jenkins Limited, 1938. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Summer Moonshine&lt;/span&gt;. 1938. Harmondsworth: Penguin, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Uncle Fred in the Springtime&lt;/span&gt;. London: Herbert Jenkins Limited, 1939. [Blandings / Uncle Fred Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Week-End Wodehouse&lt;/span&gt;. Introduction by Hilaire Belloc. Decorations by Kerr. 1939. London: Pimlico / Herbert Jenkins Ltd., 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Eggs, Beans and Crumpets&lt;/span&gt;. 1940. Harmondsworth: Penguin, 1979. [Drones Club Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Quick Service&lt;/span&gt;. 1940. Penguin Book 994. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Joy in the Morning&lt;/span&gt;. London: Herbert Jenkins Limited, 1946. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Money in the Bank&lt;/span&gt;. 1946. Penguin Book 2204. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Full Moon&lt;/span&gt;. 1947. Harmondsworth: Penguin, 1979. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Spring Fever&lt;/span&gt;. 1948. Harmondsworth: Penguin, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Uncle Dynamite&lt;/span&gt;. 1948. Penguin Book 2546. Harmondsworth: Penguin, 1966. [Uncle Fred Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Mating Season&lt;/span&gt;. 1949. Penguin Book 1171. Harmondsworth: Penguin, 1957. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Old Reliable&lt;/span&gt;. 1951. London: Pan Books Ltd., 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Barmy in Wonderland&lt;/span&gt;. 1952. London: Pan Books Ltd., 1968. [Drones Club Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Pigs Have Wings&lt;/span&gt;. 1952. Harmondsworth: Penguin, n.d. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Ring for Jeeves&lt;/span&gt;. 1953. Four Square Books. London: New English Library Ltd., 1967. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Jeeves and the Feudal Spirit&lt;/span&gt;. 1954. An Arena Book. London: Arrow Books Limited, 1989. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;French Leave&lt;/span&gt;. London: Herbert Jenkins Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Something Fishy&lt;/span&gt;. 1957. A Star Book. London: W. H. Allen &amp;amp; Co. Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Cocktail Time&lt;/span&gt;. 1958. A Star Book. London: W. H. Allen &amp;amp; Co. Ltd., 1978. [Uncle Fred Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Jeeves in the Offing&lt;/span&gt;. 1960. Harmondsworth: Penguin, 1974. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Ice in the Bedroom&lt;/span&gt;. London: Herbert Jenkins Ltd., 1961. [Drones Club Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Service With a Smile&lt;/span&gt;. 1961. Penguin Book 2532. Harmondsworth: Penguin, 1966. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Stiff Upper Lip, Jeeves&lt;/span&gt;. London: Herbert Jenkins Limited, 1963. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Frozen Assets&lt;/span&gt;. 1964. London: Pan Books Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Galahad at Blandings&lt;/span&gt;. 1965. Harmondsworth: Penguin, 1979. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Plum Pie&lt;/span&gt;. 1966. Coronet Books. London: Hodder &amp;amp; Stoughton Ltd., 1983. [Blandings Stories &amp;amp; Others]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Company for Henry&lt;/span&gt;. 1967. Harmondsworth: Penguin, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The World of Jeeves&lt;/span&gt;. 1967. London: Book Club Associates / Herbert Jenkins Ltd., 1976. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Do Butlers Burgle Banks?&lt;/span&gt; 1968. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;A Pelican at Blandings&lt;/span&gt;. 1969. Harmondsworth: Penguin, 1980. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Much Obliged, Jeeves&lt;/span&gt;. 1971. London: Sphere Books Ltd., 1972. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Pearls, Girls and Monty Bodkin&lt;/span&gt;. 1972. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Mr Mulliner Omnibus&lt;/span&gt;. 1935 &amp;amp; 1972. Hutchinson. London: Random House (UK) Ltd., n.d. [Mr. Mulliner Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Bachelors Anonymous&lt;/span&gt;. 1973. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Golf Omnibus&lt;/span&gt;. 1973. Hutchinson. London: Century Hutchinson Ltd., 1990. [Golf Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Aunts Aren't Gentlemen&lt;/span&gt;. 1974. Harmondsworth: Penguin, 1980. [Jeeves Stories]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Sunset at Blandings&lt;/span&gt;. With Notes and Appendices by Richard Usborne. Illustrated by Ionicus. 1977. Coronet Books. London: Hodder &amp;amp; Stoughton Ltd., 1979. [Blandings Stories]&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Autobiography:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Performing Flea: A Self-Portrait in Letters. With an Introduction and Additional Notes by W. Townend, and the Text of P. G. Wodehouse’s Five Berlin Broadcasts&lt;/span&gt;. 1953. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Wodehouse on Wodehouse: Bring on the Girls: The Improbable Story of Our Life in Musical Comedy (with Guy Bolton) / Performing Flea: A Self-Portrait in Letters. With an Introduction and Additional Notes by W. Townend / Over Seventy: An Autobiography With Digressions&lt;/span&gt;. 1951, 1951, 1956 &amp;amp; 1980. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;Four Plays: The Play’s the Thing / Good Morning, Bill / Leave it to Psmith / Come on, Jeeves&lt;/span&gt;. 1928 &amp;amp; 1932. Introduction by David A. Jasen. Methuen Paperbacks. London: Methuen London Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Poems:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G. &lt;span style="font-style: italic;"&gt;The Parrot and Other Poems&lt;/span&gt;. Introduction by Auberon Waugh. Illustrated by David Langdon. Hutchinson. London: Century Hutchinson Ltd., 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wodehouse, P. G., ed. &lt;span style="font-style: italic;"&gt;A Century of Humour&lt;/span&gt;. London: Hutchinson &amp;amp; Co. (Publishers) Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Letters:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Donaldson, Frances, ed. &lt;span style="font-style: italic;"&gt;Yours, Plum: The Letters of P. G. Wodehouse&lt;/span&gt;. 1990. Harmondsworth: Penguin, 1992.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Connolly, Joseph. &lt;span style="font-style: italic;"&gt;P. G. Wodehouse: An Illustrated Biography. With Complete Bibliography and Collector’s Guide&lt;/span&gt;. 1979. London: Eel Pie Publishing Limited, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Donaldson, Frances. &lt;span style="font-style: italic;"&gt;P. G. Wodehouse: A Biography&lt;/span&gt;. London: Weidenfeld and Nicolson Limited, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jaggard, Geoffrey. &lt;span style="font-style: italic;"&gt;Blandings the Blest and the Blue Blood: A Companion to the Blandings Castle Saga of P. G. Wodehouse, LL.D., with a Complete Wodehouse Peerage, Baronetage &amp;amp; Knightage&lt;/span&gt;. 1968. Coronet Books. London: Hodder &amp;amp; Stoughton Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jasen, David A. &lt;span style="font-style: italic;"&gt;P. G. Wodehouse: A Portrait of a Master&lt;/span&gt;. London: Garnstone Press Limited, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Jasen, David A. &lt;span style="font-style: italic;"&gt;The Theatre of P. G. Wodehouse&lt;/span&gt;. London: B. T. Batsford Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sproat, Iain. &lt;span style="font-style: italic;"&gt;Wodehouse at War&lt;/span&gt;. New Haven &amp;amp; New York: Ticknor &amp;amp; Fields, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Usborne, Richard. &lt;span style="font-style: italic;"&gt;Wodehouse at Work to the End&lt;/span&gt;. 1961. Rev. ed. 1976. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Leonard Sidney Woolf&lt;/strong&gt; (1880–1969) &amp;amp;&lt;br /&gt;&lt;strong&gt;Adeline Virginia Woolf [née Stephen]&lt;/strong&gt; (1882-1941)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Voyage Out&lt;/span&gt;. 1915. Triad Grafton Books. London: Collins Publishing Group, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Night and Day&lt;/span&gt;. 1919. Penguin Modern Classics. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Jacob's Room: A Novel&lt;/span&gt;. 1922. Uniform Edition. London: The Hogarth Press, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Mrs Dalloway&lt;/span&gt;. 1925. Triad / Panther Books. Frogmore, St. Albans, Herts.: Triad Paperbacks Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;To the Lighthouse&lt;/span&gt;. 1927. Ed. Stella McNichol. Introduction &amp;amp; Notes by Hermione Lee. Penguin Twentieth-Century Classics. Harmondsworth: Penguin, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Waves&lt;/span&gt;. 1931. Penguin Modern Classics. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Waves&lt;/span&gt;. 1931. Foreword by Jeanette Winterson. Introduction by Gillian Beer. Vintage Classics. London: Random House, 2000.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Years&lt;/span&gt;. 1937. Penguin Modern Classics. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Between the Acts&lt;/span&gt;. 1941. Harmondsworth: Penguin, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Haunted House and Other Short Stories&lt;/span&gt;. 1944. Penguin Modern Classics. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Complete Shorter Fiction&lt;/span&gt;. Ed. Susan Dick. 1985. Rev. ed. 1989. Triad Grafton Books. London: HarperCollins Publishers, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Orlando: A Biography&lt;/span&gt;. 1928. Harmondsworth: Penguin, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Flush: A Biography&lt;/span&gt;. 1933. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Roger Fry: A Biography&lt;/span&gt;. 1940. A Peregrine Book. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Room of One's Own&lt;/span&gt;. 1929. Harmondsworth: Penguin, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Three Guineas&lt;/span&gt;. 1938. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Common Reader&lt;/span&gt;. 1925. A Pelican Book. Harmondsworth: Penguin, 1938.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Second Common Reader&lt;/span&gt;. 1932. A Pelican Book. Harmondsworth: Penguin, 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Death of the Moth and Other Essays&lt;/span&gt;. 1942. Penguin Modern Classics. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Collected Essays. Volume 1: 1904-1912&lt;/span&gt;. Ed. Andrew McNeillie. London: The Hogarth Press, 1986. [Uncorrected proof copy].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Collected Essays. Volume 1: 1904-1912&lt;/span&gt;. Ed. Andrew McNeillie. London: The Hogarth Press, 1986. Pp. 381-88, 394-411].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Collected Essays. Volume 2: 1912-1918&lt;/span&gt;. Ed. Andrew McNeillie. London: The Hogarth Press, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Moments of Being: Unpublished Autobiographical Writings&lt;/span&gt;. Ed. Jeanne Schulkind. 1976. London: the Hogarth Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style:italic;"&gt;Street Haunting&lt;/span&gt;. Pocket Penguin 44. London: Penguin, 2005.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Writer’s Diary: Being Extracts from the Diary of Virginia Woolf&lt;/span&gt;. Ed. Leonard Woolf. 1953. London: Triad / Panther Books, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Passionate Apprentice: The Early Journals, 1897-1909&lt;/span&gt;. Ed. Mitchell A. Leaska. 1990. London: The Hogarth Press, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Anne Olivier, ed. &lt;span style="font-style: italic;"&gt;The Diary of Virginia Woolf. Volume 1: 1915-1919&lt;/span&gt;. Introduction by Quentin Bell. 1977. 5 vols. Harmondsworth: Penguin, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Anne Olivier, with Andrew McNeillie, ed. &lt;span style="font-style: italic;"&gt;The Diary of Virginia Woolf. Volume 2: 1920-1924&lt;/span&gt;. 1978. 5 vols. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Anne Olivier, ed. &lt;span style="font-style: italic;"&gt;The Diary of Virginia Woolf. Volume 3: 1925-1930&lt;/span&gt;. 1980. 5 vols. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Anne Olivier, with Andrew McNeillie, ed. &lt;span style="font-style: italic;"&gt;The Diary of Virginia Woolf. Volume 4: 1931-1935&lt;/span&gt;. 1982. 5 vols. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Anne Olivier, with Andrew McNeillie, ed. &lt;span style="font-style: italic;"&gt;The Diary of Virginia Woolf. Volume 5: 1936-1941&lt;/span&gt;. 1984. 5 vols. Harmondsworth: Penguin, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Flight of the Mind: The Letters of Virginia Woolf. Volume 1: 1888-1912 (Virginia Stephen)&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. London: The Hogarth Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Question of Things Happening: The Letters of Virginia Woolf. Volume 2: 1912-1922&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. London: The Hogarth Press, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Change of Perspective: The Letters of Virginia Woolf. Volume 3; 1923-1928&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. London: The Hogarth Press, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;A Reflection of the Other Person: The Letters of Virginia Woolf. Volume 4: 1929-1931&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. London: The Hogarth Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;The Sickle Side of the Moon: The Letters of Virginia Woolf. Volume 5: 1932-1935&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. London: The Hogarth Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Virginia. &lt;span style="font-style: italic;"&gt;Leave the Letters Till We're Dead: The Letters of Virginia Woolf. Volume 6: 1936-1941&lt;/span&gt;. Ed. Nigel Nicolson, with Joanne Trautmann. 1980. London: Chatto &amp;amp; Windus Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Quentin. &lt;span style="font-style: italic;"&gt;Virginia Woolf: A Biography&lt;/span&gt;. Volume One: Virginia Stephen, 1882-1912. 1972. A Paladin Book. Frogmore, St. Albans, Herts.: Triad Paperbacks Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bell, Quentin. &lt;span style="font-style: italic;"&gt;Virginia Woolf: A Biography&lt;/span&gt;. Volume One: Mrs Woolf, 1912-1941. 1972. A Paladin Book. Frogmore, St. Albans, Herts.: Triad Paperbacks Ltd., 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kennedy, Richard. &lt;span style="font-style: italic;"&gt;A Boy at the Hogarth Press&lt;/span&gt;. Illustrated by the Author. Introduction by Bevis Hillier. 1972. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lee, Hermione. &lt;span style="font-style: italic;"&gt;Virginia Woolf&lt;/span&gt;. 1996. London: Vintage, 1997.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Noble, Joan Russell, ed. &lt;span style="font-style: italic;"&gt;Recollections of Virginia Woolf&lt;/span&gt;. 1972. Introduction by Michael Holroyd. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;The Village in the Jungle&lt;/span&gt;. 1913. Introduction by E. F. C. Ludowyk. Oxford University Press Paperback. Oxford: Oxford University Press, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;Sowing: An Autobiography of the Years 1880 to 1904&lt;/span&gt;. 1960. A Harvest Book. New York &amp;amp; London: Harcourt Brace Jovanovich, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;Growing: An Autobiography of the Years 1904-1911&lt;/span&gt;. 1961. A Harvest Book. New York &amp;amp; London: Harcourt Brace Jovanovich, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;Beginning Again: An Autobiography of the Years 1911 to 1918&lt;/span&gt;. 1963-64. A Harvest Book. New York &amp;amp; London: Harcourt Brace Jovanovich, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;Downhill All the Way: An Autobiography of the Years 1919 to 1939&lt;/span&gt;. 1967. A Harvest Book. New York &amp;amp; London: Harcourt Brace Jovanovich, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Woolf, Leonard. &lt;span style="font-style: italic;"&gt;The Journey Not the Arrival Matters: An Autobiography of the Years 1939 to 1969&lt;/span&gt;. 1969. A Harvest Book. New York &amp;amp; London: Harcourt Brace Jovanovich, 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Percival Christopher Wren&lt;/strong&gt; (1875-1941)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Wren, P. C. &lt;em&gt;Beau Geste&lt;/em&gt;. 1924. London: John Murray, 1927.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wren, P. C. &lt;em&gt;Beau Sabreur&lt;/em&gt;. 1926. London: John Murray, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wren, P. C. &lt;em&gt;Beau Ideal&lt;/em&gt;. 1928. London: John Murray, 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wren, P. C. &lt;em&gt;Stories of the Foreign Legion&lt;/em&gt;. 1947. London: John Murray, 1953.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SqF4lnz6uDI/AAAAAAAACJw/CfpAWb4VpPw/s1600-h/TheAlexandriaQuartet.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 281px; height: 285px;" src="http://4.bp.blogspot.com/_dSZQ_FbAxSA/SqF4lnz6uDI/AAAAAAAACJw/CfpAWb4VpPw/s400/TheAlexandriaQuartet.jpg" alt="" id="BLOGGER_PHOTO_ID_5377712017794316338" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Lawrence Durrell: &lt;a href="http://en.wikipedia.org/wiki/The_Alexandria_Quartet"&gt;The Alexandria Quartet&lt;/a&gt; (1957-60)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn2"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html#_ftn2" name="_ftn2" title=""&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Anthologies &amp;amp; Secondary Literature&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;[20 books]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Bell, Quentin. &lt;span style="font-style: italic;"&gt;Bloomsbury&lt;/span&gt;. 1968. An Omega Book. Futura Publications Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Callil, Carmen, &amp;amp; Colm Tóibín. &lt;span style="font-style: italic;"&gt;The Modern Library: The Two Hundred Best Novels in English since 1950&lt;/span&gt;. London: Picador, 1999.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Cohen, Debra Rae. &lt;span style="font-style: italic;"&gt;Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction&lt;/span&gt;. Boston: Northeastern University Press, 2002.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Edel, Leon. &lt;span style="font-style: italic;"&gt;Bloomsbury: A House of Lions&lt;/span&gt;. 1979. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gardner, Frank M. &lt;span style="font-style: italic;"&gt;Sequels. Volume 1: Adult Books&lt;/span&gt;. Luton: Association of Assistant Librarians (Group of the Library Association), 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gawsworth, John. &lt;span style="font-style: italic;"&gt;Ten Contemporaries: Notes Towards Their Definitive Bibliography (Second Series): With Original Essays by Dorothy M. Richardson, Frederick Carter, Liam O’Flaherty, Stella Benson, Oliver Onions. E. M. Delafield, Thomas Burke, L. A. G. Strong, John Collier, &amp;amp; H. E. Bates&lt;/span&gt;. Preface by P. H. Muir. London: Joiner &amp;amp; Steele Ltd., 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Gollancz Detective Omnibus: &lt;/span&gt;The Moving Toyshop&lt;span style="font-style: italic;"&gt;, by Edmund Crispin / &lt;/span&gt;Appleby’s End&lt;span style="font-style: italic;"&gt;, by Michael Innes / &lt;/span&gt;Unnatural Death&lt;span style="font-style: italic;"&gt;, by Dorothy L. Sayers&lt;/span&gt;. 1946, 1945 &amp;amp; 1927. London: Victor Gollancz Ltd., 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Second Gollancz Detective Omnibus: &lt;/span&gt;Whose Body?&lt;span style="font-style: italic;"&gt;, by Dorothy L. Sayers / &lt;/span&gt;The Weight of the Evidence&lt;span style="font-style: italic;"&gt;, by Michael Innes / &lt;/span&gt;Holy Disorders&lt;span style="font-style: italic;"&gt;, by Edmund Crispin&lt;/span&gt;. 1923, 1943 &amp;amp; 1945. London: Victor Gollancz Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Howard, Michael S. &lt;span style="font-style: italic;"&gt;Jonathan Cape, Publisher: Herbert Jonathan Cape; G. Wren Howard&lt;/span&gt;. 1971. Harmondsworth: Penguin, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Korte, Barbara, with Ann-Marie Einhaus, ed. &lt;span style="font-style: italic;"&gt;The Penguin Book of First World War Stories&lt;/span&gt;. Penguin Classics. London: Penguin, 2007.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lehmann, John, ed. &lt;span style="font-style: italic;"&gt;The Penguin New Writing&lt;/span&gt;, 2 (January 1941). Harmondsworth: Allen Lane / Penguin Books, 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lehmann, John, ed. &lt;span style="font-style: italic;"&gt;The Penguin New Writing&lt;/span&gt;, 26 (1945). Harmondsworth: Penguin Books, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lehmann, John, ed. &lt;span style="font-style: italic;"&gt;The Penguin New Writing&lt;/span&gt;, 2 (1947). Harmondsworth: Penguin Books, 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McGrath, Patrick, &amp; Bradford Morrow, ed. &lt;span style="font-style:italic;"&gt;The New Gothic: A Collection of Contemporary Gothic Fiction&lt;/span&gt;. 1991. Picador. London: Pan Books Limited, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;Twelve Modern Short Novels: A Collection of the Shorter Works of Writers of Distinction from the Eighties of the Last Century to the Present Day&lt;/span&gt;. Decorations by B. Biro. London: Odhams Press Limited, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Usborne, Richard. &lt;span style="font-style: italic;"&gt;Clubland Heroes: A Nostalgic Study of Some Recurrent Characters in the Romantic Fiction of Dornford Yates, John Buchan and Sapper&lt;/span&gt;. 1953. Hutchinson. London: Hutchinson &amp;amp; Co. (Publishers) Ltd., 1983&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Watson, Colin. &lt;span style="font-style: italic;"&gt;Snobbery with Violence: English Crime Stories and Their Audience&lt;/span&gt;. 1971. Preface by H. R. Keating. A Methuen Paperback. London: Eyre Methuen Ltd., 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Weekend Book&lt;/span&gt;. 1924. Rev. ed. 1928. London: The Nonesuch Press / New York: Random House, Inc., 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wyatt, Woodrow, ed. &lt;span style="font-style: italic;"&gt;The Way We Lived Then: The &lt;/span&gt;English Story&lt;span style="font-style: italic;"&gt; in the 1940s&lt;/span&gt;. 1941-1950, 1989. Flamingo. Glasgow: Fontana Paperbacks, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zaranka, William, ed. &lt;span style="font-style: italic;"&gt;Brand-X Fiction: A Parody Anthology&lt;/span&gt;. 1983. London: Picador, 1984.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dSZQ_FbAxSA/Sk5_lX4DZVI/AAAAAAAABnU/No_6v-5VEfU/s1600-h/library+of+babel+%281997%29.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 320px;" src="http://1.bp.blogspot.com/_dSZQ_FbAxSA/Sk5_lX4DZVI/AAAAAAAABnU/No_6v-5VEfU/s320/library+of+babel+%281997%29.jpg" alt="" id="BLOGGER_PHOTO_ID_5354357287031104850" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2104764566818544017-632232663314692200?l=madbookcollection.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://madbookcollection.blogspot.com/feeds/632232663314692200/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/632232663314692200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2104764566818544017/posts/default/632232663314692200'/><link rel='alternate' type='text/html' href='http://madbookcollection.blogspot.com/2010/02/english-prose-post-1900.html' title='English Prose (post-1900)'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://bp1.blogger.com/_dSZQ_FbAxSA/Rxbbz8pGaXI/AAAAAAAAAGY/6aFTQknvTl4/s400/Jack+Ross+(2002).jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_dSZQ_FbAxSA/SqF3rvgrjqI/AAAAAAAACJo/PnXEcCUcFFg/s72-c/fiction.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2104764566818544017.post-2347878235161946818</id><published>2010-02-20T14:55:00.054+13:00</published><updated>2012-01-17T07:54:45.510+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Twentieth-Century'/><category scheme='http://www.blogger.com/atom/ns#' term='Literature'/><category scheme='http://www.blogger.com/atom/ns#' term='Poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='English'/><title type='text'>English Poetry (post-1900)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S4BKtMV85rI/AAAAAAAADKY/S4pYeGTL31A/s1600-h/Duck+Lake+Winter.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://3.bp.blogspot.com/_dSZQ_FbAxSA/S4BKtMV85rI/AAAAAAAADKY/S4pYeGTL31A/s400/Duck+Lake+Winter.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5440430490131424946" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Jennifer Kilgore-Caradec: &lt;a href="http://notimeforpoetry.blogspot.com/2009/10/rhythm-in-twentieth-century-british.html"&gt;Duck Lake Winter&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A Bibliography of my Collection:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;1, 2 … = shelf numbers counting downwards&lt;br /&gt;[b] = back row of a double row&lt;br /&gt;i, ii = partition / section number (left to right)&lt;br /&gt;• = on top of other books (left to right)&lt;br /&gt;[…] = bound Xerox copy&lt;/span&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Sections:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-poetry-post-1900.html#_ftn1" name="_ftnref1" title="" class="style23"&gt;Alphabetical&lt;/a&gt;&lt;br /&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-poetry-post-1900.html#_ftn2" name="_ftnref2" title="" class="style23"&gt;Anthologies &amp; Secondary Literature&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dSZQ_FbAxSA/S4BH00NrdjI/AAAAAAAADKQ/ZxQ_9p8czwc/s1600-h/24poets.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 368px; height: 368px;" src="http://1.bp.blogspot.com/_dSZQ_FbAxSA/S4BH00NrdjI/AAAAAAAADKQ/ZxQ_9p8czwc/s400/24poets.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5440427322558346802" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[Charlotte High School English 11: &lt;a href="http://english11poets.pbworks.com/"&gt;24 Poets&lt;/a&gt; (2007)]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="ftn1"&gt;&lt;p&gt;&lt;a href="http://madbookcollection.blogspot.com/2010/02/english-poetry-post-1900.html#_ftn1" name="_ftn1" title=""&gt;&lt;strong&gt;&lt;span style="font-size: 180%;"&gt;Alphabetical&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;[575 books]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Authors:&lt;/strong&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;Lascelles Abercrombie&lt;/strong&gt; (1881-1938)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Richard Aldington&lt;/strong&gt; (1892–1962)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Kenneth Allott&lt;/strong&gt; (1912–1973)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;W. H. Auden&lt;/strong&gt; (1907-1973)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;George Barker&lt;/strong&gt; (1913–1991)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;E. Clerihew Bentley&lt;/strong&gt; (1875-1956)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Betjeman&lt;/strong&gt; (1906–1984)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Edmund Blunden&lt;/strong&gt; (1896-1974)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ronald Bottrall&lt;/strong&gt; (1906-1989)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Robert Bridges&lt;/strong&gt; (1844-1930)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Rupert Brooke&lt;/strong&gt; (1887-1915)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Basil Bunting&lt;/strong&gt; (1900-1985)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Christopher Caudwell&lt;/strong&gt; (1907-1937)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Charles Causley&lt;/strong&gt; (1917-2003)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Cecil Day-Lewis&lt;/strong&gt; (1904-1972)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Patric Dickinson&lt;/strong&gt; (1914-1994)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Lord Alfred Douglas&lt;/strong&gt; (1870-1945)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Keith Douglas&lt;/strong&gt; (1920-1944)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;William Empson&lt;/strong&gt; (1906-1984)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Gavin Ewart&lt;/strong&gt; (1916-1995)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;James Fenton&lt;/strong&gt; (1949- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;James Elroy Flecker&lt;/strong&gt; (1884-1915)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Fuller&lt;/strong&gt; (1937- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Roy Fuller&lt;/strong&gt; (1912-1991)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Terry Gifford&lt;/strong&gt; (1946- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Robert Gittings&lt;/strong&gt; (1911-1992)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Harry Graham&lt;/strong&gt; (1874-1936)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Robert Graves&lt;/strong&gt; (1895-1985)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Geoffrey Grigson&lt;/strong&gt; (1905-1985)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Thom Gunn&lt;/strong&gt; (1929-2004)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ivor Gurney&lt;/strong&gt; (1890-1937)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Michael Hamburger&lt;/strong&gt; (1924-2007)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Heath-Stubbs&lt;/strong&gt; (1918-2006)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Adrian Henri&lt;/strong&gt; (1932-2000)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Geoffrey Hill&lt;/strong&gt; (1932- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;A. E. Housman&lt;/strong&gt; (1859-1936)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ted Hughes&lt;/strong&gt; (1930-1998)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Alan Jenkins&lt;/strong&gt; (1955- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Sidney Keyes&lt;/strong&gt; (1922-1943)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Philip Larkin&lt;/strong&gt; (1922-1985)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Laurie Lee&lt;/strong&gt; (1914–1997)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Christopher Logue&lt;/strong&gt; (1926- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Roger McGough&lt;/strong&gt; (1937- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Masefield&lt;/strong&gt; (1878-1967)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Andrew Motion&lt;/strong&gt; (1952- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Norman Nicholson&lt;/strong&gt; (1914–1987)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Wilfred Owen&lt;/strong&gt; (1893-1918)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Brian Patten&lt;/strong&gt; (1946- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Tom Pickard&lt;/strong&gt; (1946- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Ruth Pitter&lt;/strong&gt; (1897-1992)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;J. H. Prynne&lt;/strong&gt; (1936- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;John Pudney&lt;/strong&gt; (1909-1977)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Craig Raine&lt;/strong&gt; (1944- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Tom Raworth&lt;/strong&gt; (1938- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Herbert Read&lt;/strong&gt; (1893-1968)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Peter Reading&lt;/strong&gt; (1946- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Michael Roberts&lt;/strong&gt; (1902-1948)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Isaac Rosenberg&lt;/strong&gt; (1890-1918)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Vita Sackville-West&lt;/strong&gt; (1892-1962)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Siegfried Sassoon&lt;/strong&gt; (1886-1967)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Edith Sitwell&lt;/strong&gt; (1887-1964)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Osbert Sitwell&lt;/strong&gt; (1892-1969)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Sacheverell Sitwell&lt;/strong&gt; (1897-1988)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Stevie Smith&lt;/strong&gt; (1902-1971)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;C. H. Sorley&lt;/strong&gt; (1895-1915)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Stephen Spender&lt;/strong&gt; (1909-1995)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Jon Stallworthy&lt;/strong&gt; (1935- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Edward Thomas&lt;/strong&gt; (1878-1917)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Charles Tomlinson&lt;/strong&gt; (1927- )&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Helen Waddell&lt;/strong&gt; (1889–1965)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Laurence Whistler&lt;/strong&gt; (1912-2000)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Francis Brett Young&lt;/strong&gt; (1884-1954)&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;hr align="left" noshade="noshade" size="1" width="70%"&gt;&lt;br /&gt;&lt;ol&gt;&lt;strong&gt;Lascelles Abercrombie&lt;/strong&gt; (1881-1938)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Abercrombie, Lascelles. &lt;span style="font-style: italic;"&gt;The Poems&lt;/span&gt;. London: Humphrey Milford / Oxford University Press, 1930.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edward Godfree [Richard] Aldington&lt;/strong&gt; (1892–1962)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Aldington, Richard. &lt;span style="font-style:italic;"&gt;Death of a Hero: A Novel&lt;/span&gt;. 1929. The Phoenix Library. London: Chatto and Windus, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Aldington, Richard. &lt;span style="font-style:italic;"&gt;The Colonel's Daughter: A Novel&lt;/span&gt;. 1931. Harmondsworth: Penguin, 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Aldington, Richard. &lt;span style="font-style:italic;"&gt;Soft Answers&lt;/span&gt;. 1932. Harmondsworth: Penguin, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Aldington, Richard. &lt;span style="font-style:italic;"&gt;The Complete Poems&lt;/span&gt;. London: Allan Wingate (Publishers) Limited, 1948.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kenneth Allott&lt;/strong&gt; (1912–1973)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Allott, Kenneth. &lt;span style="font-style:italic;"&gt;Collected Poems&lt;/span&gt;. Foreword by Roy Fuller. London: Martin Secker &amp; Warburg Limited, 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wystan Hugh Auden&lt;/strong&gt; (1907-1973)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;. 1930. London: Faber, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Orators: An English Study&lt;/span&gt;. 1932. London: Faber, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Look, Stranger!&lt;/span&gt; 1936. London: Faber, 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Look, Stranger!&lt;/span&gt; 1936. London: Faber, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Another Time&lt;/span&gt;. London: Faber, 1940.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Some Poems&lt;/span&gt;. 1940. London: Faber, 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;New Year Letter&lt;/span&gt;. 1941. London: Faber, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;For the Time Being&lt;/span&gt;. 1945. London: Faber, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Collected Poetry&lt;/span&gt;. New York: Random House, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Age of Anxiety: A Baroque Eclogue&lt;/span&gt;. 1948. London: Faber, 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Shorter Poems, 1930-1944&lt;/span&gt;. 1950. London: Faber, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Nones&lt;/span&gt;. 1952. London: Faber, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Shield of Achilles&lt;/span&gt;. London: Faber, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;A Selection by the Author&lt;/span&gt;. 1958. Harmondsworth: Penguin, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Homage to Clio&lt;/span&gt;. London: Faber, 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;About the House&lt;/span&gt;. London: Faber, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Shorter Poems: 1927-1957&lt;/span&gt;. 1966. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Longer Poems&lt;/span&gt;. 1968. London: Faber, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. 1968. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;City without Walls and Other Poems&lt;/span&gt;. 1969. London: Faber, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Academic Graffiti&lt;/span&gt;. Illustrated by Fillipo Sanjust. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Epistle to a Godson &amp;amp; Other Poems&lt;/span&gt;. 1972. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Thank You, Fog: Last Poems&lt;/span&gt;. London: Faber, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. Ed. Edward Mendelson. London: Faber, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. Ed. Edward Mendelson. 1976. London: Faber, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. Ed. Edward Mendelson. 1976. Rev. ed. 1991. London: Faber, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The English Auden: Poems, Essays and Dramatic Writings 1927-1939&lt;/span&gt;. Ed. Edward Mendelson. 1977. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The English Auden: Poems, Essays and Dramatic Writings 1927-1939&lt;/span&gt;. Ed. Edward Mendelson. London: Faber, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[McDiarmid, Lucy S. “W. H. Auden’s ‘In the Year of My Youth …’” &lt;span style="font-style: italic;"&gt;Review of English Studies&lt;/span&gt;, 29 (115) (1978): 267-312.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. Ed. Edward Mendelson. London: Faber, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. Ed. Edward Mendelson. 1979. London: Faber, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Selected Poems: Expanded Edition&lt;/span&gt;. Ed. Edward Mendelson. 1979. New York: Vintage Books, 2007.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Platonic Blow and My Epitaph&lt;/span&gt;. Washington, D.C.: Orchises Press, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Juvenilia: Poems 1922-1928&lt;/span&gt;. Ed. Katherine Bucknell. London: Faber, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Juvenilia: Poems 1922-1928&lt;/span&gt;. Expanded Paperback Edition. Ed. Katherine Bucknell. 1994. Princeton &amp;amp; Oxford: Princeton University Press, 2003.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse&lt;/span&gt;. Ed. Edward Mendelson. New York: Vintage Books, 1995.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Dance of Death&lt;/span&gt;. 1933. London: Faber, 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Christopher Isherwood. &lt;span style="font-style: italic;"&gt;The Dog Beneath the Skin, or Where is Francis?&lt;/span&gt; 1935. London: Faber, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Christopher Isherwood. &lt;span style="font-style: italic;"&gt;The Ascent of F6 &amp;amp; On the Frontier&lt;/span&gt;. 1958. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Paul Bunyan: The Libretto of the Operetta by Benjamin Britten&lt;/span&gt;. 1976. Essay by Donald Mitchell. London: Faber, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., &amp;amp; Christopher Isherwood. &lt;span style="font-style: italic;"&gt;Plays and Other Dramatic Writings: 1928-1938&lt;/span&gt;. Ed. Edward Mendelson. The Complete Works of W. H. Auden. London: Faber, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., &amp;amp; Chester Kallman. &lt;span style="font-style: italic;"&gt;Libretti and Other Dramatic Writings: 1939-1973&lt;/span&gt;. Ed. Edward Mendelson. The Complete Works of W. H. Auden. Princeton &amp;amp; Oxford: Princeton University Press, 1993.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., &amp;amp; Louis MacNeice. &lt;span style="font-style: italic;"&gt;Letters from Iceland&lt;/span&gt;. London: Faber, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Christopher Isherwood. &lt;span style="font-style: italic;"&gt;Journey to a War&lt;/span&gt;. 1939. Rev. ed. 1973. London: Faber, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Enchaféd Flood, or The Romantic Iconography of the Sea&lt;/span&gt;. London: Faber, 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Enchaféd Flood, or The Romantic Iconography of the  Sea&lt;/span&gt;. 1951. London: Faber, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Dyer’s Hand and Other Essays&lt;/span&gt;. 1963. London: Faber, 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;The Dyer’s Hand &amp;amp; Other Essays&lt;/span&gt;. 1963. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Secondary Worlds: The T. S. Eliot Memorial Lectures, Delivered at Eliot College in the University of Kent at Canterbury, October, 1967&lt;/span&gt;. London: Faber, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Secondary Worlds: The T. S. Eliot Memorial Lectures&lt;/span&gt;. 1968. London: Faber, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Forewords and Afterwords&lt;/span&gt;. Ed. Edward Mendelson. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Forewords &amp;amp; Afterwords&lt;/span&gt;. Ed. Edward Mendelson. 1973. London: Faber, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Prose and Travel Books in Verse and Prose. Volume 1: 1926-1938&lt;/span&gt;. The Complete Works of W. H. Auden. Ed. Edward Mendelson. London: Faber, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Prose. Volume 2: 1939-1948&lt;/span&gt;. The Complete Works of W. H. Auden. Ed. Edward Mendelson. Princeton &amp;amp; Oxford: Princeton University Press, 2002.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Prose. Volume 3: 1949-1955&lt;/span&gt;. The Complete Works of W. H. Auden. Ed. Edward Mendelson. Princeton &amp;amp; Oxford: Princeton University Press, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;Prose. Volume 4: 1956-1962&lt;/span&gt;. The Complete Works of W. H. Auden. Ed. Edward Mendelson. Princeton &amp;amp; Oxford: Princeton University Press, 2010.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Edited &amp;amp; Translated:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; John Garrett, ed. &lt;span style="font-style: italic;"&gt;The Poet’s Tongue: An Anthology&lt;/span&gt;. 1935. London: Bell, 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;The Oxford Book of Light Verse&lt;/span&gt;. 1938. London: Oxford University Press, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Norman Holmes Pearson, ed. &lt;span style="font-style: italic;"&gt;The Portable Romantic Poets&lt;/span&gt;. 1950. New York: Viking Penguin Inc., 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Norman Holmes Pearson, ed. &lt;span style="font-style: italic;"&gt;Poets of the English Language&lt;/span&gt;. 5 vols. 1952. London: Heron Books, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., Chester Kallman &amp;amp; Noah Greenberg, ed. &lt;span style="font-style: italic;"&gt;An Elizabethan Song Book: Lute Songs, Madrigals and Rounds&lt;/span&gt;. 1957. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;The Faber Book of Modern American Verse&lt;/span&gt;. London: Faber, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Goethe, Johann Wolfgang von. &lt;span style="font-style: italic;"&gt;Italian Journey: 1786-1788&lt;/span&gt;. Trans. W. H. Auden &amp;amp; Elizabeth Mayer. London: Wm Collins, Sons and Co., Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Goethe, Johann Wolfgang von. &lt;span style="font-style: italic;"&gt;Italian Journey&lt;/span&gt;. Trans. W. H. Auden &amp;amp; Elizabeth Mayer. 1962. Penguin Classics. Harmondsworth: Penguin, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;A Choice of de la Mare’s Verse&lt;/span&gt;. London: Faber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Louis Kronenberger, ed. &lt;span style="font-style: italic;"&gt;The Faber Book of Aphorisms: A Personal Selection&lt;/span&gt;. 1964. London: Faber, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Louis Kronenberger, ed. &lt;span style="font-style: italic;"&gt;The Faber Book of Aphorisms: A Personal Selection&lt;/span&gt;. 1964. London: Faber, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hammarskjöld, Dag. &lt;span style="font-style: italic;"&gt;Markings&lt;/span&gt;. 1963. Trans. W. H. Auden &amp;amp; Leif Sjöberg.  1964. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;Nineteenth-Century Minor Poets&lt;/span&gt;. Notes by George R. Creeger. London: Faber, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Paul B. Taylor, trans. &lt;span style="font-style: italic;"&gt;The Elder Edda: a Selection&lt;/span&gt;. Introduction by Peter H. Salus. 1969. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;The Elder Edda: A Selection&lt;/span&gt;. Trans. Paul B. Taylor &amp;amp; W. H. Auden. Introduction by Peter H. Salus &amp;amp; Paul B. Taylor. Notes by Peter H. Salus (London: Faber, 1969): 1-37, 154-73.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;A Certain World: A Commonplace Book&lt;/span&gt;. 1970. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;A Choice of Dryden’s Verse&lt;/span&gt;. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H., ed. &lt;span style="font-style: italic;"&gt;George Herbert&lt;/span&gt;. Poet to Poet. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lagerkvist, Pär. &lt;span style="font-style: italic;"&gt;Evening Land / Aftonland: bi-lingual edition&lt;/span&gt;. 1953. Trans. W. H. Auden &amp;amp; Leif Sjöberg.  1975. London: Souvenir Press, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &amp;amp; Paul B. Taylor, trans. &lt;span style="font-style: italic;"&gt;Norse Poems&lt;/span&gt;. 1981. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Ansen, Alan. &lt;span style="font-style: italic;"&gt;The Table Talk of W. H. Auden&lt;/span&gt;. Ed. Nicholas Jenkins. 1990. London: Faber, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;‘The Map of all My Youth:’ Early Works, Friends &amp;amp; Influences&lt;/span&gt;. Auden Studies 1. Ed. Katherine Bucknell &amp;amp; Nicholas Jenkins. Oxford: Clarendon Press, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Auden, W. H. &lt;span style="font-style: italic;"&gt;‘The Language of Learning and the Language of Love:’ Uncollected Writings, New Interpretations&lt;/span&gt;. Auden Studies 2. Ed. Katherine Bucknell &amp;amp; Nicholas Jenkins. London: Oxford, &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Carpenter, Humphrey. &lt;span style="font-style: italic;"&gt;W. H. Auden: A Biography&lt;/span&gt;. 1981. London: Unwin Paperbacks, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Everett, Barbara. &lt;span style="font-style: italic;"&gt;Auden&lt;/span&gt;. 1964. Edinburgh: Oliver &amp;amp; Boyd, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Farnan, Dorothy J. &lt;span style="font-style: italic;"&gt;Auden in Love&lt;/span&gt;. New York: Simon and Schuster, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Haffenden, John, ed. &lt;em&gt;W. H. Auden: The Critical Heritage&lt;/em&gt;. The Critical Heritage Series. Ed. B. C. Southam. London: Routledge &amp;amp; Kegan Paul, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;I Believe: Nineteen Personal Philosophies&lt;/span&gt;. By W. H. Auden, Pearl Buck, Albert Einstein, Havelock Ellis, E. M. Forster, J. B. S. Haldane, Julian Huxley, Harold J. Laski, Lin Yutang, Thomas Mann, Jacques Maritain, Jules Romains, Bertrand Russell, John Strachey, James Thurber, H. W. Van loon, Beatrice Webb, H. G. Wells &amp;amp; Rebecca West. 1940. London: Unwin Books, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mendelson, Edward. &lt;span style="font-style: italic;"&gt;Early Auden&lt;/span&gt;. 1981. London: Faber, 1999.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mendelson, Edward. &lt;span style="font-style: italic;"&gt;Later Auden&lt;/span&gt;. 1999. New York: Farrar, Straus and Giroux, 2000.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mortimer, Raymond, ed. &lt;span style="font-style: italic;"&gt;The Seven Deadly Sins&lt;/span&gt;. By Angus Wilson, Edith Sitwell, Cyril Connolly, Patrick Leigh Fermor, Evelyn Waugh, Christopher Sykes &amp;amp; W. H. Auden. London: Sunday Times Publications, Inc. 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Osborne, Charles. &lt;span style="font-style: italic;"&gt;W. H. Auden: The Life of  a Poet&lt;/span&gt;. 1979. London: Papermac, 1982. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rowse, A. L. &lt;span style="font-style: italic;"&gt;The Poet Auden: A Personal Memoir&lt;/span&gt;. London: Methuen, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Smith, Stan. &lt;span style="font-style: italic;"&gt;W. H. Auden&lt;/span&gt;. Rereading Literature. Oxford: Basil Blackwell, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spears, Monroe, K. ed. &lt;span style="font-style: italic;"&gt;Auden: A Collection of Critical Essays&lt;/span&gt;. Twentieth Century Views. Englewood Cliffs, N. J.: Prentice-Hall, Inc., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spender, Stephen, ed. &lt;span style="font-style: italic;"&gt;W. H. Auden: A Tribute&lt;/span&gt;. New York: Macmillan Publishing, 1975.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;George Granville Barker&lt;/strong&gt; (1913–1991)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Barker, George. &lt;span style="font-style:italic;"&gt;Collected Poems 1930-1955&lt;/span&gt;. London: Faber, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Barker, George. &lt;span style="font-style:italic;"&gt;Poems of Places and People&lt;/span&gt;. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Barker, George. &lt;span style="font-style:italic;"&gt;The Alphabetical Zoo&lt;/span&gt;. Illustrated by Krystyna Roland. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Barker, George. &lt;span style="font-style:italic;"&gt;Dialogues etc&lt;/span&gt;. 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Illustrated by de Cronin Hastings et al. 1931. Poetry Reprint Series, 4. London: St. James Press / New York: St. Martin’s Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John. &lt;span style="font-style:italic;"&gt;An Oxford University Chest&lt;/span&gt;. Illustrated by L. Moholy-Nagy, Osbert Lancaster, the Rev. Edward Bradley et al. 1938. Oxford Paperbacks. Oxford: Oxford University Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John, &amp; Geoffrey Taylor, ed. &lt;span style="font-style: italic;"&gt;English Scottish &amp; Welsh Landscape: 1700-c.1860&lt;/span&gt;. With Original Lithographs by John Piper. New Excursions into English Poetry. Ed. W. J. Turner &amp; Sheila Shannon. London: Frederick Muller Ltd., 1944.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John. &lt;span style="font-style:italic;"&gt;First and Last Loves&lt;/span&gt;. Drawings by John Piper. 1952. A Grey Arrow. London: Arrow Books Ltd., 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John. &lt;span style="font-style:italic;"&gt;Poems in the Porch&lt;/span&gt;. Illustrated by John Piper. S. P. C. K. Saffron Waldon, Essex: The Talbot Press, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Birkenhead, The Earl of, ed. &lt;span style="font-style:italic;"&gt;John Betjeman’s Collected Poems: Enlarged Edition&lt;/span&gt;. 1958, 1962. London: John Murray (Publishers ) Ltd., 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John. &lt;span style="font-style:italic;"&gt;Summoned by Bells&lt;/span&gt;. 1960. London: John Murray (Publishers ) Ltd. / Readers Union Ltd., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Betjeman, John. &lt;span style="font-style:italic;"&gt;A Nip in the Air&lt;/span&gt;. London: John Murray (Publishers ) Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Guest, John, ed. &lt;span style="font-style:italic;"&gt;The Best of Betjeman&lt;/span&gt;. London: John Murray / Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hillier, Bevis, ed. &lt;span style="font-style:italic;"&gt;John Betjeman: A Life in Pictures&lt;/span&gt;. London: John Murray (Publishers ) Ltd. / The Herbert Press Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hillier, Bevis. &lt;span style="font-style:italic;"&gt;Young Betjeman&lt;/span&gt;. 1988. London: Cardinal Books, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hillier, Bevis. &lt;span style="font-style:italic;"&gt;John Betjeman: New Fame, New Love&lt;/span&gt;. London: John Murray (Publishers ) Ltd., 2002.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edmund Charles Blunden&lt;/strong&gt; (1896-1974)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Blunden, Edmund. &lt;span style="font-style:italic;"&gt;Undertones of War&lt;/span&gt;. 1928. London: Penguin, 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Blunden, Edmund. &lt;span style="font-style:italic;"&gt;Shelley: A Life Story&lt;/span&gt;. 1946. London: Collins / Readers Union Ltd., 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Blunden, Edmund. &lt;span style="font-style:italic;"&gt;The Poems: 1914-30&lt;/span&gt;. London: Cobden-Sanderson, 1930.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Francis James Ronald Bottrall&lt;/strong&gt; (1906-1989)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bottrall, Ronald. &lt;span style="font-style:italic;"&gt;Poems 1955-1973&lt;/span&gt;. Anvil Press Poetry. London: Routledge &amp; Kegan Paul Ltd., 1974.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Robert Seymour Bridges&lt;/strong&gt; (1844-1930)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bridges, Robert. &lt;span style="font-style: italic;"&gt;Poetical Works of Robert Bridges, Excluding the Eight Dramas &amp;amp; The Testament of Beauty&lt;/span&gt;. 1936. London: Humphry Milford / Oxford University Press, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bridges, Robert. &lt;span style="font-style: italic;"&gt;The Testament of Beauty: A Poem in Four Books&lt;/span&gt;. 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Oxford: Oxford University Press, 1996.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Christopher St. John Sprigg ['Christopher Caudwell']&lt;/strong&gt; (1907-1937)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Caudwell, Christopher. &lt;span style="font-style:italic;"&gt;Poems&lt;/span&gt;. 1939. London: The Bodley Head, 1949.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Charles Causley&lt;/strong&gt; (1917-2003)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Causley, Charles. &lt;span style="font-style: italic;"&gt;Collected Poems, 1951-2000: Revised Edition&lt;/span&gt;. London: Picador, 2000.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Causley, Charles. &lt;span style="font-style: italic;"&gt;The Ballad of Aucassin and Nicolette: A Play in Three Acts&lt;/span&gt;. Kestrel Books. Harmondsworth: Penguin, 1981.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil Day-Lewis&lt;/strong&gt; (1904-1972)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C. &lt;span style="font-style:italic;"&gt;Poems: A Selection by the Author&lt;/span&gt;. 1951. The Penguin Poets. Harmondsworth: Penguin, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C. &lt;span style="font-style: italic;"&gt;Christmas Eve&lt;/span&gt;. Illustrated by Edward Ardizzone. Ariel Poem. London: Faber, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1954. London: Jonathan Cape, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C. &lt;span style="font-style: italic;"&gt;The Complete Poems&lt;/span&gt;. Stanford, CA: Stanford University Press, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C. &lt;span style="font-style:italic;"&gt;Poetry for You: A Book for Boys and Girls on the Enjoyment of Poetry&lt;/span&gt;. 1944. 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London: Chatto and Windus / The Hogarth Press Ltd., 1973.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lord Alfred Bruce Douglas&lt;/strong&gt; (1870-1945)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Douglas, Lord Alfred. &lt;span style="font-style: italic;"&gt;The Autobiography&lt;/span&gt;. 1929. London: Martin Secker, 1929.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Keith Castellain Douglas&lt;/strong&gt; (1920-1944)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Douglas, Keith. &lt;span style="font-style: italic;"&gt;Complete Poems&lt;/span&gt;. Ed. Desmond Graham. 1978. Oxford: Oxford University Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Douglas, Keith. &lt;span style="font-style: italic;"&gt;Alamein to Zem Zem&lt;/span&gt;. 1966. Ed. Desmond Graham. Oxford: Oxford University Press, 1979.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;William Empson&lt;/strong&gt; (1906-1984)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1955. London: The Hogarth Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;The Royal Beasts and Other Works&lt;/span&gt;. Ed. John Haffenden. London: Chatto &amp;amp; Windus, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;The Complete Poems&lt;/span&gt;. Ed. John Haffenden. 2000. Penguin Classics. Harmondsworth: Penguin, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;Seven Types of Ambiguity&lt;/span&gt;. 1930. A Pelican Book. Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;Some Versions of Pastoral&lt;/span&gt;. 1935. Peregrine Books. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;The Structure of Complex Words&lt;/span&gt;. 1951. London: The Hogarth Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;Using Biography&lt;/span&gt;. London: Chatto &amp;amp; Windus / The Hogarth Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Empson, William. &lt;span style="font-style: italic;"&gt;Argufying: Essays on Literature and Culture&lt;/span&gt;. Ed. John Haffenden. 1987. London: The Hogarth Press, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gardner, Philip &amp;amp; Averil. &lt;span style="font-style: italic;"&gt;The God Approached: A Commentary on the Poems of William Empson&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1978.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gavin Buchanan Ewart&lt;/strong&gt; (1916-1995)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ewart, Gavin. &lt;span style="font-style: italic;"&gt;The Collected Ewart, 1933-1980&lt;/span&gt;. 1980. London: Hutchinson, 1982.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;James Fenton&lt;/strong&gt; (1949- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fenton, James. &lt;span style="font-style: italic;"&gt;The Memory of War and Children of Exile: Poems 1968-1983&lt;/span&gt;. 1982. King Penguin. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fenton, James. &lt;span style="font-style: italic;"&gt;All the Wrong Places: Adrift in the Politics of Asia&lt;/span&gt;. 1988. London: Penguin, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fenton, James. &lt;span style="font-style: italic;"&gt;The Strength of Poetry: Oxford Lectures&lt;/span&gt;. 2001. New York: Farrar, Straus and Giroux, 2002.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;James Elroy Flecker&lt;/strong&gt; (1884-1915)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Squire, Sir John, ed. &lt;span style="font-style:italic;"&gt;The Collected Poems of James Elroy Flecker&lt;/span&gt;. 1916. London: Martin Secker &amp; Warburg Limited, 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Flecker, James Elroy. &lt;span style="font-style:italic;"&gt;Hassan: The Story of Hassan of Bagdad and How He Came to Make the Golden Voyage to Samarkand, A Play in Five Acts&lt;/span&gt;. 1922. Harmondsworth: Penguin, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Flecker, James Elroy. &lt;span style="font-style:italic;"&gt;Don Juan: A Play in Three Acts&lt;/span&gt;. Preface by Hellé Flecker. 1925. London: William Heinemann Ltd., 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Booth, Martin. &lt;span style="font-style:italic;"&gt;Dreaming of Samarkand&lt;/span&gt;. London: Hutchinson, 1989.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Fuller&lt;/strong&gt; (1937- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fuller, John. &lt;span style="font-style:italic;"&gt;Flying to Nowhere: A Tale&lt;/span&gt;. 1983. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fuller, John. &lt;span style="font-style:italic;"&gt;Selected Poems 1954 to 1982&lt;/span&gt;. London: Martin Secker &amp; Warburg Limited, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fuller, John. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1996.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roy Broadbent Fuller&lt;/strong&gt; (1912-1991)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Fuller, Roy. &lt;span style="font-style:italic;"&gt;Collected Poems&lt;/span&gt;. 1962. André Deutsch Paperback Poets. London: André Deutsch Limited, 1969.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Terry Gifford&lt;/strong&gt; (1946- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gifford, Terry. &lt;span style="font-style: italic;"&gt;Whale Watching with a Boy and a Goat&lt;/span&gt;. Bradford: Redbeck Press, 1988.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Robert William Victor Gittings&lt;/strong&gt; (1911-1992)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gittings, Robert. &lt;span style="font-style:italic;"&gt;Matters of Love and Death&lt;/span&gt;. 1968. London: Heinemann Educational Books Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jocelyn Henry Clive [Harry] Graham&lt;/strong&gt; (1874-1936)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Graham, Harry. &lt;span style="font-style:italic;"&gt;When Grandmama Fell Off the Boat: The Best of Harry Graham, Inventor of Ruthless Rhymes&lt;/span&gt;. 1899 &amp; 1930. Foreword by Virginia Graham. Introduction by Miles Kington. Methuen Humour Classics. London: Methuen London Ltd., 1986.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Robert Ranke Graves&lt;/strong&gt; (1895-1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Over the Brazier&lt;/span&gt;. 1916. Poetry Reprint Series, 1. London: St. James Press / New York: St. Martin’s Press, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Poems 1926 to 1930&lt;/span&gt;. London: William Heinemann Ltd., 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert, trans. &lt;span style="font-style: italic;"&gt;The Anger of Achilles: Homer’s Iliad&lt;/span&gt;. London: Cassell, 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Collected Poems 1965&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Poems 1968-1970&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Poems: Abridged for Dolls and Princes&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Song of Songs: Text and Commentary&lt;/span&gt;. Illustrated by Hans Erni. New York: Clarkson N. Potter, Inc., Publisher, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style: italic;"&gt;Collected Poems 1975&lt;/span&gt;. London: Cassell, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style: italic;"&gt;Complete Poems, Volume 1&lt;/span&gt;. Ed. Beryl Graves &amp;amp; Dunstan Ward Manchester &amp;amp; Paris: Carcanet &amp;amp; Alyscamp Press, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style: italic;"&gt;The Complete Poems in One Volume&lt;/span&gt;. Ed. Beryl Graves &amp;amp; Dunstan Ward. 2000. Penguin Classics. Harmondsworth: Penguin, 2003.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;[Graves, Robert. &lt;span style="font-style: italic;"&gt;My Head! My Head! Being the History of Elisha and the Shulamite Woman; with the History of Moses as Elisha related it, and her Questions put to him&lt;/span&gt;. London: Martin Secker, 1925.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;I, Claudius: From the Autobiography of Tiberius Claudius&lt;/span&gt;. 1934. London: Arthur Barker Limited, 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Claudius the God and his Wife Messalina&lt;/span&gt;. 1934. London: Methuen &amp; Co. Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;‘Antigua, Penny, Puce’&lt;/span&gt;. 1936. Harmondsworth: Penguin, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Count Belisarius&lt;/span&gt;. 1938. Harmondsworth: Penguin, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Sergeant Lamb’s America: A Novel&lt;/span&gt;. 1940. Vintage Books. New York: Alfred A. Knopf, Inc. / Random House, Inc., 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Proceed, Sergeant Lamb&lt;/span&gt;. 1941. London: Methuen &amp; Co. Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Wife to Mr Milton: The Story of Marie Powell&lt;/span&gt;. 1943. Chicago: Academy Chicago Limited, , 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Golden Fleece&lt;/span&gt;. 1944. London: Hutchinson &amp; Co (Publishers) Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;King Jesus&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;em&gt;King Jesus&lt;/em&gt;. 1946. London: Hutchinson &amp; Co. (Publishers) Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;em&gt;Seven Days in New Crete: A Novel&lt;/em&gt;. London: Cassell &amp;amp; Company Limited, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Seven Days in New Crete&lt;/span&gt;. 1949. Introduction by Martin Seymour-Smith. Twentieth-Century Classics. Oxford: Oxford University Press, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Isles of Unwisdom&lt;/span&gt;. London: Readers Union / Cassell &amp; Company Ltd., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Homer's Daughter&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;They Hanged My Saintly Billy&lt;/span&gt;. 1957. A Grey Arrow. London: Arrow Books Limited, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Big Green Book&lt;/span&gt;. Illustrated by Maurice Sendak. 1962. A Young Puffin. Harmondsworth: Penguin, 1978. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Collected Short Stories&lt;/span&gt;. 1964. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Non-Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;English and Scottish Ballads&lt;/span&gt;. 1927. Heinemann Educational Books Ltd. 1957. London: Heinemann, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Lawrence and the Arabs&lt;/span&gt;. Illustrations ed. Eric Kennington. Maps by Herry Perry. 1927. London: Jonathan Cape Ltd., 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Good-bye to All That: An Autobiography&lt;/span&gt;. 1929. London: Jonathan Cape, 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Good-bye to All That&lt;/span&gt;. 1929. Rev. ed. 1957. Penguin Modern Classics.  Harmondsworth: Penguin, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert, &amp; Alan Hodge. &lt;span style="font-style:italic;"&gt;The Long Weekend: a Social History of Great Britain, 1918-1939&lt;/span&gt;. 1940. London: Readers’ Union Limited, 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert, &amp; Alan Hodge. &lt;span style="font-style:italic;"&gt;The Reader Over Your Shoulder: A Handbook for Writers of English Prose&lt;/span&gt;. London: Jonathan Cape Ltd., 1943.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The White Goddess: A Historical Grammar of Poetic Myth&lt;/span&gt;. 1948. Amended and Enlarged Edition. 1961. London: Faber, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Common Asphodel: Essays on Poets and Poetry, 1922-1949&lt;/span&gt;. London: Hamish Hamilton, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Occupation: Writer&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1951.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Crowning Privilege: Collected Essays on Poetry&lt;/span&gt;. 1955. A Pelican Book. Harmondsworth: Penguin, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style: italic;"&gt;The Greek Myths&lt;/span&gt;. 2 vols. 1955. Rev. ed. 1958. Rev. ed. 1960. Pelican Books. Harmondsworth: Penguin, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Greek Myths&lt;/span&gt;. 2 vols. 1955. Rev. ed. 1958. Rev. ed. 1960. Introduction by Kenneth McLeish. Illustrations by Grahame Baker. 1996. London: The Folio Society, 2000.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Steps: Stories; Talks; Essays; Poems; Studies in History&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert, &amp; Raphael Patai. &lt;span style="font-style:italic;"&gt;Hebrew Myths: The Book of Genesis&lt;/span&gt;. 1964. An Arena book. London: Arrow Books Limited, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;The Crane Bag and Other Disputed Subjects&lt;/span&gt;. 1969. London: Cassell &amp; Company Ltd., 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Difficult Questions, Easy Answers&lt;/span&gt;. London: Cassell &amp; Company Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;In Broken Images: Selected Letters 1914-1946&lt;/span&gt;. Ed. Paul O'Prey. London: Hutchinson, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Robert. &lt;span style="font-style:italic;"&gt;Between Moon and Moon: Selected Letters 1946-1972&lt;/span&gt;. Ed. Paul O'Prey. London: Hutchinson, 1984.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Seymour-Smith, Martin. &lt;span style="font-style:italic;"&gt;Robert Graves: His Life and Work&lt;/span&gt;. 1982. Abacus. London: Sphere Books Ltd., 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Richard Perceval. &lt;span style="font-style:italic;"&gt;Robert Graves: The Years with Laura, 1926-1940&lt;/span&gt;. Viking. New York: Penguin Books USA Inc., 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Seymour, Miranda. &lt;span style="font-style:italic;"&gt;Robert Graves: Life on the Edge&lt;/span&gt;. 1995. Doubleday. London: Transworld Publishers Ltd., 1996.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Geoffrey Edward Harvey Grigson&lt;/strong&gt; (1905-1985)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Grigson, Geoffrey. &lt;span style="font-style:italic;"&gt;Ingestion of Ice-Cream and Other Poems&lt;/span&gt;. Macmillan Poets. London: Macmillan and Co. Ltd., 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Grigson, Geoffrey, ed. &lt;span style="font-style:italic;"&gt;New Verse: An Anthology&lt;/span&gt;. London: Faber, 1939.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Thomson William Gunn&lt;/strong&gt; (1929-2004)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;The Passages of Joy&lt;/span&gt;. London: Faber, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Fighting Terms&lt;/span&gt;. 1954. 2nd ed. 1962. Faber Paper Covered Editions. London: Faber, 1970.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;The Sense of Movement&lt;/span&gt;. 1957. Faber Paper Covered Editions. London: Faber, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;My Sad Captains and Other Poems&lt;/span&gt;. 1961. London: Faber, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom, &amp; Ted Hughes. &lt;span style="font-style:italic;"&gt;Selected Poems&lt;/span&gt;. 1962. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Positives: Verses&lt;/span&gt;. Photographs by Ander Gunn. 1966. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Touch&lt;/span&gt;. 1967. London: Faber, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Poems 1950-1966: A Selection&lt;/span&gt;. 1969. Faber Paper Covered Editions. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Moly&lt;/span&gt;. London: Faber, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style:italic;"&gt;Jack Straw’s Castle&lt;/span&gt;. Faber Paperbacks. London: Faber, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gunn, Thom. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1993. London: Faber, 1994.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ivor Bertie Gurney&lt;/strong&gt; (1890-1937)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gurney, Ivor. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. Ed. P. J. Kavanagh. 1982. Manchester: Carcanet, 2004.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Michael Hamburger&lt;/strong&gt; (1924-2007)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hamburger, Michael. &lt;span style="font-style:italic;"&gt;Collected Poems 1941-1983&lt;/span&gt;. Manchester: Carcanet Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Francis Alexander Heath-Stubbs&lt;/strong&gt; (1918-2006)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Heath-Stubbs, John. &lt;span style="font-style: italic;"&gt;Naming the Beasts&lt;/span&gt;. Manchester: Carcanet New Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Heath-Stubbs, John. &lt;span style="font-style: italic;"&gt;Collected Poems 1943-1987&lt;/span&gt;. Manchester: Carcanet, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Heath-Stubbs, John. &lt;span style="font-style: italic;"&gt;Sweetapple Earth&lt;/span&gt;. Manchester: Carcanet, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Heath-Stubbs, John. &lt;span style="font-style:italic;"&gt;The Darkling Plain: A Study of the Later Fortunes of Romanticism in English Poetry from George Darley to W. B. Yeats&lt;/span&gt;. London: Eyre &amp;amp; Spottiswoode, 1950.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Adrian Henri&lt;/strong&gt; (1932-2000)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Henri, Adrian. &lt;span style="font-style: italic;"&gt;The best of henri: Selected Poems 1960-70&lt;/span&gt;. London: Jonathan Cape, 1971.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Geoffrey Hill&lt;/strong&gt; (1932- )&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Hill, Geoffrey. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1985. London: Andre Deutsch, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hill, Geoffrey. &lt;span style="font-style: italic;"&gt;Canaan&lt;/span&gt;. London: Penguin, 1996.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Hill, Geoffrey. &lt;span style="font-style: italic;"&gt;The Lords of Limit&lt;/span&gt;. London: Penguin, 1996.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alfred Edward Housman&lt;/strong&gt; (1859-1936)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style: italic;"&gt;A Shropshire Lad&lt;/span&gt;. 1896. London: Grant Richards Ltd., 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style: italic;"&gt;More Poems&lt;/span&gt;. Ed. Laurence Housman. 1936. A Borzoi Book. New York: Alfred A. Knopf, 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style:italic;"&gt;The Collected Poems&lt;/span&gt;. 1939. London: Jonathan Cape Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1939. The Penguin Poets. Harmondsworth &amp;amp; London: Penguin &amp;amp; Jonathan Cape, 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. The Penguin Poets. Harmondsworth: Penguin, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style:italic;"&gt;Selected Prose&lt;/span&gt;. Ed. John Carter. Cambridge: Cambridge University Press, 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, A. E. &lt;span style="font-style:italic;"&gt;Collected Poems and Selected Prose&lt;/span&gt;. Ed. Christopher Ricks. London: Allen Lane, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Maas, Henry, ed. &lt;span style="font-style:italic;"&gt;The Letters of A. E. Housman&lt;/span&gt;. London: Rupert Hart-Davis, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Graves, Richard Perceval. &lt;span style="font-style:italic;"&gt;A. E. Housman: The Scholar-Poet&lt;/span&gt;. 1979. Oxford Paperbacks. Oxford: Oxford University Press, 1981.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edward James [Ted] Hughes&lt;/strong&gt; (1930-1998)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;The Hawk in the Rain&lt;/span&gt;. 1957. Faber Paper Covered Editions. London: Faber, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Lupercal&lt;/span&gt;. 1960. Faber Paper Covered Editions. London: Faber, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Wodwo&lt;/span&gt;. 1967. Faber Paperbacks. London: Faber, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Crow: From the Life and Songs of the Crow&lt;/span&gt;. 1972. Faber Paperbacks. London: Faber, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Cave Birds: An Alchemical Cave Drama&lt;/span&gt;. Drawings by Leonard Baskin. Faber Paperbacks. London: Faber, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Moortown&lt;/span&gt;. Drawings by Leonard Baskin. Faber Paperbacks. London: Faber, 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;Selected Poems 1957-1981&lt;/span&gt;. London: Faber, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;New Selected Poems 1957-1994&lt;/span&gt;. London: Faber, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;Birthday Letters&lt;/span&gt;. 1998. London: Faber, 1999.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. Ed. Paul Keegan. New York: Farrar, Straus and Giroux, 2003.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Seneca’s Oedipus: An Adaptation&lt;/span&gt;. 1969. Faber Paperbacks. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;Selected Translations&lt;/span&gt;. Ed. Daniel Weissbort. New York: Farrar, Straus and Giroux, 2006.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;How the Whale Became and Other Stories&lt;/span&gt;. Illustrated by George Adamson. 1963. A Young Puffin. Harmondsworth: Penguin, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;The Iron Man: A Story in Five Nights&lt;/span&gt;. Illustrated by George Adamson. 1968. Faber Paper Covered Editions. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;The Iron Man: A Story in Five Nights&lt;/span&gt;. Illustrated by George Adamson. 1968. Faber Paper Covered Editions. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Moon-Whales&lt;/span&gt;. 1976. Illustrated by Chris Riddell. 1988. London: Faber, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Shakespeare and the Goddess of Complete Being&lt;/span&gt;. 1992. London: Faber, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style:italic;"&gt;Difficulties of a Bridegroom: Collected Short Stories&lt;/span&gt;. 1995. London: Faber, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;The Dreamfighter and Other Creation Tales&lt;/span&gt;. London: Faber, 2003.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hughes, Ted. &lt;span style="font-style: italic;"&gt;Letters of Ted Hughes&lt;/span&gt;. Ed. Christopher Reid. London: Faber, 2007.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Feinstein, Elaine. &lt;span style="font-style: italic;"&gt;Ted Hughes: The Life of a Poet&lt;/span&gt;. London: Weidenfeld and Nicolson, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Koren, Yehuda, &amp;amp; Eilat Negev. &lt;span style="font-style: italic;"&gt;A Lover of Unreason: The Life and Tragic Death of Assia Wevill&lt;/span&gt;. London: Robson Books, 2006.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wagner, Erica. &lt;span style="font-style: italic;"&gt;Ariel’s Gift: A Commentary on &lt;/span&gt;Birthday Letters &lt;span style="font-style: italic;"&gt;by Ted Hughes&lt;/span&gt;. 2000. London: Faber, 2001.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alan Jenkins&lt;/strong&gt; (1955- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Jenkins, Alan. &lt;span style="font-style: italic;"&gt;In the Hot-House&lt;/span&gt;. London: Chatto &amp;amp; Windus, 1988.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sidney Arthur Kilworth Keyes&lt;/strong&gt; (1922-1943)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Meyer, Michael, ed. &lt;span style="font-style:italic;"&gt;The Collected Poems of Sidney Keyes&lt;/span&gt;. 1945. London: Routledge, 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Keyes, Sidney. &lt;span style="font-style:italic;"&gt;Minos of Crete: Plays and Stories. With Selections from his Note Book and Letters and Some Early Unpublished Poems&lt;/span&gt;. Ed. Michael Meyer. London: Routledge, 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Meyer, Michael, ed. &lt;span style="font-style:italic;"&gt;The Collected Poems of Sidney Keyes&lt;/span&gt;. 1945. London: Routledge, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Guenther, John. &lt;span style="font-style:italic;"&gt;Sidney Keyes: A Biographical Inquiry&lt;/span&gt;. LME, 11. London: London Magazine Editions, 1967.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Philip Arthur Larkin&lt;/strong&gt; (1922-1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;The North Ship&lt;/span&gt;. 1945. 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Ed. A. T. Tolley. London: Faber, 2005.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;Trouble at Willow Gables and Other Fictions&lt;/span&gt;. Ed. James Booth. London: Faber, 2002.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;Jill&lt;/span&gt;. 1945. London: Faber, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;A Girl in Winter&lt;/span&gt;. 1947. London: Faber, 1982.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Non-fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;Required Writing: Miscellaneous Pieces 1955-1982&lt;/span&gt;. London: Faber, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;Further Requirements: Interviews, Broadcasts, Statements and Book Reviews 1952-1985&lt;/span&gt;. Ed. Anthony Thwaite. 2001. London: Faber, 2002.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;All What Jazz: A Record Diary 1961-1971&lt;/span&gt;. 1970. London: Faber, 1985.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Edited:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip, ed. &lt;span style="font-style: italic;"&gt;The Oxford Book of Twentieth Century English Verse&lt;/span&gt;. 1973. Oxford: Clarendon Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Larkin, Philip. &lt;span style="font-style: italic;"&gt;Selected Letters 1940-1985&lt;/span&gt;. Ed. Anthony Thwaite. London &amp;amp; Boston: Faber, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Motion, Andrew. &lt;span style="font-style: italic;"&gt;Philip Larkin: A Writer’s Life&lt;/span&gt;. London &amp;amp; Boston: Faber, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Laurence Edward Alan [Laurie] Lee&lt;/strong&gt; (1914–1997)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Lee, Laurie. &lt;span style="font-style:italic;"&gt;Red Sky at Sunrise: An Autobiographical Trilogy. Cider with Rosie / As I Walked Out One Midsummer Morning / A Moment of War&lt;/span&gt;. Illustrated by John Ward, Leonard Rosoman &amp; Keith Bowen. 1959, 1969, 1991. Harmondsworth: Penguin, 1993.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Christopher Logue&lt;/strong&gt; (1926- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Logue, Christopher. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. Ed. Christopher Reid. London &amp;amp; Boston: Faber, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Logue, Christopher. &lt;span style="font-style: italic;"&gt;War Music: An Account of Books 16-19 of Homer’s Iliad&lt;/span&gt;. War Music 1. 1981. King Penguin. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roger Joseph McGough&lt;/strong&gt; (1937- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;McGough, Roger. &lt;span style="font-style: italic;"&gt;Watchwords&lt;/span&gt;. 1969. Cape Poetry Paperbacks. London: Jonathan Cape Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McGough, Roger. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 2003. London: Penguin, 2004.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Edward Masefield&lt;/strong&gt; (1878-1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Salt Water Ballads&lt;/span&gt;. 1902. London: Elkin Mathews Ltd., 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. “The Everlasting Mercy.” &lt;span style="font-style:italic;"&gt;The English Review&lt;/span&gt;. Ed. Austin Harrison (October, 1911): 361-404.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. “The Daffodil Fields.” &lt;span style="font-style:italic;"&gt;The English Review&lt;/span&gt;. Ed. Austin Harrison (February, 1913): 337-90.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Story of a Round-House and Other Poems&lt;/span&gt;. New York: The Macmillan Company, 1912.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Dauber &amp; Reynard the Fox&lt;/span&gt;. 1912, 1919. Introduction by the Author. 1962. London: Heinemann Educational Books Ltd., 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. London: William Heinemann Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Collected Poems&lt;/span&gt;. 1923. London: William Heinemann Ltd., 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;King Cole, The Dream and Other Poems&lt;/span&gt;. New York: The Macmillan Company, 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;South and East&lt;/span&gt;. Illustrated by Jacynth Parsons. London: The Medici Society / New York: The Macmillan Company, 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Minnie Maylow’s Story and Other Tales and Scenes&lt;/span&gt;. New York: The Macmillan Company, 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;A Tale of Troy&lt;/span&gt;. London: William Heinemann Ltd., 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;A Letter from Pontus &amp;amp; Other Verse&lt;/span&gt;. London: William Heinemann Ltd., 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Country Scene&lt;/span&gt;. With Pictures by Edward Seago. London: William Collins Sons and Co., Ltd., 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;The Country Scene&lt;/span&gt;. With Pictures by Edward Seago. London: William Collins Sons and Co., Ltd., 1937.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;Tribute to Ballet&lt;/span&gt;. With Pictures by Edward Seago. London: William Collins Sons and Co., Ltd., 1938.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Collected Poems&lt;/span&gt;. 1923. Enlarged Edition. 1932. Enlarged Edition. 1938. London: William Heinemann Ltd., 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Collected Poems&lt;/span&gt;. 1923. Enlarged Edition. 1932. Enlarged Edition. 1938. London: William Heinemann Ltd., 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Gautama the Enlightened and Other Verse&lt;/span&gt;. London: William Heinemann Ltd., 1941. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;A Generation Risen&lt;/span&gt;. With Edward Seago. London: William Collins Sons and Co., Ltd., 1942.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;A Generation Risen&lt;/span&gt;. With Edward Seago. London: William Collins Sons and Co., Ltd., 1942.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Land Workers&lt;/span&gt;. London: William Heinemann Ltd., 1942. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Natalie Maisie and Pavilastukay: Two Tales in Verse&lt;/span&gt;. London: William Heinemann Ltd., 1942. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Wonderings (Between One and Six Years)&lt;/span&gt;. New York: The Macmillan Company, 1943. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Poems: The Revised Edition of the Poet Laureate’s Collected Poems&lt;/span&gt;. 1923. Enlarged Edition. 1932. Enlarged Edition. 1938. Revised Edition. 1946. London: William Heinemann Ltd., 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Poems&lt;/span&gt;. 1923. Enlarged Edition. 1932. Enlarged Edition. 1938. Revised Edition. 1946. London: William Heinemann Ltd., 1948.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Poems: The Revised Edition of the Poet Laureate’s Collected Poems&lt;/span&gt;. 1923. Enlarged Edition. 1932. Enlarged Edition. 1938. Revised Edition. 1946. London: William Heinemann Ltd., 1961.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;On the Hill&lt;/span&gt;. London: William Heinemann Ltd., 1949. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Selected Poems (New Edition)&lt;/span&gt;. London: William Heinemann Ltd., 1950.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Bluebells and Other Verse&lt;/span&gt;. 1961. London: William Heinemann Ltd., 1961. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Western Hudson Shore&lt;/span&gt;. 1962. Ed. Corliss Lamont. New York: The Oliphant Press, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Old Raiger and Other Verse&lt;/span&gt;. London: William Heinemann Ltd., 1964.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Old Raiger and Other Verse&lt;/span&gt;. London: William Heinemann Ltd., 1964. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;In Glad Thanksgiving&lt;/span&gt;. 1966. London: William Heinemann Ltd., 1967. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;In Glad Thanksgiving&lt;/span&gt;. 1966. London: William Heinemann Ltd., 1967.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Selected Poems&lt;/span&gt;. Preface by John Betjeman. London: Book Club Associates, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Selected Poems&lt;/span&gt;. Ed. Donald E. Stanford. Manchester: Carcanet Press, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dodds, David Llewellyn, ed. &lt;span style="font-style:italic;"&gt;Arthurian Poets: John Masefield&lt;/span&gt;. Arthurian Studies, 32. Woodbridge: The Boydell Press, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Errington, Philip W, ed. &lt;span style="font-style:italic;"&gt;Sea-Fever: Selected Poems of John Masefield&lt;/span&gt;. Fyfield Books. Manchester: Carcanet Press Limited, 2005.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[John Masefield, &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;, 1:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Poems: Complete Edition with Recent Poems&lt;/span&gt;. 1951 (New York: The Macmillan Company, 1967): i-xviii, 206-07; [Sonnets:] 352-53, 356-57, 360-67, 370-79; [Penelope:] 620-33; [Recent Poems:] 675-85.&lt;/li&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;A Book of Both Sorts: Selections from the Verse and Prose of John Masefield&lt;/span&gt; (London: William Heinemann Ltd., 1947): 14-16, 85-91, 92-98, 191-92 .&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 1: John Masefield, “A Prayer for the King’s Reign.” &lt;span style="font-style: italic;"&gt;The Times &lt;/span&gt;(April 28, 1937): n.p.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 2: “Masefield’s Offering [three verses of John Masefield’s poem specially written for Princess Elizabeth on the occasion of her wedding].” N.pl, n.d.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 3: John Masefield, “A Prayer for a Beginning Reign.” &lt;span style="font-style: italic;"&gt;The Times &lt;/span&gt;(June 2, 1953): n.p.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 4: “Poet Laureate Wrote Special Hymn Verses.” &lt;span style="font-style: italic;"&gt;The Dominion &lt;/span&gt;(October 13, 1955): n.p.&lt;/li&gt;&lt;li&gt;Notes from &lt;span style="font-style: italic;"&gt;Ballads&lt;/span&gt;, by John Masefield (London: Elkin Mathews, 1903).]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[John Masefield, &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;, 2:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Oxford Recitations: Containing: &lt;/span&gt;Love in the Desert, &lt;span style="font-style: italic;"&gt;by Laurence Binyon&lt;/span&gt;; A Parting &lt;span style="font-style: italic;"&gt;and &lt;/span&gt;The Return &lt;span style="font-style: italic;"&gt;by Gordon Bottomley; &lt;/span&gt;Polyxena’s Speech &lt;span style="font-style: italic;"&gt;and &lt;/span&gt;The Messenger’s Speech, &lt;span style="font-style: italic;"&gt;from the &lt;/span&gt;Hecuba of Euripides, &lt;span style="font-style: italic;"&gt;Translated by John Masefield&lt;/span&gt;. Preface by John Masefield. New York: The Macmillan Company, 1928.&lt;/li&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Some Verses to Some Germans&lt;/span&gt;. London: William Heinemann Ltd., 1939.&lt;/li&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Some Memories of W. B. Yeats&lt;/span&gt;. Dublin: The Cuala Press, 1940.&lt;/li&gt;&lt;li&gt;Cover of &lt;span style="font-style: italic;"&gt;The Story of Ossian : Written and Read by John Masefield, O.M. &lt;/span&gt;Argo Recording RG 178.  Distributed by Delta Trading Co. Ltd. [1959].&lt;/li&gt;&lt;li&gt;Cover of &lt;span style="font-style: italic;"&gt;John Masefield Reading Sea Fever and Other Poems&lt;/span&gt;. Caedmon Literary Series TC1147. Manufactured and Distributed by Philips Records (NZ) Ltd., n.d.&lt;/li&gt;&lt;li&gt;Cover of &lt;span style="font-style: italic;"&gt;A Fox’s Day: Adapted from&lt;/span&gt; Reynard the Fox &lt;span style="font-style: italic;"&gt;and Read by John Masefield, O.M. &lt;/span&gt;Argo Recording RG 224. London : The Argo Record Company Limited, n.d.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Plays:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Tragedy of Nan and Other Plays: The Tragedy of Nan; The Campden Wonder; Mrs. Harrison&lt;/span&gt;. 1909. London: Grant Richards Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;The Tragedy of Pompey the Great&lt;/span&gt;. 1910. Rev. ed. London: Sidgwick &amp;amp; Jackson, 1914.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;The Faithful: A Tragedy in Three Acts&lt;/span&gt;. London: William Heinemann, 1915.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Locked Chest and The Sweeps of Ninety-Eight: Two One-Act Plays&lt;/span&gt;. New York: The Macmillan Company, 1916.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Poem and Two Plays&lt;/span&gt;. London: William Heinemann Ltd., 1919.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Esther: A Tragedy. Adapted and Partially Translated from the French of Jean Racine&lt;/span&gt;. London: William Heinemann Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;Berenice: A Tragedy, Translated from the French of Jean Racine&lt;/span&gt;. London: William Heinemann, 1922.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Melloney Holtspur&lt;/span&gt;. London: William Heinemann Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A King’s Daughter: A Tragedy in Verse&lt;/span&gt;. London: William Heinemann Ltd., 1923. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Trial of Jesus&lt;/span&gt;. London: William Heinemann Ltd., 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;Tristan and Isolt: A Play in Verse&lt;/span&gt;. London: William Heinemann, 1927.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Coming of Christ&lt;/span&gt;. London: William Heinemann Ltd., 1928.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Easter: A Play for Singers&lt;/span&gt;. London: William Heinemann Ltd., 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;End and Beginning&lt;/span&gt;. London: William Heinemann Ltd., 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;A Play of St. George&lt;/span&gt;. London: William Heinemann, 1948.]&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Fiction:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Mainsail Haul&lt;/span&gt;. 1905. Enlarged Ed. 1913. London: Elkin Mathews 1918.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Mainsail Haul&lt;/span&gt;. 1905. Enlarged Ed. 1913. The Mariners Library, 25. London: Rupert Hart-Davis, 1954.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Mainsail Haul&lt;/span&gt;. 1905. Enlarged Ed. 1913. Enlarged Ed. 1954. Grafton Books. London: Collins Publishing Group, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Tarpaulin Muster&lt;/span&gt;. 1907. London: Grant Richards Ltd., 1920.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Captain Margaret: A Romance&lt;/span&gt;. London: Grant Richards, 1908.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Captain Margaret: A Romance&lt;/span&gt;. 1908. Introduction by Hugh Greene. The Bow Street Library. London: The Bodley Head, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Multitude and Solitude&lt;/span&gt;. 1909. The Travellers’ Library. London: Jonathan Cape, 1927.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Martin Hyde: The Duke’s Messenger&lt;/span&gt;. 1910. Redhill, Surrey: Wells Gardner, Darton and Co. Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[Masefield, John. &lt;span style="font-style: italic;"&gt;A Book of Discoveries&lt;/span&gt;. Illustrated by Gordon Browne. London: Wells, Darton and Co. Ltd., 1910. 2 vols.]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Lost Endeavour&lt;/span&gt;. 1910. London: Thomas Nelson and Sons, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Street of To-Day&lt;/span&gt;. 1911. London: J. M. Dent and Sons Ltd. / New York: E. P. Dutton &amp; Co., 1911.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Jim Davis&lt;/span&gt;. 1911. London: Wells Gardner, Darton &amp; Co. Ltd., n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Jim Davis&lt;/span&gt;. 1911. Illustrated by Mead Schaeffer. London: Wells Gardner, Darton and Co. Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Taking of Helen&lt;/span&gt;. Signed, limited edition of 780 copies (613). London: William Heinemann Ltd., 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Sard Harker: A Novel&lt;/span&gt;. 1924. London: William Heinemann Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Sard Harker: A Novel&lt;/span&gt;. 1924. Harmondsworth: Penguin, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[b] Masefield, John. &lt;span style="font-style:italic;"&gt;Odtaa: A Novel&lt;/span&gt;. Limited Edition of 275 copies (23). London: William Heinemann Ltd., 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Odtaa: A Novel&lt;/span&gt;. 1926. London: William Heinemann Ltd., 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Odtaa&lt;/span&gt;. 1926. Harmondsworth: Penguin, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Midnight Folk&lt;/span&gt;. 1927. Illustrated by Rowland Hilder. World Books Children’s Library. London: The Reprint Society, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Midnight Folk&lt;/span&gt;. Illustrated by Rowland Hilder. 1927. Puffin Books. Harmondsworth: Penguin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Midnight Folk&lt;/span&gt;. 1927. Illustrated by Rowland Hilder. London: William Heinemann Ltd., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Midnight Folk&lt;/span&gt;. 1927. Abridged by Patricia Crampton. 1984. Fontana Lions. London: William Collins Sons &amp;amp; Co Ltd., 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Midnight Folk&lt;/span&gt;. 1927. Illustrated by Rowland Hilder. Mammoth. London: Reed Consumer Books Ltd., 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Hawbucks&lt;/span&gt;. London: William Heinemann Ltd., 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Bird of Dawning&lt;/span&gt;. London: William Heinemann Ltd., 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Bird of Dawning, or The Fortune of the Sea&lt;/span&gt;. 1933. New York: The Macmillan Company, 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[b] Masefield, John. &lt;span style="font-style:italic;"&gt;La Course du thé&lt;/span&gt;. 1933. Trans. Régine &amp; Victor Gueit. 1959. inter:presse. Paris: Plon, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Taking of the Gry&lt;/span&gt;. London: William Heinemann Ltd., 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Box of Delights, or When the Wolves were Running&lt;/span&gt;. 1935. Illustrated by Judith Masefield. London: William Heinemann Ltd., 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Box of Delights, or When the Wolves Were Running&lt;/span&gt;. Illustrated by Judith Masefield. 1935. Puffin Books. Harmondsworth: Penguin, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Box of Delights; When The Wolves Were Running&lt;/span&gt;. 1935. Illustrated by Judith Masefield. London: William Heinemann Ltd., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Box of Delights; When The Wolves Were Running&lt;/span&gt;. 1935. Illustrated by Faith Jaques. Abridged by Patricia Crampton. 1984. Fontana Lions. London: William Collins Sons &amp;amp; Co Ltd., 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Box of Delights; When The Wolves Were Running&lt;/span&gt;. 1935. Illustrated by Judith Masefield. Mammoth. London: Reed Consumer Books Ltd., 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Victorious Troy, or The&lt;/span&gt; Hurrying Angel. 1935. London: William Heinemann Ltd., 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[b] Masefield, John. &lt;span style="font-style:italic;"&gt;Par les moyens du bord&lt;/span&gt;. 1935. Adapted by Pierre Rigaut. 1959. inter:presse. Paris: Plon, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Eggs and Baker, or The Days of Trial&lt;/span&gt;. London: William Heinemann Ltd., 1936.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Square Peg, or The Gun Fella: A Novel&lt;/span&gt;. London: William Heinemann Ltd., 1937.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Dead Ned: The Autobiography of a Corpse Who recovered Life within the Coast of Dead Ned and came to what Fortune you shall hear&lt;/span&gt;. London: William Heinemann Ltd., 1938.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Dead Ned: The Autobiography of a Corpse Who Recovered Life within the Coast of Dead Ned and Came to What Fortune you shall hear&lt;/span&gt;. 1938. Puffin Books. Harmondsworth: Penguin, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Live and Kicking Ned: A Continuation of the Tale of Dead Ned&lt;/span&gt;. 1939. London: William Heinemann Ltd., 1939.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Live and Kicking Ned: A Continuation of the Tale of Dead Ned&lt;/span&gt;. Abridged by Vivian Garfield. 1939. Puffin Books. Harmondsworth: Penguin, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Basilissa: A Tale of the Empress Theodora&lt;/span&gt;. London: William Heinemann Ltd., 1940.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Conquer: A Tale of the Nika Rebellion in Byzantium&lt;/span&gt;. London: William Heinemann Ltd., 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Badon Parchments&lt;/span&gt;. London: William Heinemann Ltd., 1947.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Prose:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Sea Life in Nelson’s Time&lt;/span&gt;. 1905. Introduction by Prof. C. C. Lloyd. London: Book Club Associates. 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;On the Spanish Main: Or Some English forays on the Coast of Darien. With a Description of the Buccaneers and a Short Account of Old-Time Ships and Sailors&lt;/span&gt;. 1906. London: Methuen and Co. Ltd., 1922.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;William Shakespeare&lt;/span&gt;. Home University Library, 2. 1911. London: Williams and Norgate, Ltd., 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Gallipoli&lt;/span&gt;. 1916. London: William Heinemann Ltd., 1935.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Old Front Line, or The Beginning of the Battle of the Somme&lt;/span&gt;. London: William Heinemann Ltd., 1917.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;St. George and the Dragon&lt;/span&gt;. London: William Heinemann Ltd., 1919.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Recent Prose&lt;/span&gt;. London: William Heinemann Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;With the Living Voice: An Address Given at the First General Meeting of the Scottish Association for the Speaking of Verse&lt;/span&gt;. London: William Heinemann Ltd., 1924.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Poetry: A Lecture Given at the Queen’s Hall in London, on Thursday, October 15th, 1931&lt;/span&gt;. London: William Heinemann Ltd., 1931.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Wanderer of Liverpool&lt;/span&gt;. 1930. London: William Heinemann Ltd., 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;The Wanderer of Liverpool&lt;/span&gt;. 1930. London: William Heinemann Ltd., 1930.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[John Masefield, &lt;span style="font-style: italic;"&gt;Recent Prose &amp;amp;c&lt;/span&gt;.:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Recent Prose&lt;/span&gt;. 1926. Rev. ed. 1932 (London: William Heinemann Ltd., 1933): 208-16, 244-321.&lt;/li&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style: italic;"&gt;Chaucer: The Leslie Stephen Lecture Delivered at Cambridge 3 March 1931&lt;/span&gt;. Cambridge: Cambridge University Press, 1931.&lt;/li&gt;&lt;li&gt;Masefield, John. “Ruskin.” n.d.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Conway from her Foundation to the Present Day&lt;/span&gt;. London: William Heinemann Ltd., 1933.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Conway&lt;/span&gt;. 1933. Rev. ed. London: William Heinemann Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Nine Days Wonder (The Operation Dynamo)&lt;/span&gt;. 1941. London: William Heinemann Ltd., 1941.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;I Want! I Want!&lt;/span&gt; Introduction by Geoffrey Faber. London: National Book Council, 1944. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A&lt;/span&gt; Macbeth &lt;span style="font-style:italic;"&gt;Production&lt;/span&gt;. London: William Heinemann Ltd., 1945. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Thanks Before Going: Notes on Some of the Original Poems of Dante Gabriel Rossetti&lt;/span&gt;. London: William Heinemann Ltd., 1946. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;A Book of Prose Selections&lt;/span&gt;. London: William Heinemann Ltd., 1950. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;The Twenty-Five Days&lt;/span&gt;. London: William Heinemann Ltd., 1972. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;John Masefield’s Great War: Collected Works&lt;/span&gt;. Ed. Philip W. Errington. Pen &amp; Sword Military Classics. Barnsley, South Yorkshire: Pen &amp; Sword Books Limited, 2007.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Autobiography &amp; Letters:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;In the Mill&lt;/span&gt;. London: William Heinemann Ltd., 1941. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;New Chum&lt;/span&gt;. London: William Heinemann Ltd., 1944. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;So Long To Learn: Chapters of an Autobiography&lt;/span&gt;. London: William Heinemann Ltd., 1952. &lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Grace Before Ploughing: Fragments of Autobiography&lt;/span&gt;. London: William Heinemann Ltd., 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lamont, Corliss &amp;amp; Lansing Lamont, ed. &lt;span style="font-style:italic;"&gt;Letters of John Masefield to Florence Lamont&lt;/span&gt;. London &amp;amp; New York: The Macmillan Press Ltd., 1979.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Letters to Reyna&lt;/span&gt;. Ed. William Buchan. London: Buchan &amp;amp; Enright, Publishers, Limited, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Vansittart, Peter, ed. &lt;span style="font-style:italic;"&gt;John Masefield’s Letters from the Front, 1915-1917&lt;/span&gt;. London: Constable and Company Limited, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John. &lt;span style="font-style:italic;"&gt;Letters to Margaret Bridges (1915-1919)&lt;/span&gt;. Ed. Donald E. Stanford. Manchester: Carcanet Press, in association with MidNAG, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gregory, John, ed. &lt;span style="font-style: italic;"&gt;Brangwen: The Poet and the Dancer. A Story Based on Letters from the Poet Laureate John Masefield to a Young Ballerina During World War Two&lt;/span&gt;. Sussex, England: The Book Guild, Ltd., 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gregory, John, ed. &lt;span style="font-style:italic;"&gt;Brangwen: The Poet and the Dancer. A Story Based on Letters from the Poet Laureate John Masefield&lt;/span&gt;. 1988. Foreword by Corliss Lamont. New York: Prometheus Books, 1989.&lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Edited:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Masefield, John, ed. &lt;span style="font-style:italic;"&gt;A Sailor’s Garland&lt;/span&gt;. London: Methuen &amp; Co., 1906.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John, ed. &lt;span style="font-style:italic;"&gt;An English Prose Miscellany&lt;/span&gt;. London: Methuen &amp; Co., 1907.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Masefield, John, ed. &lt;span style="font-style:italic;"&gt;My Favourite English Poems&lt;/span&gt;. London: William Heinemann Ltd., 1950. &lt;/li&gt;&lt;br /&gt;&lt;strong&gt;Secondary:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;li&gt;Errington, Philip W., ed. &lt;span style="font-style: italic;"&gt;John Masefield: The “Great Auk” of English Literature. A Bibliography&lt;/span&gt;. London: The British Library / New Castle, DE: Oak Knoll Press, 2004.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hamilton, W. H. &lt;span style="font-style:italic;"&gt;John Masefield, A Popular Study&lt;/span&gt;. 1922. London: George Allen &amp;amp; Unwin Ltd., 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Handley-Taylor, Geoffrey, ed. &lt;span style="font-style:italic;"&gt;John Masefield, O.M., The Queen’s Poet Laureate: A Bibliography and Eighty-First Birthday Tribute&lt;/span&gt;. London: Cranbrook Tower Press, 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Knight, G. Wilson. &lt;span style="font-style:italic;"&gt;Neglected Powers: Essays on Nineteenth and Twentieth Century Literature&lt;/span&gt;. London: Routledge &amp;amp; Kegan Paul Limited, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lamont, Corliss, ed. &lt;span style="font-style:italic;"&gt;Remembering John Masefield&lt;/span&gt;. Introduction by Judith Masefield. London: Kaye &amp;amp; Ward Ltd., 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Montgomerie, Leslie T. “In John Masefield’s Garden.” &lt;span style="font-style: italic;"&gt;This England &lt;/span&gt;(Winter 1979): 12-13.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Smith, Constance Babington. &lt;span style="font-style: italic;"&gt;John Masefield: A Life&lt;/span&gt;. Oxford: Oxford University Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Smith, Constance Babington. &lt;span style="font-style:italic;"&gt;John Masefield: A Life&lt;/span&gt;. Oxford: Oxford University Press, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spark, Muriel. &lt;span style="font-style:italic;"&gt;John Masefield&lt;/span&gt;. London: Peter Nevill Ltd., 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Spark, Muriel. &lt;span style="font-style:italic;"&gt;John Masefield&lt;/span&gt;. 1953. Rev. ed. 1962. London: Pimlico, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Sternlicht, Sanford. &lt;span style="font-style:italic;"&gt;John Masefield&lt;/span&gt;. Twayne English Authors Series, 209. Boston: G. K. Hall &amp;amp; Co., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Strong, L. A. G. &lt;span style="font-style:italic;"&gt;John Masefield&lt;/span&gt;. Published for The British Council &amp;amp; The National Book League. London: Longmans, Green &amp;amp; Co., 1952.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Thomas, Gilbert. &lt;span style="font-style:italic;"&gt;John Masefield&lt;/span&gt;. Modern Writers Series. London: Thornton Butterworth Ltd., 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;John Masefield Bibliography&lt;/span&gt;, 1:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Simmons, Charles H. &lt;span style="font-style: italic;"&gt;A Bibliography of John Masefield&lt;/span&gt;. London: Oxford University Press / New York: Columbia University Press, 1930.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;John Masefield Bibliography&lt;/span&gt;, 2:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Drew, Fraser Bragg. “Some Contributions to the Bibliography of John Masefield: 1.” &lt;span style="font-style: italic;"&gt;The Papers of the Bibliographical Society of America&lt;/span&gt;, 53 (June, 1959): 188-96.&lt;/li&gt;&lt;li&gt;Drew, Fraser Bragg. “Some Contributions to the Bibliography of John Masefield: 2.” &lt;span style="font-style: italic;"&gt;The Papers of the Bibliographical Society of America&lt;/span&gt;, 53 (October, 1959): 262-67.&lt;/li&gt;&lt;li&gt;Watson, George &amp;amp; Ian Willison, ed. &lt;span style="font-style: italic;"&gt;The New Cambridge Bibliography of English Literature&lt;/span&gt;. Vol. 4: 1900-1950 (Cambridge : Cambridge University Press, 1972): 306-13, 793.&lt;/li&gt;&lt;li&gt;Drew, Fraser. “Selected Bibliography.” In &lt;span style="font-style: italic;"&gt;John Masefield’s England: A Study of the National Themes in His Work &lt;/span&gt;(New Jersey: Associated University Presses, 1973): 233-50.&lt;/li&gt;&lt;li&gt;Mellown, Elgin W. &lt;span style="font-style: italic;"&gt;A Descriptive Catalogue of the Bibliographies of Twentieth Century British Poets, Novelists and Dramatists&lt;/span&gt; (Troy, New York: Whitston Publishing Co., 1978): vi-xiv, 235-36.&lt;/li&gt;&lt;li&gt;Case, Ann Massie &amp;amp; Laurel Cooley, ed. &lt;span style="font-style: italic;"&gt;Bibliographic Index: A Cumulative Bibliography of  Bibliographies &lt;/span&gt;(New York: The H. W. Wilson Company, 1980): Vol. 4 (1951-55): 398; Vol. 6 (1960-62): 385; Vol. 7 (1963-65): 425; Vol. 9 (1969): 273; Vol. 10 (1970): 296; Vol. 13 (1973): 269; Vol. 20 (1980): 274-75.&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;The Year’s Work in English Studies&lt;/span&gt;, 48 (1967): 347; 49 (1968): 326 &amp;amp; 386; 50 (1969): 351-52; 52 (1971): 21-22, 379; 54 (1973): 394-95; 57 (1976): 361 &amp;amp; 370; 58 (1977): 417; 59 (1978): 411; 60 (1979): 346 &amp;amp; 399; 61 (1980): 84-85.&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;MLA Bibliography&lt;/span&gt;, Vol.1 – (1968): 873; (1969): 112; (1970): 93; (1971): 109; (1972): 120; (1973): 120; (1976): 136; (1976): 143; (1977): 127; (1978): 153 &amp;amp; 155; (1979): 154 &amp;amp; 163.&lt;/li&gt;&lt;li&gt;&lt;span style="font-style: italic;"&gt;English Language and Literature: Annual Bibliography&lt;/span&gt;, 42 (1967): 513; 43 (1968): 573; 44 (1969): 593; 45 (1970): 607;  46 (1971): 16 &amp;amp; 654; 48 (1973): 706; 49 (1974): 791; 51 (1976): 735; 53 (1978): 592; 54 (1979): 654-55; 55 (1980): 740].&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;John Masefield Criticism&lt;/span&gt;, 1:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Biggane, Cecil. &lt;span style="font-style: italic;"&gt;John Masefield: A Study&lt;/span&gt;. Cambridge: W. Heffer &amp;amp; Sons, 1924.&lt;/li&gt;&lt;li&gt;Nevinson, Henry W. &lt;span style="font-style: italic;"&gt;John Masefield: An Appreciation. Together with a Bibliography&lt;/span&gt;. London: William Heinemann, 1931.&lt;/li&gt;&lt;li&gt;Fisher, Margery. &lt;span style="font-style: italic;"&gt;John Masefield&lt;/span&gt;. A Bodley Head Monograph. London: The Bodley Head, 1963.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;John Masefield Criticism&lt;/span&gt;, 2:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Yu Da-Yuen. &lt;span style="font-style: italic;"&gt;John Masefield: A Critical Estimate of His Poems and Plays &lt;/span&gt;(Peiping, China: Sun Yu Press, 1934) 1-4, 11-104.&lt;/li&gt;&lt;li&gt;Strong, L. A. G. &lt;span style="font-style: italic;"&gt;John Masefield&lt;/span&gt;. Printed for The British Council &amp;amp; The National Book League. London: Longmans, Green &amp;amp; Co., 1952.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[&lt;span style="font-style: italic;"&gt;John Masefield Criticism&lt;/span&gt;, 3:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Berry, F. &lt;span style="font-style: italic;"&gt;John Masefield: The Narrative Poet&lt;/span&gt;. The University of Sheffield: Inaugural Lecture, 25 October 1967.&lt;/li&gt;&lt;li&gt;Williams, Charles. “John Masefield.” In &lt;span style="font-style: italic;"&gt;Poetry at Present &lt;/span&gt;(Oxford: Oxford University Press, 1930): 114-27.&lt;/li&gt;&lt;li&gt;Middleton Murry, J. “The Nostalgia of Mr. Masefield.” In &lt;span style="font-style: italic;"&gt;Aspects of Literature&lt;/span&gt; (London: Jonathan Cape, 1934): 164-70.&lt;/li&gt;&lt;li&gt;Swinnerton, Frank. “John Masefield.” In &lt;span style="font-style: italic;"&gt;The Georgian Literary Scene 1910-1935&lt;/span&gt;. 1935 (London: Hutchinson, 1969): 208-12.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 1: “Literature and Life: John Masefield.” &lt;span style="font-style: italic;"&gt;The British Weekly &lt;/span&gt;(15 May, 1930): n.p.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 2: “On story-telling.” [Edinburgh], n.d.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 3: ‘A Carpet-maker.’ “Poet in the mail: Review of &lt;span style="font-style: italic;"&gt;In the Mill&lt;/span&gt;, by John Masefield.” N.pl (28 June, 1941): 314.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 4: “Poems ‘written’ in sleep.” N.pl, n.d.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Cuttings&lt;/span&gt;, 5: Walsh, John. Review of &lt;span style="font-style: italic;"&gt;Brangwen: The Poet and the Dancer&lt;/span&gt;, ed. John Gregory. The Sunday Times (20 November, 1988): G2.&lt;/li&gt;&lt;li&gt;Knight, G. Wilson. “Masefield’s Tragedy of Nan.” In &lt;span style="font-style: italic;"&gt;New Hyperion: A Symposium of Poetry and Criticism&lt;/span&gt;, ed. Geoffrey Handley-Taylor (Oxford: Oxford University Press, 1950): 30-36.&lt;/li&gt;&lt;li&gt;Knight, G. Wilson. “W. W. Gibson and John Masefield.” In &lt;span style="font-style: italic;"&gt;The Golden Labyrinth: A Study of British Drama &lt;/span&gt;(London: Phoenix House, 1962): 331-36.&lt;/li&gt;&lt;li&gt;Knight, G. Wilson. “Masefield and Spiritualism.” In &lt;span style="font-style: italic;"&gt;Neglected Powers: Essays on Nineteenth and Twentieth Century Literature &lt;/span&gt;(London: Routledge &amp;amp; Kegan Paul, 1971): 260-92, 384-85.&lt;/li&gt;&lt;li&gt;Hope, Ronald. “Introduction.” In &lt;span style="font-style: italic;"&gt;John Masefield, The Sea Poems &lt;/span&gt;(London: Heinemann, 1978): vii-xi.&lt;/li&gt;&lt;li&gt;Salmon, Eric. &lt;span style="font-style: italic;"&gt;Granville Barker: A Secret Life &lt;/span&gt;(London: Heinemann Educational Books, 1983): 42-43, 46-47, 132-33, 188-899, 243-44, 341-42.]&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Andrew Motion&lt;/strong&gt; (1952- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Motion, Andrew. &lt;span style="font-style:italic;"&gt;Wainewright the Poisoner&lt;/span&gt;. London: Faber, 2000.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Norman Cornthwaite Nicholson&lt;/strong&gt; (1914–1987)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Nicholson, Norman. &lt;span style="font-style:italic;"&gt;The Old Man of the Mountains: A Play in Three Acts&lt;/span&gt;. 1946. London: Faber, 1946.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Nicholson, Norman. &lt;span style="font-style:italic;"&gt;A Match for the Devil&lt;/span&gt;. London: Faber, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Nicholson, Norman. &lt;span style="font-style:italic;"&gt;Selected Poems&lt;/span&gt;. Faber Paper Covered Editions. London: Faber, 1966.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wilfred Edward Salter Owen&lt;/strong&gt; (1893-1918)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Day Lewis, C., ed. &lt;span style="font-style:italic;"&gt;The Collected Poems of Wilfred Owen&lt;/span&gt;. 1963. Memoir by Edmund Blunden. 1931. A Chatto &amp; Windus Paperback CWP 18. London: Chatto &amp; Windus Ltd., 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Owen, Wilfred. &lt;span style="font-style:italic;"&gt;War Poems and Others&lt;/span&gt;. Ed. Dominic Hibberd. 1973. A Chatto &amp; Windus Paperback CWP 46. London: Chatto &amp; Windus Ltd., 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Stallworthy, Jon, ed. &lt;em&gt;The Poems of Wilfred Owen&lt;/em&gt;. 1985. London: The Hogarth Press, 1988.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Owen, Wilfred. &lt;span style="font-style:italic;"&gt;Collected Letters&lt;/span&gt;. Ed. Harold Owen &amp; John Bell. London: Oxford University Press, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Welland, Dennis. &lt;span style="font-style:italic;"&gt;Wilfred Owen: A Critical Study. Revised and Enlarged Edition&lt;/span&gt;. 1960. London: Chatto &amp; Windus Ltd., 1978.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Brian Patten&lt;/strong&gt; (1946- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Patten, Brian. &lt;span style="font-style: italic;"&gt;The Irrelevant Song&lt;/span&gt;. 1971. London: Unwin Paperbacks, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Patten, Brian. &lt;span style="font-style: italic;"&gt;Notes to the Hurrying Man&lt;/span&gt;. 1969. London: Unwin Paperbacks, 1980.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tom Pickard&lt;/strong&gt; (1946- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Pickard, Tom. &lt;span style="font-style:italic;"&gt;Hero Dust: New and Selected Poems&lt;/span&gt;. London: Allison and Busby Limited, 1979.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Emma Thomas [Ruth] Pitter&lt;/strong&gt; (1897-1992)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Pitter, Ruth. &lt;span style="font-style: italic;"&gt;A Trophy of Arms: Poems 1926-1935&lt;/span&gt;. Preface by James Stephens. 1936. London: The Cresset Press, 1937.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jeremy Halvard Prynne&lt;/strong&gt; (1936- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Prynne, J. H. &lt;span style="font-style: italic;"&gt;Poems&lt;/span&gt;. Newcastle-upon-Tyne: Bloodaxe Books / South Fremantle, WA: Fremantle Arts Centre Press, 1999.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Sleigh Pudney&lt;/strong&gt; (1909-1977)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Pudney, John. &lt;span style="font-style:italic;"&gt;Selected Poems 1967-1973&lt;/span&gt;. London: J. M. Dent &amp; Sons Ltd.1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pudney, John. &lt;span style="font-style:italic;"&gt;Selected Poems&lt;/span&gt;. 1944 &amp; 1946. Decorations by Harold Jones. Guild Books, 238. London: The British Publishers Guild / The Bodley Head, 1947.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Craig Raine&lt;/strong&gt; (1944- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Raine, Craig. &lt;span style="font-style: italic;"&gt;History: The Home Movie&lt;/span&gt;. London: Penguin, 1994.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Thomas Moore [Tom] Raworth&lt;/strong&gt; (1938- )&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Raworth, Tom. &lt;span style="font-style: italic;"&gt;Tottering State: Selected Poems 1963-1987&lt;/span&gt;. London: Paladin Grafton Books 1988.&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sir Herbert Edward Read&lt;/strong&gt; (1893-1968)&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Read, Herbert. &lt;em&gt;Collected Poems&lt;/em&gt;. 1946. London: Faber, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Read, Herbert. &lt;span style="font-style:italic;"&gt;The Green Child&lt;/span&gt;. 1935. Illustrated by Felix Kelly. 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